{"title":"Sorry Press","description":"","products":[{"product_id":"new-aesthetic-1","title":"New Aesthetic 1","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594134\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEdited by Leonhard Laupichler \u0026amp; Sophia Brinkgerd\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTypography is the heartbeat of graphic design. It's more than the gateway to an enjoyable and efficient reading experience. It's a language that expresses more than mere words and sentences – an art form that speaks volumes in silence.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eNew Aesthetic\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003edelves into the enigmatic realms of creative expression, uniting a collective of typographers, artists, and designers, each contributing their distinctive approach to typography. \u003c\/span\u003e\u003ci\u003eNew Aesthetic\u003c\/i\u003e\u003cspan\u003e seeks to inspire and innovate, opposing typographic rigidity and welcoming artistic exploration and expressive experimentation.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003eNew Aesthetic\u003c\/i\u003e\u003cspan\u003e believes in the profound emotional influence wielded by typefaces and serves as a canvas, painting a multifaceted portrait of modern typography. Focusing on the emotionally influential power that typefaces hold, \u003c\/span\u003e\u003ci\u003eNew Aesthetic\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eshows modern typography in a multitude of facets.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn this revised and reworked edition of the very first unpublished volume of \u003c\/span\u003e\u003ci\u003eNew Aesthetic\u003c\/i\u003e\u003cspan\u003e, we continue the journey through independent type design. – The Editors\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAimur Takk, Alessio D’Ellena, Alex Valentina, Andree Paat, Armin Roth, Simon Bork, Baptiste Bernazeau, Basile Fournier, Benoît Canaud, Bilal Sebei, Brando Corradini, Bruno Bergallo, Bruno Jacoby, Calvin Kwok, Christian Horrer, Colin Doerffler, Daria Cohen, Daniel Stuhlpfarrer, Emilie Vizcano, Elena Schneider, Erik Sachse, Erkin Karamemet, Fabian Fohrer, Fabian Maier-Bode, Fabio Biesel, Fabio Florez, Franziska Weitgruber, Gunnar Harrison, Heejae Yang, Isabella Ramos Menzel, Isia Yurovsky, Javier Rodriguez, Janik Sandbothe, Jules Durand, Kai Udema, Kazuhiro Aihara, Kevin Moll, Kirill Ratman, Kia Tasbihgou, Laurent Peteuil, Laura Csocsán, Laura Hilbert, Lena Manger, Lena Weber, Leonhard Laupilcher, Lisa Petersen, Loris Pernoux, Luca Marsano, Luca Pellegrini, Lucas Descroix, Lukas Betzler, Lukas Manuel Altmann, Maciej Połczyński, Mălin Neamțu, Mario Naegele , Marcel Saidov, Marie Ducrocq, Martin Pyšný, Massimiliano Audretsch, Mathilde André, Matthieu Visentin, Michael Clasen, Mirko Borsche, Mingoo Yoon, Moritz Appich and Bruno Jacoby, Moby Digg, Neville Brody, Nikolas Wrobel, Nizar Kazan, Nolan Paparelli, Paul Bergès, Paula Scher, Pauline Le Pape, Peter Korsman, PizzaTypefaces, Rafael Ribas, Raoul Gottschling, Raphaël de La Morinerie, Robert Radziejewski, Sara Bastai, Sascha Bente, Sepus Noordmans, Sophia Brinkgerd, Stefanie Vogl, Stefano Bona, Sylvain Esposito, Tatjana Pöschke, Thomas Maier, Timur Zima, Tien-Min Liao, Tommi Sharp, Tor Weibull, Tobias Holzmann, Tobias Hönow, Victor Gérard, Viktor Zumegen, Virgile Flores, Youl Joe.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e294 pages, 17 x 24 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46513653121263,"sku":null,"price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8887.jpg?v=1749106601"},{"product_id":"new-aesthetic-3","title":"New Aesthetic 2","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eEdited by Leonhard Laupichler \u0026amp; Sophia Brinkgerd\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eNew Aesthetic\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eapproaches type design as an opportunity to create art: looking at type design with a benevolence to experiments and processes, and finding potential in the unusual, that might point us into a new future of practicing visual communication. – The Editors\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3,Quatorze, Alex Ortiga, Alexander Raffl, Alexandre Bassi, Alff Rosine, Antoine Brun, Antonio D’Elisiis, Ariel Martín Pérez, Arthur Schwarz, Awista Montagne, Baptiste Bernazeau, Bayonet Services, Bedow Design, Bouk RA, Brando Corradini, Carolina Festa, Charlotte Rohde, Christos Georgatos, Ciarán Brandin, Colin Doerffler, Daan Rietbergen, Daniel Hermes, Daniel Stuhlpfarrer, Daniel Wenzel, Davide Melotti, Dr. Martin Lorenz, Eleonora Šljanda, Elias Hanzer, Emilie Vizcano, Emma Marichal, Eric Lish, Fabian Franz, Fabian Maier-Bode, Fabio Furlani, Fatih Hardal, Felix Sandvoß, Floriane Rousselot, Frédéric Jaman, Gianluca Ciancaglini, Giuseppe Tangaro, Gregory Page, Han Gao, Hugo Jourdan, Ishar