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Mekas’s writings reveal him as a thoughtful diarist and an unparalleled chronicler of the times—a practice that he has continued now for over fifty years. Published by \u003cstrong\u003eSpector Books\u003c\/strong\u003e (Leipzig). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e456 pages, 16 x 21.5 cm, softcover, Spector Books (Leipzig). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":18550896391,"sku":"","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0560.JPG?v=1459481600"},{"product_id":"haubitz-zoche-hybrid-modernism","title":"Haubitz + Zoche - Hybrid Modernism","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn the period from the 1950s to the 1970s, a large number of cinemas were built in both the urban and rural areas of South India. 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The first volume of this magnum opus, covering the period from 1950-69, appears posthumously one year after his death. It stands on an equal footing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded \u003c\/span\u003e\u003ci\u003eFilm Culture\u003c\/i\u003e\u003cspan\u003e magazine, and in 1958 Jonas began writing a weekly column for \u003c\/span\u003e\u003ci\u003eThe Village Voice\u003c\/i\u003e\u003cspan\u003e. It was in this period that his writing, films, and unflagging commitment to art began to establish him as a pioneer of American avant-garde cinema and the barometer of the New York art scene.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Jonas Mekas was a force of nature – an untiring artistic energy field. He disregarded genres and broke all the rules, always favouring pure expression and experimentation over formulas and expectations. 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Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958 he published his legendary 'Movie Journal' column in the \u003c\/span\u003e\u003ci\u003eVillage Voice\u003c\/i\u003e\u003cspan\u003e, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists, some of which will now appear for the first time in his \u003c\/span\u003e\u003cb\u003e\u003ci\u003eScrapbook of the Sixties\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e. 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In the process of her investigation, Schäfer examines different geopolitical contexts as well as her own position as an artist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e232 pages, 15 x 22 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":32918108799056,"sku":"","price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0103_17012503-8e7d-4fd8-a7e9-6fcc1f1d8cff.jpg?v=1602048124"},{"product_id":"nick-pinkerton-goodbye-dragon-inn","title":"Nick Pinkerton – Goodbye, Dragon Inn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIs cinema really dead? As movie houses close and corporations dominate, the art form is at risk of changing beyond recognition. In this wide-ranging and elegiac essay, \u003cstrong\u003eNick Pinkerton\u003c\/strong\u003e takes a deep dive into \u003cstrong\u003eTsai Ming-liang\u003c\/strong\u003e’s 2003 film \u003cem\u003e\u003cstrong\u003eGoodbye, Dragon Inn\u003c\/strong\u003e\u003c\/em\u003e, a modern classic haunted by the ghosts and portents of a culture in flux.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e192 pages, 10.5 x 15 cm, paperback, Fireflies Press (Melbourne \/ Berlin).\u003c\/span\u003e\u003c\/p\u003e","brand":"Fireflies Press","offers":[{"title":"Default Title","offer_id":39260484141252,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0009_6f88e530-a21a-4d16-9fe5-b52a4d103345.jpg?v=1614307878"},{"product_id":"erika-balsom-ten-skies","title":"Erika Balsom – Ten Skies","description":"\u003cp\u003e\u003cstrong\u003eJames Benning\u003c\/strong\u003e’s landscape film \u003cem\u003e\u003cstrong\u003eTEN SKIES\u003c\/strong\u003e\u003c\/em\u003e (2004) becomes an ecstatic launchpad to survey artistic representations of the sky. Looking up, \u003cstrong\u003eErika Balsom\u003c\/strong\u003e’s lyrical and idiosyncratic text drifts through the skyscape of historical and contemporary filmmaking, approaching the sky as an archive that offers tantalising clues to the shifting relations between nature and people, clouds and earth.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e144 pages, 10.5 x 15 cm, paperback, Fireflies Press (Melbourne \/ Berlin).\u003c\/p\u003e","brand":"Fireflies Press","offers":[{"title":"Default Title","offer_id":39849991536836,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1333_c8f954e7-1f5b-4703-b210-63227b300448.jpg?v=1622512806"},{"product_id":"h-r-giger-5-poltergeist-ii-drawings-1983-1985","title":"H.R. Giger – 5 – Poltergeist II: Drawings 1983–1985","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to his work on the iconic creature for the film \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Ridley Scott, 1979) – a detailed account of which is given in his \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013, first edition, Edition Patrick Frey) – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eH. R. Giger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was firmly established in Hollywood’s supernatural horror and science fiction genres. Giger went on to design all the ghosts for \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePoltergeist II: The Other Side\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Brian Gibson, 1986). Unlike his work on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the set at Shepperton Studios in England, Giger collaborated on the movie remotely from Zürich, basing his creatures on Michael Grais and Mark Victor’s screenplay and airmailing the airbrushed designs to Los Angeles.