The first in a new series with the agenda of examining specific phenomena or new lines of thought in the arts through critical writings. This premier edition brings together an original collection of essays which assess changes in the nature and identity of the artist's studio in the context of the production of art in the post-war period. Combining art history, criticism and theory, these clear and accessibly written essays also throw light on specific cases of studio practice from the likes of Eva Hesse, Olafur Eliasson, Bruce Nauman, Martin Kippenberger and Jan de Cock. Contributors include: Wouter Davidts, Kim Paice, MaryJo Marks, Kirsten Swenson and Philip Ursprung. Thanks to Valiz (Amsterdam).
160 pages, 14 x 21 cm, paperback, Valiz (Amsterdam).