{"title":"Gifts for VIPs","description":"\u003cp\u003eThe Perimeter 2025 Gift Guide\u003c\/p\u003e\n\u003cp\u003eA gift for Not Just Anyone! Lush publications, hefty volumes, and even special edition prints, for those that want to go all out.\u003c\/p\u003e","products":[{"product_id":"alec-soth-a-pound-of-pictures-special-edition","title":"Alec Soth – A Pound of Pictures [Special Edition]","description":"\u003cp\u003eONE COPY AVAILABLE\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe special edition comprises a signed and numbered copy of the first printing of the book; a signed and numbered inkjet print; and 5 original unique vernacular prints selected by Soth from his personal collection and inserted into the book, all housed in a printed cardboard box held together with coloured rubberbands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Pound of Pictures\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a stream-of-consciousness celebration of the photographic medium, bringing together an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a sprawling array of subjects — from Buddhist statues and birdwatchers to sun-seekers and busts of Abe Lincoln — this book reflects on the photographic desire to pin down and crystallise experience, especially as it is represented and recollected by printed images. Throughout this eclectic sequence are the recurring presences of iconography, of souvenirs and mementos, and of the image-makers that surround us day to day. Forming a winding, ruminative road trip, Soth’s photographs are followed by his own notes and reflections in an extended afterword. ‘If the pictures in this book are about anything other than their shimmering surfaces,’ he writes, ‘they are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film).’\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e156 pages, 25 x 31 cm, hardcover, MACK (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42690879946991,"sku":"","price":895.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/0BD8C4DA-3151-4B3A-8FF1-6836E6C5653C.jpg?v=1649831067"},{"product_id":"special-edition-danielle-mericle-the-dark-wood","title":"SPECIAL EDITION: Danielle Mericle – The Dark Wood","description":"\u003cp\u003e\u003cb\u003eSpecial Edition\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003ePerimeter Editions, The Ice Plant and Danielle Mericle are producing a special edition of 20 copies, which include a signed and editioned print (26.7 x 17.8 cm) – shown in the last two images.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDanielle Mericle\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Dark Wood\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe once highly valued casts – which appear in the book as original and archival photographs – were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the 'originals' were in fact Roman copies of Greek artefacts. During the two World Wars, many of these 'originals' were damaged or destroyed, and the casts are now considered some of the most authoritative versions available. A Sequoia forest in Northern California offers two important counterpoints. Ancient Sequoia tree rings chart the rise and fall of civilisations over the last 3000 years, including those that created the Greco-Roman artefacts. The tree rings position human history within a broader geological timeframe, lending an adjusted perspective to the human enterprise. The rings also reveal the complex history and shifting perspectives on the significance of fire in the region, with the dissonant histories of expansive logging practices, the conservation movement, Indigenous knowledge, and climate change playing out against the troubled fate of the ancient Sequoias.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThough we attempt to understand and preserve our past, the endeavour is subject to inevitable shifts in knowledge, the whims of ideology, and the vagaries of historical truth. With an epilogue that grounds the complex sequence of images in personal elegy, \u003ci\u003eThe Dark Wood\u003c\/i\u003e re-calibrates our sense of scale by allowing us to locate a sense of mourning, loss and the specifics of our own narratives within the broad and unfixed framework of history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e88 pages + foldout, 30 x 20.4cm, OTA-bind, softcover with front flap, Perimeter Editions (Melbourne) x The Ice Plant (Los Angeles).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Special Edition","offer_id":43662191788271,"sku":null,"price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5746.png?v=1670912679"},{"product_id":"gauri-gill-rajesh-vangad-fields-of-sight","title":"Gauri Gill \u0026 Rajesh Vangad – Fields of Sight","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eFields of Sight\u003c\/i\u003e is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad.\u003cbr\u003e\u003cbr\u003eThe series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill’s initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct ‘chameleon-like’ skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. 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Approx. US$115.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt’s no mistake that \u003c\/span\u003e\u003cb\u003eLenard Smith\u003c\/b\u003e\u003cspan\u003e’s new book borrows its title from Susan Sontag’s 1977 essay of the same name. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eMelancholy Objects\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e – the Los Angeles-based artist’s first publication for Perimeter Editions – grounds the photographic endeavour in the surreal, the introspective, and the referential. Working in the tradition of the ragpicker, Smith sifts through personal and found objects to create formal compositions that gently intersect sculpture with the still life, broaching new purposes and hierarchies, and pulsing with a sense of humour, play, and solemnity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSmith’s broader career has taken a similarly unconventional footing. While his photographic work has skirted elements of documentary, landscape, still life, portraiture, and editorial, it has never quite fallen for their traps. His studio practice – which also spans sculpture, painting, sound, film, and bookmaking – further informs his photographic output. His \u003c\/span\u003e\u003ci\u003eMelancholy Objects\u003c\/i\u003e\u003cspan\u003e feel like a perfect confluence for these strands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWith the trace of the artist’s hand ever present, these images of balancing, totemic postures and surreal design configurations ignite memories that confront both the familiar and the unknown. Analog references emerge, only to collapse into new compositions and perspectives. Unlikely materials and choreographies elicit a furrow or a smirk. While history and function inspire each photograph, it is the imagination that subverts and ungrounds them. 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It is alchemy and abstraction in one turbulent, bubbling, mirror-slick concoction; intensely deliberate, but searing with a kind of dirt under-your-fingernails psychedelic energy.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"\"\u003eThe major book \u003ci\u003eDale Frank, Artist. Artworks 2006–2023\u003c\/i\u003e features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood. Designed by Stuart Geddes and Žiga Testen – and featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid – this vast book operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British fashion photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"\"\u003e\u003ci\u003ePainting presents both the artist’s ‘lifeness’ and ‘liveliness’ in the form of a material object, which is not reducible, and that non-reducibility might be its special attraction. Painting’s capacity to appear saturated with the life – and the labour time – of the artist, while remaining distinct from it, makes it the ideal candidate for value production in the new economy; the contemporary experience that is busy absorbing life.\u003c\/i\u003e – Dale Frank, 2020\u003c\/p\u003e\n\u003cp\u003e408 pages, 27.5 x 37 cm, hardcover, Neon Parc x Perimeter Editions (Melbourne).\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":44502402040047,"sku":null,"price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/comp_MRS25508_7b030dba-fa34-4723-8448-472ad0819d5b.jpg?v=1707704255"},{"product_id":"flashpoint-protest-photography-in-print-1950-present","title":"FLASHPOINT! 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It was like an unintentional time capsule, and an uncanny fulfillment of Andy Warhol’s prophecy that 'Someday, all department stores will become museums, and all museums will become department stores.' Over the next twenty years, Patterson diligently documented the store's slow disintegration. In 2013, its doors were closed, with its contents left inside. Patterson continued to access the store until the day it was gutted in late 2019.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eGong Co.\u003c\/i\u003e\u003cspan\u003e invites readers to engage in a visceral and visual exploration. Through Patterson’s eclectic mix of on-site and studio photographs, monotypes, trompe l’oeil collages, and cryptic handwritten notes, the book becomes a dynamic and multi-layered experience. Marcel Duchamp’s readymades or Dieter Roth’s Flacher Abfall (Flat Waste) come to mind, where everyday objects are transformed into art through context and presentation. The book offers endless opportunities for interpretation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book format acts as a sculptural work in itself. Patterson has crafted an artist book object, presented as an aged and worn green, clothbound cover wrapped in a brown paper jacket resembling a grocery sack. Each page is a testament to Patterson’s meticulous attention to detail, incorporating elements such as mold and foxing marks, as if caused by heavy southern humidity, now forever embedded into the book's pages.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eGong Co.\u003c\/i\u003e\u003cspan\u003e is a profound exploration of how we engage with the artistic representation of America and 'the South' – a place shaped in popular imagination by great photographers and writers like William Eggleston, Walker Evans, William Faulkner, and Harper Lee. 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Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a catalog.\u003c\/p\u003e\n\u003cp\u003eThis publication, thoughtfully designed by Jordi de Vetten and Susu Lee in close collaboration with Martens himself, functions as a handbook to his work. But it’s an unconventional one: unstructured, non-hierarchical, playful, personal, and associative. 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