{"title":"Painting","description":"The Perimeter 2022 Gift Guide","products":[{"product_id":"harold-ancart-soft-places","title":"Harold Ancart – Soft Places","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eSecond Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eSoft Places\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e presents a selection of works on paper realised between 2009 and 2015 by New York-based Belgian artist \u003c\/span\u003e\u003cb\u003eHarold Ancart\u003c\/b\u003e. \u003cspan\u003eThis book presents the first semi-abstract and monochromatic drawings and witnesses their slow transformation into psychedelic, colourful landscapes. This is a second printing, published in 2018. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e176 pages, 19.8 x 27.7 cm, hardcover, \u003cstrong\u003eTriangle Books\u003c\/strong\u003e (Brussels). \u003c\/span\u003e\u003c\/p\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":16598451271,"sku":"","price":105.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_9868_d323b995-ae1f-498a-abae-5cdea61b4831.JPG?v=1538033866"},{"product_id":"pre-order-adam-lee-votive","title":"Adam Lee – Votive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA votive is an object or offering put forward in the consecration of a vow. Often taking the form of a candle, it is left without the expectation of return or recovery. In simple terms, it is an expression and evocation of faith. It is no sleight of hand that \u003cstrong\u003eAdam Lee\u003c\/strong\u003e chose \u003cem\u003e\u003cstrong\u003eVotive\u003c\/strong\u003e\u003c\/em\u003e as the title of this book, the first major publication made in collaboration with the Australian artist. In a career spanning more than a decade, Lee’s painting practice has found its bearings amidst this ever-complicated, rich and loaded terrain of faith. But as this book – which spans three major exhibitions in Toronto, Melbourne and London respectively – articulates to such a degree, Lee’s works resist their very footings. For every conceptual underpinning his paintings embrace, they never fail to challenge or defy. Neither encyclopaedic nor exhaustive in its scope, \u003cem\u003e\u003cstrong\u003eVotive\u003c\/strong\u003e\u003c\/em\u003e instead offers a succinct vantage on this increasingly rich and multifaceted painterly language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBorn in 1979 and based in the Macedon Ranges, north of Melbourne, Adam Lee has exhibited extensively in Australia, Europe and North America. He holds a BFA (Honors), MA and PhD from the Royal Melbourne Institute of Technology and his work is held in public and private collections in Australia and abroad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e112 pages, 30 x 22 cm, exposed bind softcover with dust jacket, Perimeter Editions (Melbourne)\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":3950832386059,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/ADAM_LEE_-_03.jpg?v=1518075147"},{"product_id":"anne-lise-coste-oil-paintings-and-pastel-drawings","title":"Anne-Lise Coste - Oil Paintings and Pastel Drawings","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"content_container\"\u003e\n\u003cdiv id=\"maincontainer\" class=\"bodycopy\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_13573506\" page_type=\"project\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cp\u003eNew York-based French artist\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAnne-Lise Coste\u003c\/b\u003e’s drawings and texts have the immediacy of graffiti, and allow her to express subjective moods mixed with political criticism and literary sentences. With a dada-influenced language and intensely lyrical images, her work exudes irony, rebellion and emotion. She creates seemingly decorative compositions that actually offer us a catalogue of contemporary anxieties, where the immediacy of the gesture of drawing combines a strong poetic sense with an element of social critique. This new title published by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eNieves\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Zurich) presents a new series of vivid works with a child-like spirit.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cdirectlink id=\"dl_13573506\" link=\"http:\/\/perimeterbooks.com\/Anne-Lise-Coste-Oil-Paintings-and-Pastel-Drawings\"\u003e\u003c\/directlink\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project_bottom\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e68 pages, softcover, 25 x 19 cm, softcover, Nieves (Zurich), \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"page_1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":12495124299856,"sku":"","price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_9145.jpg?v=1530933955"},{"product_id":"pre-order-dane-lovett-flowers","title":"Dane Lovett – Flowers","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eDane Lovett\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s flower paintings both embrace and eschew their historical, thematic and allegorical roots. Dark, often monochromatic and subtly tonal in their palette, the scores of works that populate the Melbourne-based artist’s debut book \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFlowers\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e gesture towards the syntaxes of minimalism and seriality as resolutely as they do the still life. It’s an intriguing dynamic, which expands and further articulates Lovett’s culturally savvy, reference-rich painting practice.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhere earlier works saw the artist construct still life arrangements from indoor plants and pop-cultural ephemera – VHS cassettes, vinyl records, CDs, ageing tech and the like – Lovett’s recent practice has seen him embrace repetition and delicate variation, with an unmistakably reductionist and art historical bent. Here, he recasts French artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHenri Fantin-Latour\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s 1864 still life \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFlowers: Tulips, Camellias, Hyacinths\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in countless murky, monochromatic iterations – a single vase of flowers becoming a site for sustained painterly exploration, variation and rhythm. Extended series of foxgloves and waterlilies in various unnatural tones follow.