{"title":"Counterculture","description":"","products":[{"product_id":"peter-milne-a-day-in-the-life-of-roland-s-howard","title":"Peter Milne - A Day in the Life of Roland S Howard","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 1977 \u003c\/span\u003e\u003cb\u003ePeter Milne\u003c\/b\u003e\u003cspan\u003e was 17 and the legendary Australian guitarist \u003c\/span\u003e\u003cb\u003eRowland S Howard\u003c\/b\u003e\u003cspan\u003e was 18. For several months they collaborated together on a number of photo sessions. Although many of the images taken in that period were lost or damaged, a number of remarkable photographs have survived and have been drawn together to form this book. Peter Milne writes in the introduction to the book: “I took up photography around this time and we began a busy period of experimental photo sessions during which I was learning to how to use cameras while Rowland was learning how to pose for them.…The work is a patchy, scratched up document that shows visible signs of age and neglect but perhaps this is the one absolute inevitability of history and memory – it’s always going to be fragmentary.” A Day in the Life of Roland S Howard arrives courtesy of \u003c\/span\u003e\u003cb\u003eM.33 \u003c\/b\u003e\u003cspan\u003e(Melbourne).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"M.33","offers":[{"title":"Default Title","offer_id":7134824769,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0634.jpg?v=1444282081"},{"product_id":"constance-de-jong-modern-love","title":"Constance De Jong – Modern Love","description":"\u003cp\u003e\u003cspan\u003eInfluential artist and writer \u003c\/span\u003e\u003cb\u003eConstance De Jong\u003c\/b\u003e\u003cspan\u003e’s long-neglected 1977 novel, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eModern Love\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, is one thing made up of many: It is science fiction. It is a detective story. It is a historical episode in the time of the Armada and the dislocation of Sephardic Jews from Spain to an eventual location in New York’s Lower East Side. It is a first-person narrator’s story; Charlotte’s story; and Roderigo’s; and Fifi Corday’s. It is a 150-year-old story about Oregon and the story of a house in Oregon. An important figure of downtown New York’s performance art and burgeoning media art scene in the late 1970s and early 1980s, DeJong designed \u003c\/span\u003e\u003ci\u003eModern Love\u003c\/i\u003e\u003cspan\u003e herself and published it with help from \u003c\/span\u003e\u003cb\u003eDorothea Tanning\u003c\/b\u003e\u003cspan\u003e on the short-lived \u003c\/span\u003e\u003cb\u003eStandard Editions\u003c\/b\u003e\u003cspan\u003e imprint. Critically acclaimed in its time, \u003c\/span\u003e\u003ci\u003eModern Love\u003c\/i\u003e\u003cspan\u003e is now back in print on the 40th anniversary of its original publication. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e219 pages, softcover, 18 x 12 cm, \u003c\/span\u003e\u003cb\u003ePrimary Information\u003c\/b\u003e\u003cspan\u003e (New York) \/ \u003c\/span\u003e\u003cb\u003eUgly Duckling Presse\u003c\/b\u003e\u003cspan\u003e (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":12817582293072,"sku":"","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_9859_c0ba557f-74cc-40cb-8eac-bcb135cf3982.JPG?v=1538032870"},{"product_id":"some-haunted-spaces-in-singapore-on-the-paradox-of-modern-urban-planning-and-spiritual-beliefs","title":"Some Haunted Spaces in Singapore: On the Paradox of Modern Urban Planning and Spiritual Beliefs","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eSome Haunted Spaces in Singapore\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e explores the paradox of modern urban planning and spiritual beliefs in Singapore, proposing a parsing of the island’s town and country planning based on abstract expressions of mysticism. An investigation of the collective imagination, this book examines elements of the built environment believed to be occupied by spirits: haunted spaces. Often dismissed as irrational, this mystical focus digs deeper than religious superstitions or teenage esotericism. In exploring the apparent contradiction between a city-state built up according to a rigid rationale of urban development and robust spiritual practices that endure to this day, this book reveals the resilience of interconnected spaces and memories, as well as forms of social resistance to the changes brought about by fast-paced urban growth and top-down national planning in Singapore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e224 pages, softcover, 22 x 16 cm, Edition Patrick Frey\u003cb\u003e (Zurich).\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":21294529577040,"sku":"","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1271_561640b7-1584-4745-89ef-9b5f5488c9e2.jpg?v=1545272522"},{"product_id":"just-another-asshole-6","title":"Just Another Asshole #6","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003eJust Another Asshole\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e was an influential and now-legendary mixed-media publication series edited by \u003c\/span\u003e\u003cb\u003eBarbara Ess\u003c\/b\u003e\u003cspan\u003e from 1978 to 1987. The submission process was open and collaborative, and each issue was produced in a different format (e.g., limited-edition zine by Ess, tabloid-sized graphic arts magazine, 4 pages in an issue of \u003c\/span\u003e\u003cb\u003e\u003ci\u003eArtforum\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, photography book, LP record album, paperback book). Several were edited with \u003c\/span\u003e\u003cb\u003eJane Sherry\u003c\/b\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cb\u003eGlenn Branca\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIssue 6 of the magazine, co-edited with Branca, was published in the form of a pulp paperback book with writings by sixty-one artists from the early-80s downtown scene. It includes short stories, performance transcripts, aphorisms, plays, monologues, screenplays, and essays that offer a window into the gritty and dynamic culture of New York City before gentrification pushed the underground out of Lower Manhattan.