Hawkins, István Fazekas, Jack Halten Fahnestock, Jacob Jan Wise, Jake Dalton, János Hunor Vári, Javier Unknos, Jimmy Auger, Jules Durand, Kazuhiro Aihara, Killian Maguet, Laura Csocsán, Leah Maldonado, Lena Karoline Weber, Lennart Van den Bossche, Leonhard Laupichler, Lorenza Liguori, Lucas Hesse, Lukas Haider, Mads-Emil Luplau, Malte Schwenker, Mārcis Lapiņš, Margot Lévêque, Mason Peterson, Massimiliano Audretsch, Mateo Broillet, Mathias Robert, Matteo Bettini, Mickaël Emile, Morgane VanTorre, Nadine Wetzel, Nicolas Terzian, Panama Papers Office, Paola Bombelli, Paul Bergès, Paul Schmidt, Pauline Le Pape, Pauline Sesniac, Péter Polacsek, Peter Roeleveld, Raphaël De La Morinerie, Rémi Volclair, Robert Gutmann, Robert Radziejewski, Robin Guillemin, Samuel Glen Hughes, Sascha Bente, Scott Vander Zee, Sophia Brinkgerd, Sophia Krasomil, Stefan Mader, Stefanie Vogl, TwoPoints.Net, Victor Gérard, Victor Pesotsky, Viktor Zumegen, Virgile Flores, Vivien Hoffmann, Vrints Kolsteren, Zoé Abravanel.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e304 pages, 17 x 24 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46513654956271,"sku":null,"price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8913.jpg?v=1749105264"},{"product_id":"new-aesthetic-4","title":"New Aesthetic 3","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003eEdited by Leonhard Laupichler \u0026amp; Sophia Brinkgerd\u003cbr\u003e\u003cbr\u003eDesign and art are constantly evolving. In both professions, we either risk that our work is transforming into artifacts from a previous period or we can embrace change, encourage experiments and produce more meaningful results.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eNew Aesthetic\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis looking at experimental and independent type design as an intersection of art and design. Typography has established itself in our graphic work culture as an essential component — whether in print or on screen — serving to strengthen visual messages. The traditional form of type was built around the way we read and write. However, we live in a time of transformation and adaption: Our world is experiencing great changes and our habits shift to accommodate new technologies as they appear. As designers, our creative process mirrors how we use our imagination to shape modern visual communication, it brings in a dash of visual surprise, and breaks the conventions we are used to. What if we saw typography in a more playful context, and not necessarily as a final outcome but rather an experimental process? There is potential in blurring and obfuscating the lines of legibility and practicality, pushing the boundaries of emotional expressiveness and allowing for unusual approaches in modern design. Typographic systems can be read in different ways, and every designer is using different styles and is forming new shapes and meanings for users and readers to interpret. The way typefaces interact with individual words can be considered an art form in itself.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew Aesthetic\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis interested in creating an environment where the expressive side of typography design comes together and strives for original solutions instead of seeking traditional perfection. – The Editors\u003cbr\u003e\u003cbr\u003eContributors:\u003cbr\u003eAdam Asztalos, Alessio Borando, Alex Ortiga, Alex Slobzheninov, Amir Mesbahi, Andree Paat, Anna Khorash, Anne-Dauphine Borione, Artem Kakourov, Awista Montagne, Benoît Bodhuin, Benoit Brun, BOAFFF, Bouk Ra, Bruno Jacoby, Calvin Kudufia, Carlos Gonçalves, Carmen Nácher, César Rogers, Charlotte Rohde, Chiachi Chao, Clara Sambot, Cyril Kimmerlin, Dae Huen Lee, Daniel Angermann, Daniel Brokstad, Daniel Gremme, David Gobber, David Jonathan Ross, Elias Hanzer, Emilie Vizcano, Fabian Maier-Bode, Felix Sandvoss, Florian Budke, FlorianeRousselot, Giovanni Nardone, Golgotha, Gregory Page, Guillaume Sbalchiero, Guillermo García Díaz, Han Gao, Hannes Brischke, Harry Bennett, Hoang Nguyen, Hyunjun Jang, Inès Davodeau, Ishar Hawkins, Ivan Tsanko, Jack Niblett, Jaejin Ee, Janik Sandbothe, Jannis Zell, Javier Unknos, Jérémy Landes, Jonas Grünwald, Jule Hägele, Kasper Pyndt, Laura Csocsán, Leonhard Laupichler, Lewis McGuffie, Lucas Liccini, Lynn Cariou, Marguerite Leroux, Maria Doreuli, Marie-Mam Sai Bellier, Marinus Klinksik, Martin Violette, Masahiro Naruse, Massimiliano Audretsch, Michelangelo Nigra, Mike Dziambor, Morgane Vantorre, Moritz Appich, Muhittin Güneş, Nathan Laurent, Nicolas Bernklau, Nicolò Oriani, Odin Lowsley, Olga Umpeleva, Pau Geis, Philipp Herrmann, Raoul Gottschling, Raphaël de La Morinerie, Remi Volclair, Robert Gutmann, Robin Pitchon, Samira Schneuwly, Sangah Shin, Santiago Da Silva, Sascha Bente, Simon Bretz, Sophia Brinkgerd, Stefan Mader, Sun Young Oh,Valerio Monopoli, Viktor Zumegen, Vince Hegedus, Vincenzo Marchese Ragona, Wanwai Shum, Wenrui Zhao, Zin Nagao.