Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns
Paul Graham (ed.) – But Still, It Turns

Paul Graham (ed.) – But Still, It Turns

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MACK
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With But Still, It TurnsPaul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern’s Californian waking dream ZZYZXVanessa Winship’s peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg’s Lost CoastStanley Wolukau-Wanambwa’s rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi’s What RemainsRaMell Ross visionary documentary work South County; the collaborative project Index G by Emanuele Bruti Piergiorgio Casotti; and Kristine Potter’s disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form. Its title is the words allegedly murmured by Gallileo after being forced to withdraw his observations of the world; what can be seen here, in Graham’s words, is “all the world’s infinite consanguinity”.

The book includes essays by Paul GrahamRebecca Bengal, RaMell Ross, and Ian Penman.

Published in conjunction with an exhibition at the International Center for Photography (ICP), New York, in January 2021.

268 pages, 23.5 x 28.7cm, embossed linen hardback, MACK (London).