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContributors include \u003c\/span\u003e\u003cb\u003eKathy Acker\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLindsay Amos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eConstance Ash\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJosh Baer\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBarbara Barg\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJudith Barry\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNan Becker\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEric Bogosian\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGlenn Branca\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBrian Buczak\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMitch Corber\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeter Cummings\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMargaret De Wys\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBradley Eros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBarbara Ess\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard Fantina\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDorothea Franck\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMatthew Geller\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMichael Gira\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJack Goldstein\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDan Graham\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRudolph Grey\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSue Hanel\u003c\/b\u003e\u003cspan\u003e, J\u003c\/span\u003e\u003cb\u003eenny Holzer\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeggy Katz\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBarbara Kruger\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBeth Lapides\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJoe Lewis\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAmanda Linn\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCarla Liss\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMeredith Lund\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMatthew Maguire\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAline Psyche Mare\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSam Marshall Harvey\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAlan Moore\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard Morrison\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCookie Mueller\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeter Nadin\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJoseph Nechvatal\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard Prince\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLee Ranaldo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDavid Rattray\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMike Roddy\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDavid Rosenbloom\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAnn Rower\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eArleen Schloss\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJane Sherry\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKiki Smith\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMichael Smith\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJim Sutcliffe\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eFiona Templeton\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eWharton Tiers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLynne Tillman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAnne Turyn\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGail Vachon\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eS.Weisser\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSally A. White\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eReese Williams\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMartha Wilson\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eStephan Wischerth\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDavid Wojnarowicz\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLinda Yablonsky\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e192 pages, softcover, 17.5 x 10.5 cm, \u003cstrong\u003ePrimary Information\u003c\/strong\u003e (New York)","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":21294632534096,"sku":"","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1248.jpg?v=1545279555"},{"product_id":"susi-wyss-guess-who-is-the-happiest-girl-in-the-world","title":"Susi Wyss – Guess Who Is the Happiest Girl in the World","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIf you believe old photographs, then \u003c\/span\u003e\u003cb\u003eSusi Wyss\u003c\/b\u003e\u003cspan\u003e (born 1938) was an angel in satin, but the look from her darkly outlined eyes tells a different story. Susi's richly illustrated memoirs, Guess Who Is the Happiest Girl in Town, are the stuff that dreams are made of elsewhere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter visiting the Zurich fashion school, Susi meets an aristocratic couple in Saint-Tropez, which introduces her to the world of European jet-set. It may be that the whole hype about the \"sweet life\" is somehow tasteless, but once it was so exciting and outrageous how Susi moved in that artists like the Swiss Manon collaborated with her or photographers like June (aka Alice Springs) and Helmut Newton immortalised her in books and magazines as a sexually liberated, feminist champion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn her apartment she invited to extravagant dinner parties, at which Tout-Paris reversed. In addition to delicious food, \"hashish, LSD, mescaline, cocaine, love for three, sado-maso and massages in the small rooftop pool on the menu,\" says Susi. Her friends included \u003c\/span\u003e\u003cb\u003ePaul Getty\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBaron Eric de Rothschild\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKenneth Anger\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eIggy Pop\u003c\/b\u003e\u003cspan\u003e, Beatnik \u003c\/span\u003e\u003cb\u003eBrion Gysin\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDennis Hopper\u003c\/b\u003e\u003cspan\u003e and fashion illustrator \u003c\/span\u003e\u003cb\u003eAntonio Lopez\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnly in her mid-thirties did \u003c\/span\u003e\u003cb\u003eSusi Wyss\u003c\/b\u003e\u003cspan\u003e turn her lifestyle into money and work as a call girl, whose illustrious clientele included greats from politics, business and the arts. After a short time she was overwhelmed with satisfying the demand and recruited more beautiful girls. In no time Susi became a world-famous \"Madame\". In \u003c\/span\u003e\u003ci\u003e\u003cb\u003eGuess Who Is the Happiest Girl in Town\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e, the darker side of the same coin opens up: the loss of youth, deaths and the time when drugs and alcohol were no longer just fun.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen she was forty, she ended her call-girl career and began writing about her life. \"If \u003c\/span\u003e\u003cb\u003eXaviera Hollander\u003c\/b\u003e\u003cspan\u003e [a Dutch ex-porn starlet, ...] could write a sex book, why not me too?