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e272 pages, 17 x 24 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46513655283951,"sku":null,"price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8899.jpg?v=1749105856"},{"product_id":"stefan-marx-das-kapitel-copy","title":"Stefan Marx – 章 - Das Kapitel","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eDas Kapitel\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e(章), Stefan Marx wanders around highly commercialised New York, deals with human feelings and forms of life on both sides of the Atlantic, documents superficial materialism and contrasts it with typefaces made up of quotes and lines. In 52 drawings, Stefans shows a chapter of our present. From right to left.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e104 pages, 11.4 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526033232111,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8961.jpg?v=1749107291"},{"product_id":"prishtina-in-53-buildings","title":"Prishtina in 53 Buildings","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594134\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594136\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594137\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594277\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003ci\u003e\u003cb\u003ePrishtina in 53 Buildings\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edraws a multifaceted portrait of Kosovo’s capital city by using architecture as a prism to understand political, cultural and economic processes. Essays on fifty-three built structures, written by different authors with different geographical background and different professional perspective, add up to multilayered account of the city’s history and present. The texts include architectural analyses, political reflections, ethnographic observations and personal memories. Taken together, however, they allow for an understanding of the ambiguous and conflicting processes that are propelling urban development not only in Prishtina. The texts are supplemented by pictures and a visual essay by Italian photographer Filippo Romano.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePrishtina in 53 Buildings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis more than a guide book for visitors or residents of the city. Buildings are not only the materialisation of design principles or architectonic ideas, but the outcome of socio-economic processes. The built environment is constantly re-appropriated, re-interpreted and re-valuated as architects do not have the final say as to the meaning and the function of an edifice. By conceptualising architecture as materialisation of societal processes,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePrishtina in 53 Buildings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epushes beyond notions that assume an intrinsic and coherent ‘logic’ of cities. The editors Donika Luzhnica and Jonas König show that a polyphonic approach is more apposite to depict the often-contradictory trajectories of urban development. What holds true for cities in general, is in particular applicable for post-conflict cities like Prishtina.\u003cbr\u003e\u003cbr\u003eEdited by Donika Luzhnica and Jonas König\u003cbr\u003e\u003cbr\u003eWith contributions from: Alba Imeri, Ana Dragić, Andrra, Anna Di Lellio, Antigonë Isufi, Antonia Young, Arbër Sadiki, Arnisa Kryeziu, Arta Basha Jakupi, Aurela Kadriu, Bardhi Haliti, Besa Luci, Carlo Ratti, Daniele Belleri, Dion Zeqiri, Donika Luzhnica, Eliza Hoxha, Ena Kukić, Erodita Qehaja, Erzë Dinarama, Fitore Isufi Shukriu, Flaka Haliti, Flakë Zeneli, Gil Boesch, Gjergji Islami, Gresa Kastrati, Guillaume de Morsier, Gyler Mydyti, Ilir Bajri, Ilir Gjinolli, Iliriana Sejdullahu, Ines Demiri, Jean-Arnault Dérens, Jeton Neziraj, Jonas König, Kai Vöckler, Krenare Juniku, Lydra Hoxha, Martin Pohl, Maximilian Hartmuth, Mirjeta Qehaja, Nebojsa Milikić, Nick Ames, Nita Deda, Nora Krasniqi Arapi, Predrag Guberinić, Rozafa Basha, Ruth Duma Coman, Sakibe Jashari, Sali Spahiu, Samir Karahoda, Shkumbin Ahmetxhekaj, Shpresa Jashari, Sokol Beqiri, Sokol Ferizi, Toton, Valentin Kuník, Visar Geci and Vladimir Kulić.