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDue to his absence as well as misunderstandings with the director and the studio and a meagre production budget, the dark inscrutability and amorphous plasticity of Giger’s initial shape-shifting sketches ended up falling flat on celluloid, coming to resemble cheap-looking monsters in a campy B-movie. Giger’s in some cases psychedelic sketches were designed as sequences showing the metamorphosis of a worm-like ghost into a grotesque dwarf that ultimately morphs into a soul-devouring Gorgon-like monster called 'The Great Beast'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePoltergeist II – Drawings 1983–1985\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a facsimile edition of Giger’s original sketchbook, containing 135 of his remarkable drawings as well as drafts of letters expressing doubts and suggestions to director Brian Gibson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e300 pages, 17 x 24 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":40216591630532,"sku":"","price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1824_1000.jpg?v=1627357379"},{"product_id":"wang-bing-the-walking-eye","title":"Wang Bing – The Walking Eye","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 170 sequences, eight iconic films are presented in this first referential book about the work of Chinese filmmaker Wang Bing. These include \u003cem\u003eWest of the Tracks\u003c\/em\u003e (2003), \u003cem\u003eThree Sisters\u003c\/em\u003e (2012), and \u003cem\u003e15 Hours\u003c\/em\u003e (2017). For him, making films stems from an urgent need to question his own time, his own country; to establish an alternative to the official media coverage that oscillates between propaganda and censorship. Bing also pushes the limits of documentary language by harnessing the democratising possibilities of digital filmmaking. His attention to people and to things is captured in lengthy films, enabling viewers to see things up close, as near as possible to reality and truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e832 pages, 16 x 23 cm, hardcover, Roma Publications (Amsterdam).\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":40355426205892,"sku":"","price":102.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2264_0e1315cb-c0f0-4c0d-b5eb-0c366836ea3b.jpg?v=1628663403"},{"product_id":"malu-blume-what-we-could-have-become-reflections-on-queer-feminist-filmmaking","title":"Malu Blume – What We Could Have Become: Reflections on queer feminist filmmaking","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat We Could Have Become\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was realised as part of the long-term project \u003cem\u003eThe Book of S of I\u003c\/em\u003e by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMalu Blume\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This work cycle also includes the experimental short film \u003cem\u003eThe Book of S of I\u003c\/em\u003e (2020), which was co-produced with the Vienna based \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHekate Film Collective\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, founded by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eipek Hamzaoglu\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaura Nitsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The publication locates the film as well as the process of making it in a context of a broader discourse on queer-feminist film making, collective art practices and care as a survival strategy. Following the fabulative spirit of the film, this booklet is used as a performative medium, weaving together materials from the film with additional and yet unpublished texts and images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e44 pages, 19 x 25cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":40399467217092,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2381_5edd390e-6ae7-4d26-9134-f5be7c261f6b.jpg?v=1629263506"},{"product_id":"melissa-anderson-inland-empire","title":"Melissa Anderson – Inland Empire","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFew actors of her generation are as eclectic, thrilling and fearless as Laura Dern. In this seductive study, Melissa Anderson discusses Dern’s dazzling body of work, focusing on her authorial stamp on \u003cem\u003eInland Empire\u003c\/em\u003e – a movie in which her phenomenal performance shatters every scene – and her enduring and revelatory collaborations with director David Lynch. A whirling, digressive journey through time and place, cinema and storytelling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e144 pages, 10.5 x 15 cm, softcover, Fireflies Press (Melbourne \/ Berlin).\u003c\/p\u003e","brand":"Fireflies Press","offers":[{"title":"Default Title","offer_id":40849801707716,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0229_fd73bb71-22fc-4d4d-9801-077114d067f4.jpg?v=1635737309"},{"product_id":"apichatpong-weerasethakul-memoria","title":"Apichatpong Weerasethakul – Memoria","description":"\u003cp\u003eA chronicle of the genesis and creation of \u003cem\u003eMemoria\u003c\/em\u003e, the new film by Apichatpong Weerasethakul.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter visiting Colombia in 2017, Apichatpong chose the country as the location for his first feature shot outside of his native Thailand. In the following two years, he returned for several visits and travelled extensively, listening to the stories of the people he met along the way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book \u003cem\u003eMemoria\u003c\/em\u003e gathers the memories he collected, in the form of photographs, a personal diary and sketchbook, research notes, treatment excerpts, and email correspondence. These are placed alongside exclusive materials from the film’s production: set photographs, a diary of the shoot, annotated pages from the shooting script, storyboard panels, contributions from the cast and crew, and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrinted in a beautiful art book edition, the result is an extraordinary immersion into the creative processes and work methods of one of contemporary cinema’s true visionaries.