Perimeter x Heavy

Andres Gonzalez’s American Origami has 384 pages and over 700 photographs. Its bulk foretells the colossal scale, emotional weight and intricacies...

It’s not too much of a stretch to frame the 2011 Japanese Tōhoku earthquake and tsunami as a kind of Baroque cultural event. The catastrophic sca...

There are a few factors that should have hindered my experience of MACK’s much-anticipated new book with Californian photographer Sam Contis, Day...

Rayon Vert relates to a number of things. The title of Éric Rohmer’s 1986 film, Jules Verne’s novel of the same title, the optical phenomenon and ...

In There are No Homosexuals in Iran (published by Edition Patrick Frey, Zurich) by Swiss-born Iranian photographer Laurence Rashti, we visit Deniz...

What the Living Carry (published by MACK, London) is the most recent work and publication from Morgan Ashcom; a semi-autobiographical yet imagined...

For the fourth installment of Perimeter Talks for 2018, Perimeter co-founder Dan Rule spoke with Freek Lomme, the founder of Dutch independent pub...

The following is an excerpt from the first Perimeter Talks of the year, Filling in the Gaps: Photography, Writing and Context. The talk, presented...

The grand American road trip is such an overplayed motif in photography that there’s always a risk of tedium and boredom. After all, who can rival...

North American photographer Jim Jocoy’s visual document of the Bay Area punk scene of the 70s and 80s has been compiled under the volume Order of ...

In our last edition of Perimeter x Heavy for the year, Perimeter Director Dan Rule, Program Coordinator and Photobook Buyer Emma Phillips and The ...

Mark Gowing is the director of Formist, a Sydney-based publisher, design studio and soon-to-be type foundry responsible for some of the most consi...