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n304 pages, 12.1 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526069145839,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8802_58fadca5-0e3e-405b-ae7c-c9f9b80a33e5.jpg?v=1749186670"},{"product_id":"the-uncanny-house","title":"The Uncanny House","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594137\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIn the wake of the widespread leitmotiv that nourished literary fantasy, fairy tales, horror stories and artistic creation alike since the early 19th century, \u003c\/span\u003e\u003ci\u003e\u003cb\u003eThe Uncanny House\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e investigates the sense of unheimlich within the rooms of the Rome apartment where \u003c\/span\u003e\u003cb\u003eJohann Wolfgang von Goethe\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003elived between 1786 and 1788. It is a place that provides an especially favoured locus for uncanny disturbances: its apparent domesticity, its residue of nostalgia and its role as the last and most intimate shelter of private comfort are sharpened by the contrast of empty spaces, crevices, chimeras, ghosts, alien spirits, time shifts and voices that creep in. Through the work of eighteen international artists, the house thus becomes a place where ambiguities, obsessive thoughts and the neurotic dimensions of the human sphere become apparent.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e160 pages, 11.5 x 18.3 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526162501871,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8803_ecf9542d-5606-4ba2-bd79-a59202d199cb.jpg?v=1749110280"},{"product_id":"pola-oloixarac-and-esteban-insinger-hercules-en-el-mato-grosso","title":"Pola Oloixarac and Esteban Insinger – Hércules en el Mato Grosso","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594137\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA true Fitzcarraldo story from the Ur-Wald, \u003c\/span\u003e\u003ci\u003e\u003cb\u003eHércules en el Mato Grosso\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003efollows the megalomaniac Langsdorff expedition (1824–1828) into the Brazilian Amazonas. Throughout the four year journey, the explorers encounter canibals, are eaten by piranhas or poisoned by their very own scientific experiments. In the end, Baron Langsdorff literally looses his mind and returns mad while the French painter Hércules Florence had invented his style of photography. Yes, years before his compatriot Daguerre.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe babylonic book is as dazzling: it includes an extraordinary essay by the writer Pola Oloixarac, the hallucinogenic libretto of the original opera—inaugurated at the Teatro Colon en Buenos Aires—and a selected soundscore by the composer Esteban Insinger. Further it comes with smooth Begleitmusik, recomposed for the readers and published by Public Possession. All in all in five languages: Portuguese, Spanish, English, German and Quechua.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e144 pages, 11.4 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526390534383,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8815_73ffe363-a8f5-4ed5-973f-4956ccb6cfc4.jpg?v=1749108491"},{"product_id":"federico-sargentone-midcareer-writing","title":"Federico Sargentone – Midcareer Writing","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cb\u003e\u003ci\u003eMidcareer Writing\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFederico Sargentone\u003c\/b\u003e’s debut book: a reflective exploration of identity, youth, and cultural narratives. They manifest in various expressions and consumer choices, perpetuating a generational mythology that fuels industries—from fashion, art, and music to media and economics— that continually mine youth culture for economic gain, recycling trends and identities into commodities.\u003cbr\u003e\u003cbr\u003eIF YOU BUY INTO IT YOU ARE PART OF IT\u003cbr\u003e\u003cbr\u003eIn this collection of selected essays, including both published and original material, the author delves into historical phenomena such as 'Tulipmania' as allegories for the excesses and speculative bubbles of modern consumer culture or touches on the concept of 'ambient' aesthetics, a pervasive influence in the digital age where everything from music to fashion prioritises atmosphere over explicit structure or narrative.\u003cbr\u003e\u003cbr\u003eAURA IS THE ULTIMATE BRANDING OF OUR GENERATION\u003cbr\u003e\u003cbr\u003eThe Milan-based writer argues that immersive environments and moods replace traditional artistic expression as markers of cultural relevance. Further, he criticises the romanticised image of the writer and intellectual and emphasises the role of 'street intellectuals' - thus organising a virtual reunion between Antonio Gramsci, Dr. Spock, Marshall McLuhan, and Tupac Shakur. And more…\u003cbr\u003e\u003cbr\u003eA NEW WAY FOR THE OLD GAME!\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMidcareer Writing\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eoffers a critique of how society constructs, commodifies and ultimately consumes cultural identities, suggesting that each generation, while unique, is inextricably linked to broader economic and cultural systems.\u003cbr\u003eIncluding a Bonus Track. Sorry and thank you!