\" So it is with Susi's sensual slapstikhafte tales: If they do not hit one directly in the heart, then much deeper, among the waistline. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e840 pages, 23 x 15 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":21665815265360,"sku":"","price":115.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2867.jpg?v=1551853339"},{"product_id":"broken-music-second-edition","title":"Broken Music (Second Edition)","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eBroken Music\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is an essential compendium for records created by visual artists. The publication was edited by \u003c\/span\u003e\u003cb\u003eUrsula Block\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eMichael Glasmeier\u003c\/b\u003e\u003cspan\u003e and originally published in 1989 by DAAD. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eBroken Music \u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003efocuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt also includes essays by both editors as well as \u003c\/span\u003e\u003cb\u003eTheodor W. Adorno\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRené Block\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJean Dubuffet\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMilan Knizak\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLászló Moholy-Nagy,\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristiane Seiffert\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eHans Rudolf Zeller\u003c\/b\u003e\u003cspan\u003e, as well as a flexi disc of the \u003c\/span\u003e\u003cb\u003eArditti Quartet\u003c\/b\u003e\u003cspan\u003e performing \u003c\/span\u003e\u003cb\u003eKnizak’s \u003c\/b\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cb\u003eBroken Music\u003c\/b\u003e\u003cspan\u003e.” The centrepiece of the publication is a nearly 200-page bibliography of artists’ records.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtists documented in this volume include: \u003c\/span\u003e\u003cb\u003eVito Acconci\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLaurie Anderson\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJohn Baldessari\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJohn Cage\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMerce Cunningham\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003ePhilip Glass\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJohn Lennon\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSol Lewitt\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard Serra\u003c\/b\u003e\u003cspan\u003e and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e280 pages, softcover, 26 x 21 cm, Primary Information (Brooklyn).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":21889984397392,"sku":"","price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3326_0c8594c1-0d1a-4f34-a20f-800efe1a62ec.jpg?v=1553667669"},{"product_id":"real-review-issue-4","title":"Real Review 4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Our agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe contemporary 24-hour news cycle is a swirling gyre of political and economic intrigue, a rolling wave that surges ceaselessly, always building power but never forming a crest. To surf the slipstream of the news is to be forever on the brink of BREAKING. Against all the uncertainty and fear, nothing seems more eternal, more universal and (unlike our political leaders) quite so strong and stable as love. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIs love an industrial commodity? Artist \u003c\/span\u003e\u003cb\u003eMagali Reus\u003c\/b\u003e\u003cspan\u003e talks about what it means to love today. Together forever, forever apart: \u003c\/span\u003e\u003cb\u003eJack Self\u003c\/b\u003e\u003cspan\u003e reviews Contactless technology. Capital, sex and territory are reviewed in a photo-essay on rent by \u003c\/span\u003e\u003cb\u003eTheo Simpson\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cb\u003eStoya\u003c\/b\u003e\u003cspan\u003e reviews webcam modelling with \u003c\/span\u003e\u003cb\u003eAnna Bell Peaks\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cb\u003eHuw Lemmey\u003c\/b\u003e\u003cspan\u003e reviews brotherhood, with photography by \u003c\/span\u003e\u003cb\u003ePrem Sahib\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cb\u003eCatherine Slessor\u003c\/b\u003e\u003cspan\u003e reviews the post-coital cigarette, with photography by \u003c\/span\u003e\u003cb\u003eMatthieu Lavanchy\u003c\/b\u003e\u003cspan\u003e. What is the true social price of cloth, \u003c\/span\u003e\u003cb\u003eOre Disu\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eFoyeke Ajao\u003c\/b\u003e\u003cspan\u003e review the aso-ebi.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso in the issue: \u003c\/span\u003e\u003cb\u003eHannah Foulds\u003c\/b\u003e\u003cspan\u003e spends a night with The Collective, and reviews community; \u003c\/span\u003e\u003cb\u003eMark Campbell\u003c\/b\u003e\u003cspan\u003e reviews the sultry nights of Hong Kong; \u003c\/span\u003e\u003cb\u003ePeer Illner\u003c\/b\u003e\u003cspan\u003e reviews artificial wombs; \u003c\/span\u003e\u003cb\u003eWilliam Alderwick\u003c\/b\u003e\u003cspan\u003e reviews love in the age of facefuck; \u003c\/span\u003e\u003cb\u003eGavin Blair\u003c\/b\u003e\u003cspan\u003e reviews Japanese boyfriends for hire; \u003c\/span\u003e\u003cb\u003eYulia Rudenko\u003c\/b\u003e\u003cspan\u003e reviews the longest-running reality show in the world; \u003c\/span\u003e\u003cb\u003eCoco Coffman\u003c\/b\u003e\u003cspan\u003e reviews the boulevard of broken dreams; \u003c\/span\u003e\u003cb\u003eJames Taylor-Foster\u003c\/b\u003e\u003cspan\u003e reviews the EU flag and \u003c\/span\u003e\u003cb\u003eHarry Burke\u003c\/b\u003e\u003cspan\u003e reviews zentai bodysuits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e90-100 pages, softcover, 26 x 11.5 cm, \u003cstrong\u003eReal Review\u003c\/strong\u003e (London)\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":21903792963664,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3454_73f7bbdb-d6c5-4bc0-a697-b8e119badb04.jpg?v=1553828760"},{"product_id":"real-review-5","title":"Real Review 5","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Our agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWe live in extremely uncertain times. Our faith in the future is increasingly\u2028tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today?\u003cbr\u003e\u003cbr\u003eSocietal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And yet, doubting doubt – through the scientific method, imperial evidence and systemic thought – has not only created modernity, but offers the only hope to our worry.