{"title":"Wild Cards","description":"\u003cp\u003eThe Perimeter 2025 Gift Guide\u003c\/p\u003e\n\u003cp\u003eNiches, peculiarities, 'I'll know it when I see it'. Books you didn't know existed; books they didn't know they needed!\u003c\/p\u003e","products":[{"product_id":"softspot-a-container-for-the-near-and-close","title":"softspot: a container for the near and close","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a fragile space seeking to make sense of a complex now. Through a collaborative process of editing and exchange between James Taylor-Foster and OK-RM, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a dive into the recent past. Imagined as a container for the near and the close, it contains a patchwork of prose, verse and visual work that oscillate between the subjective and the objective. Written through the lens of one writer and augmented by a conversation of contributions and references, the book represents a study in how words can be written — and how they can be held in a hand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConceived of and compiled during 2020 and 2021 with Esther Cloe Theaker, Max Creasy, Rosita Kær, Smari R. Robertsson, Tony Karlsson Savci, and Michela Zoppi. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contains three copies of the same book. You are invited to keep one and to gift the others as you wish.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e406 pages, 13.5 x 7.5cm, softcover, InOtherWords (London).\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":42500889018607,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1660_4c0517e1-dfbd-4f82-82ec-0a523c40b6a8.jpg?v=1645509913"},{"product_id":"tim-coghlan-hells-gates-ii-retribution","title":"Tim Coghlan – Hell's Gates II: Retribution","description":"\u003cp\u003eChurches burning. Hundreds of them. Flames ripping through cavernous interiors; tearing holes through stained glass; felling steeples, bell towers, and domes. An abundance of fire. Firefighters battle in vain. Vast arcs of water appear as if trickles against the towering walls of flame. Locals, members of the congregation, and passersby look on in shock, the inferno illuminating their faces a sickly red. News crews rush to the scene to secure the most dramatic angle. In time, the structures tumble to the ground. The rubble smoulders for days.\u003c\/p\u003e\n\u003cp\u003eTim Coghlan’s \u003cem\u003eHell’s Gates II: Retribution\u003c\/em\u003e is the second complete volume of the \u003cem\u003eHell’s Gates\u003c\/em\u003e series, following the 2018 original (co-published by Knowledge Editions and Perimeter Editions in an edition of 666 copies), and its supplement editions \u003cem\u003eHell’s Gates: Notre Damned, An Act of God\u003c\/em\u003e (Knowledge Editions\/Perimeter Editions, 2019) and \u003cem\u003eHell’s Gates Redux\u003c\/em\u003e (Knowledge Editions, 2022). Like its previous iterations, this pulp novel of images – a sequel in cinematic terms – sees the Melbourne-based designer and publisher delve into the realms of iconography, typology, and the implications and democracy of images. But where earlier editions used strategic Google Images searches to scour the internet for lo-res, amateur, and public domain photographs of burning houses of worship the world over, in \u003cem\u003eRetribution\u003c\/em\u003e, Coghlan focuses his gaze on a particular medium and place. Here, he utilises the moving image, creating a syntax of video stills and vignettes, picturing churches burning to the ground exclusively within the borders of the United States post-2018, the year the original \u003cem\u003eHell’s Gates\u003c\/em\u003e was published.\u003c\/p\u003e\n\u003cp\u003eIt feels fitting. Like the epic Hollywood sequel – think \u003cem\u003eTerminator 2: Judgement Day\u003c\/em\u003e, \u003cem\u003eAliens\u003c\/em\u003e, and \u003cem\u003eBad Boys II\u003c\/em\u003e –\u003cem\u003e Hell’s Gates II: Retribution\u003c\/em\u003e doubles down on its premise. At a juncture in history where the myth of American exceptionalism has devolved and where rightwing zealotry, extreme violence, and rabid evangelicalism have filled the vacuum, Coghlan depicts the iconographic as both deeply fallible and inherently fragile. Both church and state are broken. In \u003cem\u003eHell’s Gates II: Retribution\u003c\/em\u003e, we’re invited to take a seat in the comfy chair and watch them burn.\u003c\/p\u003e\n\u003cp\u003e224 pages, 19.2 x 12cm, perfect bound softcover, Knowledge Editions x Perimeter Editions (Melbourne).\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":44970154033391,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/TC_HG2_Cover-1_0000_IMG_2370_fa11d3c3-c784-4e64-bd85-867a6a4d2d73.jpg?v=1713943297"},{"product_id":"ruben-montesinos-a-guide-on-gardening","title":"Rubén Montesinos – A Guide on Gardening","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eA Guide on Gardening\u003c\/i\u003e is a visual research project which delves into the art of topiary in Mexico City. By means of searching for patterns and the repetition of a variety of recognisable characters, forms, dimensions, and species, the project reflects on the ever-changing nature of shrubs and their impact on the urban landscape. Furthermore, this extensive compendium of images analyses the phenomenon of topiary as an element which interconnects different social classes, thus becoming a tool for cultural expression.