\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e160 pages, 11 x 18 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526392336623,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8824_1771ed68-e7c2-43c8-a909-bd4fcb626aae.jpg?v=1749104194"},{"product_id":"outdoor-sculpture-material-1","title":"Outdoor Sculpture Material #1","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594137\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14594277\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594279\"\u003e\n\u003cdiv class=\"project_content\"\u003eWhen skateboarders appeared on the plaza of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eI See A Face. Do You See A Face. Outdoor Sculpture #1\u003c\/i\u003e—and in return Flaka Haliti’s sculpture surfaced in their online footage—two worlds collided and infiltrated one another. Two worlds that are enjoying each other very much and manifest in this collaboration that explores public art from a different kind of street-level perspective.\u003cbr\u003e\u003cbr\u003eA two-fold essay by Flaka Haliti preludes the flipbook starring four lines by SHRN team members Tim Griffel, Stefan Lehnert, Fiona Wessely, Manu Wolff—and the sculpture is always on centre court.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n304 pages, 11.5 x 19 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526394401007,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8835_5c07b7b5-260c-4278-b7aa-79988035745a.jpg?v=1749187722"},{"product_id":"theresia-enzensberger-picture-book","title":"PRE-ORDER: Theresia Enzensberger – Picture Book","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594149\"\u003e\n\u003cdiv class=\"project_content\"\u003eBilderbuch is a book of twenty-four images interpreted by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTheresia Enzensberger\u003c\/b\u003e. Images that broke news, made headlines–sometimes even replaced them–and went around the globe. In her texts, Theresia Enzensberger reflects on them and places them in an art-historical context: Which iconographic tradition can the ship stuck in the Suez Canal be situated in? What does the grotesquely gigantic table say about its owner, Russian President Vladimir Putin? What forces are at play when a picture of Pope Francis in a down jacket goes viral?\u003cbr\u003e\u003cbr\u003eIn a world of deep fakes and viral images, the author invites readers to look calmly and closely. It is, after all, interpretation that drives current affairs.\u003cbr\u003e\u003cbr\u003eThe texts are based on the column 'Iconoclash', which were published in Monopol Magazine from 2018 to 2021.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e112 pages, 11.8 x 18.7 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526394990831,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8843.jpg?v=1749186152"},{"product_id":"2038-the-new-serenity","title":"2038: The New Serenity","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan\u003eToday, in the year 2038, we have mastered the great crises. It was close, but we made it. The global ecological, social and economic disasters of the 2020s brought people, states, institutions and companies together. They committed themselves to fundamental rights and jointly created viable, adaptable systems and legal frameworks on a planetary basis, giving decentralised, local structures the space to maintain and create highly diverse models of co-existing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTechnology and big data helped us to turn new and old ideas into reality. And often architects were part of the solution because they had answers instead of coming up with more questions. Drama is now history. We live in a radical democracy, in a radical bureaucracy. On a planet that doesn't know or need heroes or villains.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe anthology \u003c\/span\u003e\u003ci\u003e\u003cb\u003e2038 — The New Serenity\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e features contributions by Audrey Tang, Christopher Roth, Erica Love \u0026amp; João Enxuto, Erik Bordeleau, Evgeny Morozov, Hilary Mason, Jacob Eli Goldman, Jennifer Jacquet \u0026amp; Becca Franks, Joana Pope, Leif Randt, Ludwig Engel, Lukas Kubina, Mark Wigley, Meghan Rolvien, Michael Stoeppler, Mitch Joachim, Olaf Grawert, Suhail Malik, Tatiana Bilbao, terra0, and Tirdad Zolgahdr.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e260 pages, 18.5 x 11.5 cm, softcover, Sorry Press (Munich).\u003c\/p\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526397087983,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8850.jpg?v=1749098983"},{"product_id":"sorry-siracusa-short-stories","title":"Sorry Siracusa: Short Stories","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cb\u003e\u003ci\u003eSorry Siracusa\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a collection of short stories by Annabelle Hirsch, Adriano Sack, Dana von Suffrin, Giuliano Bonelli, Giovanni Fiderio, Lucia Moschella, Lukas Kubina, and Mario Fillioley.