\u003cbr\u003e\u003cbr\u003eHave you ever doubted yourself? \u003cb\u003e\u003ci\u003eReal Review\u003c\/i\u003e\u003c\/b\u003e interviews photographer \u003cb\u003eJuergen Teller\u003c\/b\u003e on persona and confidence. Philosopher \u003cb\u003eVilem Flusser\u003c\/b\u003e reviews doubting doubt. \u003cb\u003eLeon Batchelor\u003c\/b\u003e reviews the IKEA catalogue and its ethical propositions. \u003cb\u003eDele Adeyemo\u003c\/b\u003e reviews resilience strategies, systemic racism and social injustice. \u003cb\u003eMax Turnheim\u003c\/b\u003e reviews Fondation Cartier and 20th-century glass, with photography by \u003cb\u003eMax Creasy\u003c\/b\u003e, and \u003cb\u003eAnna Minton\u003c\/b\u003e reviews London’s spatial politics.\u2028\u003cbr\u003e\u003cbr\u003eAlso in the issue: \u003cb\u003ePhin Harper\u003c\/b\u003e, \u003cb\u003eNina Power\u003c\/b\u003e, \u003cb\u003eMETAHAVEN\u003c\/b\u003e, \u003cb\u003eNick Roberts\u003c\/b\u003e, \u003cb\u003eLouise Benson\u003c\/b\u003e, \u003cb\u003eJack Self\u003c\/b\u003e, \u003cb\u003eMatthew Soules\u003c\/b\u003e, \u003cb\u003eAmelia Stein\u003c\/b\u003e, \u003cb\u003eLiam Denhamer\u003c\/b\u003e, \u003cb\u003eAi Weiwei\u003c\/b\u003e, \u003cb\u003eLiu Xiaobo\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e90-100 pages, softcover, 26 x 11.5 cm, \u003cstrong\u003eReal Review\u003c\/strong\u003e (London)\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":21903822520400,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3444_20c6b194-83fc-4ca5-9496-57afdb0c1020.jpg?v=1553829040"},{"product_id":"real-review-6","title":"Real Review 6","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Our agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe challenges to our species have never been more obvious, yet the required actions have never seemed more impossible. After several decades, Just-in-Time production (only making what you need, only when you need it) has become a generalised model. We now expect everything on demand, from clothing to houses, and food to friends.\u003cbr\u003e\u003cbr\u003eThe unreal magic by which objects come into being has also changed our relationship with the process of making. Increasingly, we are more interested in the how than the what, with even inferior artisanal and bespoke commanding a premium.\u003cbr\u003e\u003cbr\u003eWill we be able to redress social inequality, dampen the effects of global warming and reinvent democracy just in time?\u003cbr\u003e\u003cbr\u003eHow do we design value? \u003cb\u003eMariana Mazzucato\u003c\/b\u003e reviews the metrics of innovation. Poet \u003cb\u003eEmily Toder\u003c\/b\u003e reviews the movement of the robot, while \u003cb\u003eToyo Ito\u003c\/b\u003e reviews medieval light and the symbolism of grief. US-based Jamaican author \u003cb\u003eGarnette Cadogan\u003c\/b\u003e reviews walking while Black, and \u003cb\u003eFeminist Architecture Collaborative\u003c\/b\u003e review artificial hymens. \u003cb\u003eStephen Armstrong\u003c\/b\u003e reviews Deliveroo’s dark kitchens and \u003cb\u003eArmature Globale\u003c\/b\u003e review the contemporary European photographic identity, including work by \u003cb\u003eSatoshi Fujiwara\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e90-100 pages, softcover, 26 x 11.5 cm, \u003cstrong\u003eReal Review\u003c\/strong\u003e (London)\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":21903843950672,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3437_feea90a3-3708-4820-ad50-e315458be5d1.jpg?v=1553829226"},{"product_id":"real-review-7","title":"Real Review 7","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Our agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eYou've been privatised, pathologised, indebted and exploited. Civil society is disintegrating, and hard-won freedoms are being undone. Yet from this maelstrom has emerged an intense clarity: a desire for sobriety, self-control, altruism, generosity, and the pursuit of mental and physical wellbeing. We are more aware, informed, engaged, and alert to social injustices – particularly of race, gender and geography. We are woke.\u003cbr\u003e\u003cbr\u003eBut is this miraculous awakening to structural inequalities true or merely tokenistic? Is wokeness a fad, or a systemic, generational shift in social ethos?\u003cbr\u003e\u003cbr\u003eWhy are some white people scared of a Black Planet? Real Review interviews \u003cb\u003eReni Eddo-Lodge\u003c\/b\u003e to find out. Meanwhile, \u003cb\u003eBuckminster Fuller\u003c\/b\u003e reviews God, and \u003cb\u003eAlice Barker\u003c\/b\u003e reviews algorithmic profiling. Should some artworks be forbidden? \u003cb\u003eJack Self\u003c\/b\u003e reviews the degenerate art of \u003cb\u003eEmile Nolde\u003c\/b\u003e. Spanish architect \u003cb\u003eAnna Puigjaner\u003c\/b\u003e reviews the kitchenless apartment, \u003cb\u003ePaola Antonelli\u003c\/b\u003e reviews tamagotchis and modernity, and much more. \u003cbr\u003e\u003cbr\u003e90-100 pages, softcover, 26 x 11.5 cm, \u003cstrong\u003eReal Review\u003c\/strong\u003e (London)\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":21903861973072,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3428_9946a2e9-dcd0-4524-b8ae-29fbdeb0535d.jpg?v=1553829526"},{"product_id":"real-review-8","title":"Real Review 8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Our agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn issue 8 of \u003cb\u003e\u003ci\u003eReal Review\u003c\/i\u003e\u003c\/b\u003e, \u003cb\u003eChelsea Manning\u003c\/b\u003e is interviewed about identity and autonomy, \u003cb\u003eVirgil Abloh\u003c\/b\u003e and \u003cb\u003eJack Self\u003c\/b\u003e talk about how to dissolve power structures; \u003cb\u003eWolfgang Tillmans\u003c\/b\u003e presents a 16-page special insert reviewing contemporary life. Comedian \u003cb\u003eElf Lyons\u003c\/b\u003e reviews austerity Britain (with readymades by \u003cb\u003eNicole McLaughlin\u003c\/b\u003e), and \u003cb\u003eJacob Dreyer\u003c\/b\u003e reviews the current state of globalisation from the border of China and North Korea (with DPRK photography by \u003cb\u003eYuyang Liu\u003c\/b\u003e). In two poems, \u003cb\u003eSvetlana Marich\u003c\/b\u003e reviews her desire for a doctor.\u003cbr\u003e\u003cbr\u003eAlso in the issue: \u003cb\u003eJohann Hari\u003c\/b\u003e reviews depression and \u003cb\u003eShumon Basar\u003c\/b\u003e reviews our obsession with fame. \u003cb\u003eJack Self\u003c\/b\u003e reviews \"low batt\" while \u003cb\u003eEfe\u003c\/b\u003e reviews the NYC blackout. \u003cb\u003ePier Vittorio Aureli\u003c\/b\u003e reviews the Italian radical Marxist autonomia movement, and \u003cb\u003eSophia Alami\u003c\/b\u003e reviews the hijab. The rise and rise of streetwear is reviewed by \u003cb\u003eJohn-Paul Trang\u003c\/b\u003e, and \u003cb\u003eColby Vexler\u003c\/b\u003e and \u003cb\u003eJustin Clemens\u003c\/b\u003e review the millennial obsession with houseplants. \u003cb\u003eHolland Drury\u003c\/b\u003e and \u003cb\u003eDamian Fopp\u003c\/b\u003e review the power politics of the chaise longue.