Young UK photographer Kris Kozlowski Moore's self-published book Forty Six Guns employs various approaches and vantages in its poetic untangling of Switzerland's little known, nonetheless pervasive, gun culture.
While highly formalised, rigorously composed landscape and architectural images quietly dominate, still lives, portraits and more idiosyncratic details and gestures give the series its unlikely punch. Generous in its dimensions, this unbound volume offers a primer into the impressive output of another talented student of the new-documentary vernacular.