\u003cbr\u003e\u003cbr\u003e240 pages, 17 x 21 cm, softcover with dustjacket, Handshake (Valencia).\u003c\/p\u003e\n\u003c!----\u003e","brand":"Handshake","offers":[{"title":"Default Title","offer_id":45693319971055,"sku":null,"price":72.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3841.jpg?v=1722997630"},{"product_id":"hidefumi-nakamura-toilets-a-go-go","title":"Hidefumi Nakamura – Toilets a Go Go!","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSince 2017, Japanese photographer Hidefumi Nakamura has been documenting public toilets in his native country. This cartography of architecture and urban planning works as a catalog of Japanese aesthetics and habits, showing the creative potential of Japanese designers.\u003cbr\u003e\u003cbr\u003eA project by H. Nakamura originally posted on his Instagram account @toilets_a_go_go.\u003cbr\u003e\u003cbr\u003e354 pages, 15 x 11 cm, softcover, Handshake (Valencia).\u003c\/p\u003e\n\u003c!----\u003e","brand":"Handshake","offers":[{"title":"Default Title","offer_id":45693356441839,"sku":null,"price":66.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3852.jpg?v=1722997963"},{"product_id":"three-becomes-two-becomes-one-becomes-none","title":"Three Becomes Two Becomes One Becomes None","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe mandragora plant is one of the best recorded gynaecological herbal substances. It is also the only plant in the European context historically depicted as a half-human-half-plant-creature. The mandragora was, is and continues to be haunted by stories. Could its many stories hold a key for luring our minds off paths that have been sufficiently trodden down? What if the mandragora holds the potential for new orders and for world-making; for a cosmopoeisis of mandragoras.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThree Becomes Two Becomes One Becomes None\u003c\/i\u003e explores the medicinal and magical mandragora plant, and the many stories that grew around it across history. Artist Leonie Brandner's writing moves from the beginning of recorded storytelling to ancient Egyptian and Greek mythology, tracing the lines the mandragora has left behind in medicinal books, folklore and eventually the impact the plant had in the hunt on so-called witches in the Middle Ages. Gently weaving her own perception and encounters with the plant through her rigorous historical research, Leonie Brandner creates a kaleidoscopical image of human-plant-imaginations across time.\u003cbr\u003e\u003cbr\u003e196 pages, 15 x 20cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":45954480439535,"sku":null,"price":56.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_4734.jpg?v=1728543318"},{"product_id":"a-bestiary-of-the-anthropocene","title":"PRE-ORDER: A Bestiary of the Anthropocene","description":"\u003cp\u003eNEW PRINTING\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEqually inspired by medieval bestiaries and observations of our damaged planet, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Bestiary of the Anthropocene\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a compilation of hybrid creatures of our time. Designed as a field handbook, it aims at helping us observe, navigate, and orientate into the increasingly artificial fabric of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, Sars-Covid-2, decapitated mountains, drone-fighting eagles, standardised bananas… each of these specimens are symptomatic of the rapidly transforming “post-natural” era we live in. Often without us even noticing them, these creatures exponentially spread and co-exist with us.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Bestiary of the Anthropocene\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e seeks to capture this precise moment when the biosphere and technosphere merge and mesh into one new hybrid body. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is “natural” or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? What new specimens are currently populating our planet at the beginning of the 21st century?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e256 pages, 12 x 16.5 cm, softcover, Set Margins' (Eindhoven).\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":46031981281519,"sku":null,"price":66.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_5416.png?v=1731027633"},{"product_id":"lia-darjes-plates-i-xxxi","title":"Lia Darjes – Plates I-XXXI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSquirrels, tits, slugs, field mice, ants, sparrows: these are some of the small animals that become the protagonists of Lia Darjes’ mysterious tale. Far from frightening, they captivate and charm with their furtive spirit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a style reminiscent of the Dutch masters who inspire her, \u003c\/span\u003e\u003cb\u003eLia Darjes\u003c\/b\u003e\u003cspan\u003e captures the secret life of these timid creatures. Placing the leftovers of a meal in her or her friend’s garden, she entrusts the ensuing spectacle to her camera, which she leaves outside for hours or days at a time, its shots triggered by movement. This encounter between staged and chance creates a documentary study of these fellow beings with whom we live side by side, and yet so separately from.