\u003cbr\u003e\u003cbr\u003e90-100 pages, softcover, 26 x 11.5 cm, \u003cstrong\u003eReal Review\u003c\/strong\u003e (London)\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":21903871246416,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3418_d58eb9d8-aef0-4324-a5a7-b31b6ef8e1ef.jpg?v=1553829729"},{"product_id":"dan-cook-archive-production-presents-47-fly-flyers","title":"Dan Cook Archive Production Presents – 47 FLY FLYERS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"left\"\u003e\u003cspan\u003eIn the mid 90s, I owned a record shop in the East Village. I would go all over the city to look for records. At one stop in the Bronx, I was buying records from a guy in \u003c\/span\u003e\u003cspan\u003ehis apartment. Y\u003c\/span\u003e\u003cspan\u003eou could tell that these were the records of a DJ because they weren't just played, they were put to work – used for scratching, and were \u003c\/span\u003e\u003cspan\u003eheavily worn\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ein that specific way.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe condition was so bad, I could't really sell most of them at the shop. I put together a small pile, and told him that was all I could use. He then\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003easked me if I'd be interested in some show flyers. I didn't really collect paper stuff at all, but he pulled out this pile of flyers. I thought they were great, so I bought\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethem. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI liked them too much to sell them. They seemed historic to me. They featured some of my favourite early hip hop groups and had some great graphics. I had them in a\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ebox for years, and would occasionally break them out to show to a friend, one of whom suggested that they would make a good book. That is how the \"archive\" and\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethis book were born. \u003c\/span\u003e\u003cspan\u003eThis archive presents a look at the flyers that packed the parties at the high schools, roller rinks, and local clubs before hip hop took over the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"left\"\u003e\u003cspan\u003e47 pages, spiral bound softcover, hand assembled, 27.5 x 21.5 cm, \u003cstrong\u003eSUN\u003c\/strong\u003e (New York\/Los Angeles)\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"left\"\u003e\u003c\/div\u003e","brand":"SUN","offers":[{"title":"Default Title","offer_id":28181492564048,"sku":"","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4119_16807f60-06b4-4c95-885d-6958e2647c4c.jpg?v=1556863379"},{"product_id":"brian-blomerth-brian-blomerths-bicycle-day","title":"Brian Blomerth – Brian Blomerth's Bicycle Day","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIllustrator, musician and self-described “comic stripper” \u003c\/span\u003e\u003cb\u003eBrian Blomerth\u003c\/b\u003e\u003cspan\u003e has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With \u003c\/span\u003e\u003cb\u003e\u003ci\u003eBrian Blomerth’s Bicycle Day\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, \u003c\/span\u003e\u003cb\u003eDennis McKenna\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eBrian Blomerth’s Bicycle Day\u003c\/i\u003e\u003cspan\u003e combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications—released via \u003c\/span\u003e\u003cb\u003eAnthology Editions\u003c\/b\u003e\u003cspan\u003e, Tan \u0026amp; Loose, and through his own Pupsintrouble Press—include the zines \u003c\/span\u003e\u003ci\u003eXak’s Wax\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eiPhone 64: A User’s Guide\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003eHypermaz\u003c\/i\u003e\u003cspan\u003ee. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in \u003c\/span\u003e\u003ci\u003eVice\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eMerry Jane\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e188 pages, 15 x 23 cm, softcover, Anthology Editions (New York).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":28541175431248,"sku":"","price":58.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4717.jpg?v=1561001094"},{"product_id":"archivio-03-the-americana-issue","title":"Archivio 03 - The Americana Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen American surfers were sent to fight in Vietnam they took their boards with them, or at least tried to. Born on the beaches of California and Hawaii, surfing was a peaceful youth culture at odds with the politics of jungle conflict. As the first story in ‘The Americana Issue’ tells, the soldiers relied on the healing power of riding a wave. The magazine presents this and other stories gleaned from archives, covering topics like the Manhattan Project, powerful black female imagery, \u003c\/span\u003e\u003cb\u003eJean Baudrillard\u003c\/b\u003e\u003cspan\u003e on 9\/11, visions of roadside America by \u003c\/span\u003e\u003cb\u003eJohn Margolies\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTony Oursler\u003c\/b\u003e\u003cspan\u003e and the paranormal, \u003c\/span\u003e\u003cb\u003eAnthony Faramelli\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eon symbolism and liberalism, alternative press from Provo to punk, and more. Thanks to \u003c\/span\u003e\u003cb\u003eArchivio\u003c\/b\u003e\u003cspan\u003e (Turin).\u003c\/span\u003e","brand":"Archivo","offers":[{"title":"Default Title","offer_id":28870336184400,"sku":"","price":37.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/ARCHIVIO1.jpg?v=1564559403"},{"product_id":"dennis-stock-california-trip","title":"Dennis Stock – California Trip","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 1968, Magnum photographer \u003c\/span\u003e\u003cb\u003eDennis Stock\u003c\/b\u003e\u003cspan\u003e took a five-week road trip along the California highways, documenting the height of the counterculture hippie scene. These black and white photos were compiled to create \u003cstrong\u003e\u003cem\u003eCalifornia Trip\u003c\/em\u003e\u003c\/strong\u003e, originally published in 1970, and became an emblem of the free love movement that continued to inspire throughout the decades. In print for the first time since its 1970 publication, \u003c\/span\u003e\u003ci\u003eCalifornia Trip\u003c\/i\u003e\u003cspan\u003e is a faithful reproduction of Stock’s timeless work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDennis Stock was a celebrated American photographer, noted for his photo essays. His portfolio had a massive range and included many timeless pieces of work such as the free love movement of California, jazz, nature, and portrait work of icons such as James Dean and Billie Holiday. His photography has been exhibited all over the world, and his photos are part of many major museum collections. He won first prize in both Life’s Young Photographers Contest in 1951 and the International Photo Competition in Poland in 1962. Stock passed away in 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e110 pages, 23 x 28 cm, softcover, Anthology Editions (New York).