\u003cbr\u003e\u003cbr\u003eAll set in the Sicilian city of Syracuse, this omnibus volume gets you a Coco Chanel, shuttles you to the coast, takes you on workation, makes you suck for the religious paranormal, portrays the local life and fillets tourist fantasies — and performs as your different kind of guide book.\u003cbr\u003e\u003cbr\u003eThe eight short stories are printed in their original version (German or Italian) as well as in English (translated by Caroline Schmidt, Jamie Small and Shane Anderson).\u003cbr\u003e\u003cbr\u003eLast but not least,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSorry Siracusa\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eintroduces our nomadic writers residency. Each stop produces a collection of short stories by local and visiting authors; together they provide a polyphonic view on the destination through the eyes of literature. Over the course of time, the nomadic writers residency is building a library of fiction travel guides.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e270 pages, 11.5 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526400528623,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8860.jpg?v=1749104714"},{"product_id":"elisa-giardina-papa-leaking-subjects-and-bounding-boxes-on-training-ai","title":"Elisa Giardina Papa – Leaking Subjects and Bounding Boxes: On Training AI","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594134\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594136\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594137\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ci\u003e\u003cb\u003eLeaking Subjects and Bounding Boxes\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e addresses the ways in which machines are disciplined and trained to see. It is a visual account that documents the methods currently used to teach AI to capture, classify, and order the world but instead considers everything in our lives, embodiments, and desires that defies these normative modes of categorisation. That is, it pauses to reflect upon that which continually flickers in and out of any possible taxonomisation and exists only at the very edge of definition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis book is one outcome \u003c\/span\u003e\u003cb\u003eElisa Giardina Papa’\u003c\/b\u003e\u003cspan\u003es ongoing visual and theoretical research into machinic vision. It presents images which the artist began collecting in the winter of 2019 while working as a human trainer for various AI vision systems. Among the thousands of training images she processed for her tasks as a 'data-cleaner', she collected those which seemed to resist AI’s orderly impulse.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSegmenting, tracing, bounding-boxing, and labelling are key operations used to teach machines to separate data from data, signal from noise, and orderly things from disorderly ones. This collection of images is an invitation to reflect on what it means to practice a disorder of seeing and being which radically resists the normative impulse to divide and classify, to create hierarchies and produce difference. In other words, this book is an invitation to consider the ways in which all things that are opaque and promiscuous, heretical and unfaithful will perpetually upset orderly, idealised, transparent, and supposedly 'universal' categories.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e376 pages, 11.5 x 19 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526402461935,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8866.jpg?v=1749109615"},{"product_id":"bela-pablo-janssen-anarchive","title":"Béla Pablo Janssen – ANARCHIVE","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594137\"\u003e\n\u003cdiv class=\"project_content\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eANARCHIVE\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eseries comprises 103 posters, which Béla Pablo Janssen has collected between 2013 and 2023. BPJ sprays over the posters uniformly: The text part is blotted out with colored, white, or black spray paint that matches the color of the original text, creating 'clouds' or 'bars' on each poster where the information about the exhibitions was once legible. In the colour-congruent overspraying, a new pictorial interweaving of background and blotted-out text information is created. The viewer lacks the essential information. Deprived of this, BPJ presents them as purely visual, aesthetic remnants.\u003cbr\u003e\u003cbr\u003eThe artworks are labeled with a sequential number, accompanied by the exhibition's title and venue to which they are associated. The series itself bears the name ANARCHIVE, intertwining the concepts of organization and accumulation found within traditional archives, while engaging with the political state of lawlessness and absence of authority. At this intersection rises a fresh framework—an innovative archive—that thrives on subverting and infiltrating the existing order.