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs the curator and academic \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRosemary Forde\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes in her essay for the book, Lovett’s repetitions ‘each seem to \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eemote\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e uniquely’, his dark and muddy images allowing us to project ‘our own familiar scenes, moments, memories, aspirations, sorrows’. More than many others in the art world, Lovett seems to recognise the fundamentally democratic nature of meaning. His subjects are everything and nothing, laden and null. He offers us a rich framework, only to leave us to our own devices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eDane Lovett\u003c\/b\u003e\u003cspan\u003e (b. 1984, Sydney) lives and works in Melbourne. He completed a Bachelor of Fine Art at Queensland University of Technology, Brisbane, in 2004 and received a Bachelor of Fine Art Honours (First Class) from Victorian College of Art, University of Melbourne, in 2007, and a Masters of Fine Art from Victorian College of Art, University of Melbourne, in 2016. He has exhibited extensively in Australia and internationally – including solo shows at Colette, Paris, and group shows at the Art Gallery of New South Wales, Sydney – and his work is held in public and private collections in Australia and Europe.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e104 pages, 29 x 22cm, section-sewn perfect bind, softcover, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":32940369281104,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0591_d6559667-b76e-47ac-9a06-2b8d0e9e74af.jpg?v=1607496346"},{"product_id":"matt-connors-guilde-1","title":"Matt Connors – GUI(L)DE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew York-based artist \u003cstrong\u003eMatt Connors\u003c\/strong\u003e' (born 1973) work draws upon the history of painting and processes, particularly minimalism and abstraction, but is also influenced by design, poetry, literature and music.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e464 pages, 24.2 x 31.8 cm, softcover, Karma (New York).\u003c\/p\u003e","brand":"Karma","offers":[{"title":"Default Title","offer_id":37713306484932,"sku":"","price":130.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0667_32df2209-435f-4711-88fc-394e69668951.jpg?v=1607741810"},{"product_id":"calvin-marcus-conspiracy-of-asses","title":"Calvin Marcus – Conspiracy of Asses","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication reproduces \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCalvin Marcus\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s large paintings since 2018. Each painting attempts to achieve complete autonomy within its edges. Capturing dream-like visions and snapshots of the absurdity of contemporary life, they depict diverse subjects: animals, humanoid figures, interiors and landscape-like spaces. These singular representations share a sensibility, at once idiosyncratic and disarming, that immediately draws the viewer into the mysteries of the quotidian world. Each poses—with Marcus's humorous brand of surrealism—as many questions as answers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e96 pages, 29 x 31cm, hardcover, Triangle Books (Brussels).","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":39294041620676,"sku":"","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0154_3ad5e39c-32ee-4c9f-8313-488608fe0aa0.jpg?v=1614735872"},{"product_id":"ann-craven-animals-birds-flowers-moons","title":"Ann Craven – Animals, Birds, Flowers, Moons","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Craven superimposes source photographs, historical works and her own paintings, creating mediated images that feature layer upon layer of referentiality – a collage of her most treasured curios. Peacocks showcase their plumage; birds perch on a branch; a trio of horses pose 'just so'. Through these acts of creation and recreation, Craven becomes both master and copyist, citing herself in her own art historical lineage. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book is divided into 3 parts, each paired with a text. Animals, birds, flowers, moons: Craven’s motifs are in themselves an incantation – a wish to repeat, reencounter, relive. In keeping with this process of revisitation, Craven’s paintings are repeated in threes throughout this fully illustrated catalogue, mimicking the tripartite structure of her \u003cem\u003eAnimals Birds Flowers Moons\u003c\/em\u003e exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e108 pages, 28 x 28 cm, hardcover, Karma (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Karma","offers":[{"title":"Default Title","offer_id":40750289256644,"sku":"","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2956.jpg?v=1633671405"},{"product_id":"andriu-deplazes-bodies-in-scattered-light","title":"Andriu Deplazes – Bodies in Scattered Light","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI asked\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndriu Deplazes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eif he had always wished to be a painter. No, he said. For a time, he had trained to be a classical musician, but turned away from music because there was something repellent about the need to demonstrate virtuosity. To be a virtuoso, as the moral world depicted in these paintings clearly shows, is not the same as having virtue. And yet, at the same time, there are still traces of virtuosity in Deplazes’ practice: in the idealised landscapes that he renders, and in the easy depiction of animal life. It is only humans that he will not denigrate with such perfection. Their overpainted faces do not allow them to be captured as things, but rather present them as subjects. They elude categorisation because they are responding, in real time, to what they see in us.\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – Adam Jasper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e36 pages, 19.5 x 25.5 cm, softcover, Nieves (Zurich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":41988450844911,"sku":"","price":36.