\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":30336087457872,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0979_4cee433f-c7de-4ad0-b7c6-292ef25ed8b0.jpg?v=1570078097"},{"product_id":"the-new-womans-survival-catalog","title":"The New Woman's Survival Catalog","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan\u003ePublished in 1973, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe New Woman’s Survival Catalog\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an 'active attempt to reshape culture through changing values and consciousness'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAssembled by \u003c\/span\u003e\u003cb\u003eKirsten Grimstad\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eSusan Rennie\u003c\/b\u003e\u003cspan\u003e in only five months, \u003c\/span\u003e\u003ci\u003eThe New Woman’s Survival Catalog\u003c\/i\u003e\u003cspan\u003e makes a nod to Stewart Brand’s influential \u003c\/span\u003e\u003ci\u003eWhole Earth Catalog\u003c\/i\u003e\u003cspan\u003e to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organisations and individuals, and gathering information and further references along the way to complete the publication.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom arts organisations to bookstores and independent presses, health, parenting, and rape crisis centres, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, \u003c\/span\u003e\u003ci\u003eThe New Woman’s Survival Catalog\u003c\/i\u003e\u003cspan\u003e comprises listings and organisational descriptions, articles, and extensive illustrations, as well as a 'Making the Book' section, detailing the publication’s production.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e224 pages, 27 x 36 cm, paperback, Primary Information (New York)","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":31161255002192,"sku":"","price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1275_f921fa41-7670-477f-8670-9ec02ffd3740.jpg?v=1573007446"},{"product_id":"dream-dance-the-art-of-ed-emshwiller","title":"Dream Dance: The Art of Ed Emshwiller","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDream Dance: The Art of Ed Emshwiller\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is a catalog released in conjunction with the artist’s first major monographic exhibition at Lightbox Film Center and the Rosenwald-Wolf Gallery in Philadelphia. With an immensely diverse body of creative work in film, video, and visual art, \u003c\/span\u003e\u003cb\u003eEd Emshwiller\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis perhaps one of the most significant yet under-recognized artists of the latter half of the 20th century. Emshwiller’s career spanned abstract expressionist painting, commercial illustration, film, video and computer art, and collaborations with dancers, choreographers, and composers. Highlighting his visual and fine art background, this catalog includes early paintings, notes, film stills, sketches, ephemera, and many early science fiction cover paintings. Including artwork by \u003c\/span\u003e\u003cb\u003eRobert Beatty\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eDream Dance\u003c\/i\u003e\u003cspan\u003e is a full scale investigation of Emshwiller’s legacy, presenting his multidisciplinary oeuvre to a new generation of audiences.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdmund Alexander Emshwiller was an American visual artist noted for his work with illustration and filmmaking. Emshwiller painted and drew hundreds of covers and interiors for paperbacks and hardback books, and is best known for his work on pulp magazines including \u003c\/span\u003e\u003ci\u003ePlanet Stories\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eFuture Science Fiction\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003eAmazing Stories\u003c\/i\u003e\u003cspan\u003e. While working as an illustrator, Emshwiller continued to create his own abstract expressionist paintings, ink drawings, and prints; and had several solo and group shows. In 1964 Emshwiller shifted his focus primarily to filmmaking. He was an active member of the independent film movement in New York, and created many experimental\/underground films, often collaborating with dancers throughout his career. Notable films included \u003c\/span\u003e\u003ci\u003eThanatopsis\u003c\/i\u003e\u003cspan\u003e (1962), \u003c\/span\u003e\u003ci\u003eRelativity\u003c\/i\u003e\u003cspan\u003e (1966), and\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eChrysalis\u003c\/i\u003e\u003cspan\u003e (1973). As one of the earliest video artists in the 1970s, Emshwiller also experimented with combining computer animation and live-action on videos. His work has been exhibited all over the world, and he was the recipient of many awards including five Hugo Awards and the American Film Institute’s Maya Deren Award. Emswhiller passed away at the age of sixty-five in 1990.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e176 pages, 19 x 25.5 cm, hardcover, Anthology Editions (New York).\u003cbr\u003e\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":31760779706448,"sku":"","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1955_fc8560dc-a0ce-45ea-953c-03d9144d9923.jpg?v=1579739776"},{"product_id":"peter-milne-juvenilia","title":"Peter Milne – Juvenilia","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConceived of as a companion volume to \u003c\/span\u003e\u003cb\u003ePeter Milne\u003c\/b\u003e\u003cspan\u003e’s 2015 wildly successful publication \u003c\/span\u003e\u003ci\u003eA Day in the Life of Rowland S Howard\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eJuvenilia\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e brings together a further 70 plus astonishingly fresh photographs of friends and family taken by Milne when he was a very young man.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWarm, intimate, surprising and already displaying the great compositional skills, originality and humour for which Milne is known, these images offer an unprecedented peep into mid 1970s to mid 1980s Melbourne and a milieu of people who would go on to play pivotal roles in Melbourne’s burgeoning cultural scene.