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Travelling by local bus along with commuter workers, she photographed Jewish teenagers at Purim, Christians at the Church of the Holy Sepulchre, and Ghanaian pilgrims at the Mount of Olives. The photographs contain numerous interwoven narratives, some with particular political charge, such as the casket of Juliano Mer-Khamis, a Palestinian activist of dual descent who established the Freedom Theatre, assassinated during Solomon’s visit to the territory. Her photographs are informed by an acute sensitivity to lives conditioned by race and religion, ethnicity and location. The images are punctuated with fragments of text taken from Solomon’s journal, a window into lives conditioned by violence and uncertainty. 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Using photography as a process and an experience of understanding, Guidi’s body of work frames a visual discourse that revolves around what it means to see, or what it may mean to offer up an image.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVeramente\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published to accompany a touring exhibition of the same name opening at the Fondation Henri Cartier-Bresson in January 2014, and then moving to Huis Marseille Museum voor Fotografie, Amsterdam in June and the Museo d’Arte della Città, Ravenna in October.\u003c\/p\u003e\n\u003cp\u003eGuido Guidi was born in Cesena, Italy, in 1941. He studied in Venice at the University Institute of Architecture (now IUAV), where he followed the courses of Bruno Zevi, Carlo Scarpa and Mario De Luigi, and at the Advanced Course in Industrial Design with Italo Zannier and Luigi Veronesi.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e172 pages, 24 cm x 32 cm, MACK (London).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":1121096017,"sku":"","price":200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0768_5331f4b2-265c-4bbc-8bb1-5af3da57e952.jpg?v=1595825704"},{"product_id":"paul-graham-films","title":"Paul Graham – Films (Rare)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"maincontainer\" class=\"bodycopy\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_6821906\" page_type=\"project\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"project_content\"\u003e\u003cb\u003eRare\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFirst edition\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e1 available\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"project_content\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"project_content\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cp\u003e\u003ci\u003eFilms\u003c\/i\u003e is photographer \u003cb\u003ePaul Graham\u003c\/b\u003e's tribute to photographic film. A survey of Graham's work in 2009 prompted him to reflect on the last 30 years of his career and to investigate the physical material that has made photography possible in the 20th century, namely, film. 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For \u003c\/span\u003e\u003ci\u003ePink Lemonade\u003c\/i\u003e\u003cspan\u003e, Nagase has photographed a friend of 15 years across three locations: Waikiki, Hawaii and central and suburban Tokyo. There is something very candid about these portraits of the young woman, which contribute to their beauty, playfulness and elegance. 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It embodies not only a moment in which a new and original voice emerged with an unusual ability to transpose subtle and highly personal stories of local American life, but also marked a significant early event in the photo-book publishing boom we are currently experiencing. The success of his two subsequent volumes, \u003cem\u003e\u003cstrong\u003eNiagara\u003c\/strong\u003e\u003c\/em\u003e [2006] and \u003cem\u003e\u003cstrong\u003eBroken Manual\u003c\/strong\u003e\u003c\/em\u003e [2010], combined with the hugely influential exploration of self-publishing under his Little Brown Mushroom imprint, have all reinforced Soth’s position as a master of the book form. 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