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e236 pages, 11.5 x 18.3 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526404395247,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8876.jpg?v=1749108020"},{"product_id":"martin-fengel-manner-auf-autos","title":"Martin Fengel – Männer auf Autos","description":"\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578924\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594134\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594136\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"entry_14594137\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe men's magazine featuring various photos of men on cars.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e20 pages, 21.4 x 29.3 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526407049455,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8925.jpg?v=1749110699"},{"product_id":"recalls-reconstructions-projections-time-based-design-processes-in-architecture-1","title":"Recalls Reconstructions Projections: Time-Based Design Processes in Architecture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by Carolin Höfler and Matthias Karch\u003cbr\u003e\u003cbr\u003eHow can architecture intervene in challenging situations? How can it influence social dynamics and give rise to new forms of activity? What are the methods, tools, and media that it uses and what roles do they play in generating new knowledge?\u003cbr\u003e\u003cbr\u003eTaking these questions as its starting point, \u003ci\u003eRecalls, Reconstructions, Projections\u003c\/i\u003e explores the potential of architectural design to disrupt and transform existing systems and contexts by employing technical, aesthetic, and symbolic practices and visualization techniques. The development of new time-based media of investigation, imagination, and cooperation renders design eminently suitable for initiating actions of transgression, resistance, and collective participation.\u003cbr\u003e\u003cbr\u003eBased on these considerations, the volume sheds light on design viewed as a critical spatial practice, knowledge creation, and form finding. The theoretical and practical contributions gathered here open up a variety of content-led and methodological approaches to the burgeoning field of media-cultural and architectural design research.\u003cbr\u003e\u003cbr\u003e336 pages, 17.5 x 30 cm, hardcover, Sorry Press (Munich).\u003c\/p\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526408065263,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8934.jpg?v=1749104846"},{"product_id":"simon-denny-landscapes","title":"Simon Denny – Landscapes","description":"\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cdiv id=\"entry_14578924\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594134\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594136\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14594137\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThis volume surveys \u003c\/span\u003e\u003cb\u003eSimon Denny's\u003c\/b\u003e\u003cspan\u003e Metaverse Landscapes, his recent painting series that depict land plots in digital worlds. They unpack historical resonances between territory, abstraction and financialisation – in a new kind of landscape painting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eLandscapes\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ebrings together detailed reproductions of the paintings, exhibition documentation from Kunstverein Hannover (Germany) and Frans Masereel Centrum (Belgium) and commentary by a number of prominent authors including \u003c\/span\u003e\u003cb\u003eChristina Barton, Adina Glickstein, Martin Herbert, Omar Kholeif\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eFred Turner\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEven as they depict various kinds of digital real estate in naturalistic detail, Denny’s paintings revel in the ways that digital technologies dissolve the material world into bits and bytes. – Fred Turner\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s almost as if the virtual is coming to attack me somehow or coming to inform me that I am not paying attention. – Omar Kholeif\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDenny exploits the tension between material objects and abstract signs, actual and depicted spaces, imagined worlds and real places, to show us the illusion, the promise, the dream, and then to bring it down to earth, render it crude and transient. – Christina Barton\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e360 pages, 24.7 x 31.3 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":46526409507055,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_8945.jpg?v=1749109165"},{"product_id":"new-new-typography-adventures-in-transborder-typography","title":"New New Typography: Adventures in Transborder Typography","description":"\u003cp\u003eEdited by Matter Of\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eNew New Typography\u003c\/em\u003e is not an encyclopedia. Not a manual. \u003cem\u003eNew New Typography\u003c\/em\u003e is messy, uncertain and unstable. It is ambiguous and open-ended.