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarting in 1976 when Milne was 16 and photographing school friends \u003c\/span\u003e\u003cb\u003eGina Riley\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRowland S Howard\u003c\/b\u003e\u003cspan\u003e, through to images of the famed band the Boys Next Door posing for their first ever photoshoot in \u003c\/span\u003e\u003cb\u003eNick Cave\u003c\/b\u003e\u003cspan\u003e’s bedroom in his parents’ house; parties; outings to the beach and the city and legendary music venues such as the Seaview Ballroom; the photographs feature a dazzling cast including \u003c\/span\u003e\u003cb\u003eAnita Lane\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBlixa Bargeld\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTony Clark\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePolly Borland\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard Lowenstein\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAngela Howard\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOllie Olsen\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eMick Harvey\u003c\/b\u003e\u003cspan\u003e as well as Milne’s less famous but equally interesting friends and family.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMilne’s long-time friend and fellow artist, \u003c\/span\u003e\u003cb\u003ePolly Borland\u003c\/b\u003e\u003cspan\u003e contributes a tender Afterword.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e88 pages, 26 x 23 cm, softcover, M.33 (Melbourne).","brand":"M.33","offers":[{"title":"Default Title","offer_id":31948976554064,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2331_9eba92b4-e76d-4e2d-b734-310ac7d1fabe.jpg?v=1583196983"},{"product_id":"yes-yes-yes-revolutionary-press-in-italy-1966-1977-from-mondo-beat-to-zut","title":"YES YES YES Revolutionary Press in Italy 1966-1977 – from Mondo Beat to Zut","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"std\"\u003eDensely filled with reproductions of newspapers, magazines, mimeographs, news-sheets, pamphlets, and other ephemera, this book investigates the Italian scene during the turbulent years between 1966 and 1977. These revolutionary printing activities were linked to the political, ideological, and countercultural struggle of a period of protest and occupation of public spaces as areas of freedom and social creativity for a disillusioned generation. A selection of over 600 publications are catalogued in this book, output from the subversive newsrooms of the radical artistic and libertarian movements, and “ultra-political” groups, autonomists, and other collectives seeking change.\u003c\/p\u003e\n\u003cdiv class=\"std\"\u003e\u003c\/div\u003e\n\u003cp class=\"std\"\u003e544 pages, 17 x 24 cm, hardcover, Viaindustriae (Foligno).\u003c\/p\u003e","brand":"Viaindustriae","offers":[{"title":"Default Title","offer_id":32056586076240,"sku":"","price":115.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2640_6c5445a5-1c53-40dd-8181-29a5e4b13125.jpg?v=1585105013"},{"product_id":"sofa-issue-04-its-playtime","title":"Sofa Issue 04: It's Playtime!","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAt a moment when adulting has never felt more urgent, and also frightening, \u003cem\u003e\u003cstrong\u003eSOFA\u003c\/strong\u003e \u003c\/em\u003euncovers life below the surface of social media bravado. This issue wrestles playfully with childlikeness, games, new ideas, political strategies, brattiness, nostalgia, dark fantasies, and paths to joy – suggesting that fun can be an essential soothsayer. Float through fantasy rooms, go on dates with a clown, explore identity and mental health in alternate virtual worlds, read first-hand accounts of butt augmentation surgery, remember American Doll JonBenet Ramsey, and give voice to the thoughts and feelings of loud, restless, thoughtful youth culture in its crisis of consciousness. This fourth issue of the magazine is published with three unique covers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e98 pages, 21 x 30 cm, softcover, Edition Messner (Berlin).\u003c\/span\u003e\u003c\/p\u003e","brand":"Edition Messner","offers":[{"title":"Default Title","offer_id":32056800411728,"sku":"","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2700_c2817418-3e97-4ed5-875b-92deff2b247c.jpg?v=1585106971"},{"product_id":"vieceli-cremers-division-of-pleasures","title":"Vieceli \u0026 Cremers – Division Of Pleasures","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eJoy Division\u003c\/strong\u003e fans, pop culture fanatics, and wannabe hipsters, take note. Forty years after the release of ‘Unknown Pleasures’, the band’s debut studio album, design studio \u003cstrong\u003eVieceli \u0026amp; Cremers\u003c\/strong\u003e presents \u003cem\u003e\u003cstrong\u003eDivision of Pleasures\u003c\/strong\u003e\u003c\/em\u003e. The album’s cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. Taking this image as its theme – one which has since triggered countless interpretations and reprocessings as a globally recognised pop cultural trope – the book features 136 pages of recreations, installations, modifications, transformations, pre-digital memes, repetitions and differences, and differences in repetition. With an essay by \u003cstrong\u003eJörg Scheller\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e136 pages, 15 x 21 cm, softcover, Everyedition (Zurich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Everyedition","offers":[{"title":"Default Title","offer_id":32056850546768,"sku":"","price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2650_9d3be8d0-2a94-415e-a065-48f6c2d05854.jpg?v=1585107515"},{"product_id":"jonny-banger-diary-of-a-bootlegger","title":"Jonny Banger – Diary of a Bootlegger","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eDiary of a Bootlegger\u003c\/strong\u003e\u003c\/em\u003e is a work of digital cut-outs. The emails, tweets, and text messages here replace the pre-Internet paper scrapbooks of clippings, thoughts, exchanges, in-jokes, and appropriations. The form is suggestive of the Sports Banger aesthetic, a clued-in hybrid of political commentary, sportswear chic, and proud class consciousness. Through this curated sequence of customer service emails, twitter “content”, family chats, and warehouse humour, the story of Jonny Banger’s seemingly improbable rise is told, from a DIY outfit bootlegging well-known sports brands to becoming one of the most talked about fashion phenomenons of the last decade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e34 pages, 15 x 21 cm, paperback, Rough Trade Books (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Rough Trade Books","offers":[{"title":"Default Title","offer_id":32065947172944,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2813_82c8639d-d4d8-43dd-9698-1ba0c200b623.jpg?v=1585269895"},{"product_id":"jurgen-maelfeyt-american-apparel-ads","title":"Jurgen Maelfeyt – American Apparel Ads","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBelgian-based designer and publisher \u003c\/span\u003e\u003cb\u003eJurgen Maelfeyt\u003c\/b\u003e\u003cspan\u003e pieces together layers of infamous advertising campaigns from clothing brand \u003c\/span\u003e\u003cb\u003eAmerican Apparel\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e32 pages, 24 x 33 cm, softcover, Art Paper Editions (Ghent).