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0343_58149020-f403-4e18-9818-23fe27f88e1b.jpg?v=1635999512"},{"product_id":"armando-alleyne-a-few-of-my-favourites","title":"Armando Alleyne – A Few of My Favorites","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI don’t only focus on jazz musicians. I also paint my family or iconic personalities such as Félix Trinidad, Sister Gertrude Morgan, Amadou Diallo and The Notorious B.I.G. who in one rendition is carrying the cross with Etta James as an angel. In a painting collage of Biggie, I placed a Tropicana Juice packaging where a handkerchief would be. With the jazz musicians I’d do the same; I collage cereal and cracker boxes to the subject matter. This reflects my belief that music is fortifying. –\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Armando Alleyne.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Few of My Favorites\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first book of collected works by New York artist, \u003c\/span\u003eArmando Alleyne\u003cspan data-mce-fragment=\"1\"\u003e. His painted and collaged renditions of jazz musicians, Afro-Latin singers, boxers, but also family members and acquaintances have a rhythm all-their-own. Parallel to his incessant practice of painting portraits of Black icons, Alleyne allows elements of his lived experience to take form in his work. Series such as Shelter Blues animate his first-hand experiences of homelessness. Another series, Maria’s Song calls on a pantheon of religious symbolism to pay homage to the sister he lost to AIDS. Included are erotic paintings which the artist based on magazine ads and models he staged. Never shying away from the seminal, the sensual or the political, Alleyne’s lifetime of paintings tell a story of how we are subject to our city and how in it we can search for the tools to heal. The artworks are presented alongside a series of snapshots and personal anecdotes that memorialise artworks sold and people who are no longer with us.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e244 pages, 24.1 × 29.2 cm, softcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":42074603225327,"sku":"","price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0526_841a2cbb-6520-487d-9229-fd29125c597e.jpg?v=1637294447"},{"product_id":"charline-tyberghein-test-department","title":"Charline Tyberghein – Test Department","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book gathers an accumulation of tests and studies originally made on wooden panels by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharline Tyberghein\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e since she graduated from the Royal Academy of Antwerp. 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Featured are more than 50 paintings, drawings and prints presented at the exhibition, as well as personal letters, documents and photographs collected by the artist. A selection of the artist’s own writings is included, ranging from her unique commentaries on art to aphoristic writings and poetry that are once insightful, witty and thought-provoking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e140 pages, 21 x 26 cm, softcover, Roma Publications (Amsterdam).\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":42604723503343,"sku":"","price":73.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1956_085d3f00-62b6-4680-9cd0-aee5be0eadb5.jpg?v=1648005992"},{"product_id":"kara-walker-book-of-hours","title":"Kara Walker – Book of Hours","description":"\u003cp\u003e\u003cem\u003e**Currently out of stock – contact us at hello@perimeterbooks.com to confirm ETA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the course of 202-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary political moment. 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Over 6 years since, Jim has created a series of works built around what he witnessed and experienced while holding this occupation. Through these both abstract and literal works, Jim creates imagined narratives around these events that showcase the deceased in the moments leading to their end. It makes for a compelling and unique outlook on both life and death.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'The painting’s Jim McCullough has created for this book, \u003cem\u003eGlue Factory\u003c\/em\u003e, are both one large self-portrait in its own right, but also split off individually, showing a time in Jim’s life that not many people would ever be able to go through. Knowing personally how Jim handled himself and the respect he showed to the families and the ones that had passed away. 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He remained faithful to the techniques of drawing and watercolour in all his subsequent work. And while he continually changed subjects and atmosphere, the line remained the signature element of his drawings, a variable constant in his oeuvre. Beginning in 1975, his lines broke free from their outlining function to become a means of expression in and of themselves, whether in pencil, oil crayon, pen and ink, or watercolours. Besides a few series that do feature the occasional planar element, Herzog thereafter steadfastly confined himself to exploring the possibilities of purely linear design. The lines differ in character considerably from one series to the next, depending on the format and choice of drawing medium, which take both format and medium on ever-greater importance in the utter absence of identifiable motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosef Herzog's work has been the subject of a number of reviews since 1971. 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Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc.).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKlodin Erb’s artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOrlando\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eseries: identity, gender and role models, the construct of time, ageing and the longing for eternal life\/youth, humanoids and artificial intelligence, the last human. 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