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne hundred years after the proclamation of the so-called 'New Typography' in Central Europe, the somewhat ironic prospect of a 'new' New Typography emerges – less as an update, more as a question that challenges universal rules. In consequence, this book seeks to unsettle established paradigms by opening typography to an expanded, more inclusive vocabulary. 'New New' means not innovation and progress, but rather a reorientation, a new relational standpoint between past and present, to bring forward practices that have been neglected, marginalised, or excluded.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith 243 figures and six theoretical proposals, the book is an overview of the impossibility of an overview. It invites readers to engage in diverse renegotiations and re-visions of typography, intertwining texts and quotes with historical and contemporary documents, diagrams, and images. It embarks on speculative adventures that are open to the unforeseen and may not lead anywhere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eNew New Typography\u003c\/em\u003e contains works and thoughts of: Adel Faure, Alec Vivier-Reynaud, Alex Walker, Alexandra Arènes, Bänziger Hug, Barbara Brownie, Benoît Bodhuin, Boot Boyz Biz, Bruno Latour, Bye Bye Binary, Caspar Reuss, Charlotte Rohde, Chris Lee, Clara Sambot, Daniel Wenzel, David Small, Deborah Enzmann, Dennis Hoelscher, DIA, Dinamo, Douglas R. Hofstadter, Edgar Walthert, Emigre, Espen J. Aarseth, Farah Fayyad, Filip Blažek, full auto foundry, Garine Gokceyan, George Herbert, Gruppo Due, Guillaume Apollinaire, Hackers \u0026amp; Designers, HAL Typefaces, Heikki Lotvonen, Isabel Lewis, It’s Nice That, James Langdon, Janneke Adema, Jenny Holzer, Johanna Drucker, Johnson\/Kingston, Jürgen Spitzmüller, Kamau Brathwaite, Kasper-Florio, Katharina Koch, Kevin Larson, Kiösk, Kushtrim Hamzaj, Lamm \u0026amp; Kirch, Lea Giesecke, Lena Weber, Lewis Carroll, Lisa Huang, Man Ray, Marcel Saidov, Marco Land, Marek Nedelka, MIGLĖ, Mirtha Dermisache, N. Katherine Hayles, Neo Neo, Nicolle Rager Fuller, Nigel Cottier, Nikolai Grube, Nina Flaitz, Oliver Häusle, Ott Metusala, Patricia Reed, Paul Gangloff, Paul Soulellis, Paula Heinrich, Peter Biľak, PrePostPrint, Primitive Hut, Raffard-Roussel, Rick Poynor, Sarah Hyndman, Shannon Ebner, soju.studio, Sophie Kraft, Source Type, Stéphane Mallarmé, Steve Woolgar, Studio HanLi, Studio Hugo Blanzat, Studio November, Syndicat, Tessa Meeus, The Missing Scripts Project, Thorsten Fleisch, TienMin Liao, Tobias Hönow, TypeTogether, Typotheque, Vaibhav Singh, Vera van de Seyp, Vocal Type, Wolfgang Weingart, Words of Type, Workbyworks, among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e256 pages, 11.5 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":47564675317999,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_4081.jpg?v=1769654289"},{"product_id":"paul-philipp-hanske-benedikt-sarreiter-ecstasies-states-beyond-the-self","title":"Paul-Philipp Hanske \u0026 Benedikt Sarreiter – Ecstasies: States beyond the Self","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOur day and age is embracing rapture: psychedelic retreats and shamanism, ecstatic dancing, ketamine use in Silicon Valley, new spiritualities and ancient rites such as solstice celebrations. For centuries, the quest for boundlessness was suppressed in Western societies; nowadays, we are surprisingly encountering ecstasy – intense concentration on the present moment – not just at raves or during animist rituals, but also in yoga classes, mindfulness seminars and workshops aimed at boosting workplace performance. Why is this happening right now, and which traditions is it connected to? This book is nothing less than a narrative of human history through self-transcendence techniques. Though cultivated over thousands of years, these practices long remained invisible under the glaring light of reason. Now they are resurging with real power. The book’s authors explain why this is both a symptom of a crisis and yet something to be welcomed. And they explore what a contemporary ethics of ecstasy might look like.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e284 pages, 11.5 x 18.5 cm, softcover, Sorry Press (Munich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Sorry Press","offers":[{"title":"Default Title","offer_id":47564931432687,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_4170_acc1bd2e-6f1c-42c3-bb2a-2c3a0b611188.jpg?v=1769661215"}],"url":"https:\/\/www.perimeterbooks.com\/collections\/sorry-press.oembed?page=2","provider":"Perimeter Books","version":"1.0","type":"link"}