Perimeter x Heavy

The physical form of the book is inherently conducive to photographic series that have a distinct beginning, middle and end, and as a result, it s...

Thirteen years since Steidl first published the original, Alec Soth’s Sleeping by the Mississippi has been reissued, in almost identical form to t...

Local Objects (The Ice Plant, Los Angeles), the newest book by American photographer and publisher Tim Carpenter, is a celebration of the banal. F...

If there’s an idea that resonates throughout my conversation with Roger Willems – graphic designer, publisher and founder of the quietly esteemed ...

Pigeons have followed us into our cities. They mingle among footfalls in the shadows of hundred-story buildings, and huddle in the forlorn but som...

The following is an edited version of a conversation that took place between Félicia Atkinson and Bartolomé Sanson on August 6 as part of the Peri...

With the long-awaited release of the retrospective publication Erik van der Weijde: This Is Not My Book (Spector Books, Leipzig), we reflect on th...

The following is an excerpt from a conversation that took place during the fourth installment of Perimeter Talks, on July 23, 2017, at Perimeter B...

The photographs that populate Japanese photographer Seiichi Furuya’s new book Why Dresden (published by Spector Books, Leipzig) are quietly radian...

Perhaps only a man subsumed by despair could have imagined beginning such a book as this, but certainly only a great artist could have made an obs...