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e190 pages, 20 x 27.5 cm, hardcover, Fireflies Press (Melbourne \/ Berlin).\u003c\/span\u003e\u003c\/p\u003e","brand":"Fireflies Press","offers":[{"title":"Default Title","offer_id":42159226257647,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0912_9deed932-cdeb-4a04-a452-49ffd162d20d.jpg?v=1639026375"},{"product_id":"jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-2-1969-2011","title":"Jonas Mekas – I Seem to Live: The New York Diaries, Vol. 2 (1969–2011)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e, 1950–2011\u003c\/em\u003e is Jonas Mekas’s key literary work. The \u003ca href=\"https:\/\/www.perimeterbooks.com\/products\/jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-1-1950-1969?_pos=1\u0026amp;_sid=619150b58\u0026amp;_ss=r\" title=\"Jonas Mekas – I Seem To Live: The New York Diaries, Vol. 1 (1950-1969)\"\u003efirst volume\u003c\/a\u003e (1950–1969) of this magnum opus appeared posthumously in 2019. It ranks alongside his cinematic oeuvre, which he elaborated together with his brother Adolfas after their arrival in New York in 1949. In the 1950s, Mekas began to shoot his first films, in the process developing an essayistic format that he would use as a diary to record his day-to-day observations. His writing, films, and unflagging commitment to art made him a pioneer of American avant-garde cinema and the barometer of the New York art scene. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries, 1969–2011, Vol. 2,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the second and concluding volume of his diaries, contains an extensive index of names as well as a filmography and biography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1560 pages, 16 × 21.5 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42159265186031,"sku":"","price":92.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0927_ecf8b97a-8dd7-4a00-a273-2d7f6cb5817b.jpg?v=1639027686"},{"product_id":"hans-ulrich-reck-pasolini-the-apocalyptic-anarchist","title":"Hans Ulrich Reck – Pasolini: The Apocalyptic Anarchist","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom today’s perspective, Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art. He continues to be both an inspiring and provocative figure not only for his wide-ranging virtuosity as a linguist, writer, journalist, and film-maker but also on account of the themes that he addressed. In modern-day Europe with all its levelling processes, regulations, and a hypocrisy protected by the code of political correctness, the loss of his voice is keenly felt. Pasolini never simply glorified the ancient ways of isolated regions and decried progress; rather, by adopting both extremes, he created an all-embracing poetics of experimental thinking. Hans Ulrich Reck’s book shows the relevance of his work today: that Pasolini was proved bitterly right in so many things is an expression of his far-sightedness in not reading the hidden signs of his time in terms of 'grand theses' and 'narratives'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e160 pages, 16 x 23cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42442902241519,"sku":"","price":67.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1353_ff92bad2-3124-4bf8-b1d9-0bd21ef07664.jpg?v=1644288485"},{"product_id":"dennis-lim-tale-of-cinema","title":"Dennis Lim – Tale of Cinema","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the fourth title of the Decadent Editions series, Dennis Lim explores the oeuvre of South Korean auteur Hong Sangsoo via his 2005 film. 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Varda is regarded as one of the most influential creative personalities of our time, who reinvented herself constantly in the course of her life's work, which spanned more than six decades. However, the third creative period of the modern film's pioneer is less known in Germany. It began in 2003 at the Venice Biennale and comprises installation works that reflect Varda's joy in experimenting between documentary and the fiction formats, her poetic, abstract realism and her sensitive observations of socio-political issues in various visual media.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAgnès Varda (1928–2019) worked as a photographer in the 1950s, taking pictures for the Avignon Festival, for example, and producing photo reportages in China, Cuba, Portugal, and Germany. In 1954 she produced her first feature film, \u003cem\u003eLa Pointe Courte\u003c\/em\u003e, which helped usher in the Nouvelle Vague. Since 2003, she has worked as a visual artist, mounting numerous exhibitions with installations, videos, and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e114 pages, 24.5 x 32cm, hardcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":43311227207919,"sku":"","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4510_b331fb0b-18f0-42cb-a075-7bf564a315ba.jpg?v=1663037548"},{"product_id":"jonas-mekas-requiem-for-a-manual-typewriter","title":"Jonas Mekas – Requiem For a Manual Typewriter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn 25 March 1997, Jonas Mekas found a dusty roll of computer paper under his desk. It had been lying there for a while and had slipped his mind. 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