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003ePlates I-XXXI\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is a silent, colourful series that lifts the veil to reveal that unexpected visitors and magical parallel worlds are closer than we think.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e64 pages, 26 x 20.5 cm, hardcover, Chose Commune (Paris).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Chose Commune","offers":[{"title":"Default Title","offer_id":46133436678383,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_6322.png?v=1734657866"},{"product_id":"freelingwaters-cabinets","title":"FreelingWaters – Cabinets","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHow satisfying it must be to arrive upon an idea that is large and rich enough to sustain years of experimentation. Painter Gijs Frieling and typographer Job Wouters have been lucky enough to find one. Known collectively as FreelingWaters, they have applied their imagery to a variety of surfaces, from walls and buildings to billboards, books, clothing, and even coffins. For their new project they have turned to antique cabinets, which they see as all- accommodating vessels just begging to be invested by the imagination. But instead of cabinets filled with curiosities, FreelingWaters’s cabinets are themselves the curiosity.\u003cbr\u003e\u003cbr\u003eFreelingWaters cabinets is an ongoing project of hand painted antique pine furniture.\u003cbr\u003eCollection 1 with The Wrong Shop in London.\u003cbr\u003eCollection 2 with museum Boijmans van Beuningen in Rotterdam.\u003cbr\u003eCollection 3 with The Future Perfect in New York.\u003cbr\u003e\u003cbr\u003e80 pages, 22.5 x 30cm, softcover, Art Paper Editions (Ghent).\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":46398491361519,"sku":null,"price":72.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7850.jpg?v=1744867645"},{"product_id":"jonas-wood-sports-cards","title":"Jonas Wood – Sports Cards","description":"\u003cdiv class=\"entry\" id=\"entry_14594441\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003ci\u003e\u003cb\u003eSports Cards\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebrings together over 70 of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJonas Wood’s\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003esport trading card drawings and paintings. Featuring four different covers, the fully illustrated monograph includes works from 2005—2023 and is the first comprehensive compilation of this body of work. Grown out of Wood's genuine affinity for sports and athletes, this publication traces his interest in fandom and his trajectory of image making. Seeing Wood's sport trading card works presented in succession, sequenced alphabetically by athlete's name, allows the viewer to follow athletes sporting careers through the artist's eye and underscores Wood's continued devotion to sport as a subject for creation.\u003cbr\u003e\u003cbr\u003e144 pages, 16.4 x 21.7 cm, hardcover, Triangle Books (Brussels).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":46526605885679,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_9219.jpg?v=1749537336"},{"product_id":"karl-haendel-great-ass-at-the-met","title":"Karl Haendel – Great Ass at The Met","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003eGreat Ass at The Met\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ereproduces the complete series of drawings \u003c\/span\u003e\u003cb\u003eKarl Haendel\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003emade after a visit to the The Metropolitan Museum of Art, iPhone in hand, looking for the best male asses of antiquity. The New York born artist, known for his practice of expanding the language of contemporary drawing, made the pencil on paper works from the photos he took on his Met cruise, after recognising that they looked a lot like, well, butt pics–the lingua franca of contemporary nudes. 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Below, a rice field unfolds along with the comings and goings of passersby, farmers, and children. On foot, by bike, or by car. Cintia observes this daily life as though it were a series, made up of fleeting and unique moments that reveal the hidden details of days that follow one another without ever being the same.\u003cbr\u003e\u003cbr\u003eSince 2021, Cintia has been collecting videos of this landscape she watches over. From these recordings, she has created still frames that capture the changing seasons, shifting colours, and recurring figures who pass along the rice field – figures you think you recognise without knowing their stories.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScreenshots from a series of videos about a rice field and its surroundings\u003c\/em\u003e, Cintia Tortosa Santisteban’s first book, features around a hundred images selected from an archive of over a thousand videos. 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