\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":32257749516368,"sku":"","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_3356_17410d54-f0d9-4453-9d21-2bd2485b28f0.jpg?v=1587605153"},{"product_id":"pre-order-real-review-9","title":"Real Review 9","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eReal Review\u003c\/strong\u003e\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Their agenda focuses on the politics of space, and trying to \u003c\/span\u003e\u003cspan\u003eunderstand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e'New omens appear on a daily basis: uncontrollable fires and floods, melting ice, rising seas, mass extinction, incurable pandemics, and escalating violence of thought and deed. How can \u003cstrong\u003eReal Review\u003c\/strong\u003e add something positive to this context, at the very climax of our global anxiety? Time destroys all worlds, and good riddance! The past is a foreign country, its horrors and delights recast by the temperaments of our present day.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnd Times\u003c\/em\u003e is about a different relationship with the future, as truly beyond our prediction or conception. It concerns inaction, a new type of passivity and patience, a heightened sense of our own being in the world, our collective humanity, and the value of non-human life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAren't these strange times? We interview \u003cstrong\u003eRyuichi Sakamoto\u003c\/strong\u003e on the meaning of good timing. \u003cstrong\u003eOlafur Eliasson\u003c\/strong\u003e presents a special artwork to help us feel more together, while \u003cstrong\u003eWill Self\u003c\/strong\u003e reviews deep adaptation and the ellipsis. Curator \u003cstrong\u003eSarah McCrory\u003c\/strong\u003e reviews the work of feminist artist \u003cstrong\u003eAlexis Hunter\u003c\/strong\u003e, who in turn reviews why the wives of Marxists still do the housework. \u003cstrong\u003eExtinction Rebellion\u003c\/strong\u003e publish a manifesto and call to arms, while \u003cstrong\u003eCressida Brotherstone\u003c\/strong\u003e and \u003cstrong\u003eHarley Weir\u003c\/strong\u003e review art therapy and neurodiversity. \u003cstrong\u003eHito Steyerl\u003c\/strong\u003e reviews the algorithms designed to distinguish faces from butts. \u003cstrong\u003eGiorgio Agamben\u003c\/strong\u003e reviews the contemporary.\u003cbr\u003e\u003cbr\u003eAlso in the issue: \u003cstrong\u003eAmy Romer\u003c\/strong\u003e reviews modern-day slavery, while \u003cstrong\u003eJack Self\u003c\/strong\u003e reviews the invention of the Japanese housewife and how edging reframes being. \u003cstrong\u003eElisabeth Kendall\u003c\/strong\u003e reviews Jihadi poetry, \u003cstrong\u003eTamar Shafrir\u003c\/strong\u003e reviews Vitruvius, \u003cstrong\u003eRaven Smith\u003c\/strong\u003e reviews the endless cycle of fashion and \u003cstrong\u003eZoë Ritts\u003c\/strong\u003e reviews the pop-up.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e26 x 11.5 cm, softcover, Real Review (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":32335946907728,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0291_1c15c4da-332c-4a63-aa44-7816af15d29c.jpg?v=1591762092"},{"product_id":"alexandro-segade-the-context","title":"Alexandro Segade – The Context","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eThe Context\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e reimagines the superhero comic book as a queer parable of belonging. The story follows six powerful beings from different worlds who find themselves inexplicably adrift together in an otherwise lifeless void: Biopower, Cathexis, Barelife, Objector, Drives, and Form. The characters, each named for a concept drawn from critical theory, engage one another in skintight fight scenes that often look like sex scenes, and philosophical debates masked as exposition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs a lifelong fan and a more recent critic of the superhero genre, artist and performer \u003c\/span\u003e\u003cb\u003eAlexandro Segade\u003c\/b\u003e\u003cspan\u003e approached his first graphic novel as a solo performance, acting out all the roles: writer, penciller, inker, colourist and letterer. \u003c\/span\u003e\u003ci\u003eThe Context\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003econsiders the form of the graphic novel through conceptual, minimalist, op art, and constructivist aesthetics, while paying homage to the great cosmic comics of the 1970s and ’80s: \u003c\/span\u003e\u003ci\u003eSilver Surfer\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eLegion of Super Heroes\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eGreen Lantern\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eAdam Warlock\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eX-Men\u003c\/i\u003e\u003cspan\u003e (to name a few). A meditation on group dynamics, composed of foreshortened figures in flight set against an endless field of stars, The Context illustrates a vastness that extends past the boundaries of different art forms and ways of being.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e96 pages, 16.9 x 25.7 cm, paperback, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":32690260574288,"sku":"","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0509_e1ae54e4-624e-403e-ab6d-6e7df3e0f567.jpg?v=1594785760"},{"product_id":"gay-areas-telephone-directory","title":"Gay Areas Telephone Directory","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGay Areas Telephone Directory\u003c\/strong\u003e \u003c\/em\u003eis an artefact from another age. It is an exact facsimile of an American telephone directory published in December 1983 by Gay International Inc. and targeted at queer population. The phonebook is a now-obsolete format, but before mobile phones and the internet every household had one by the landline. This queer directory featured listings and advertisements for businesses friendly towards or catering to lesbians and gay men at a time when such visibility was a rare and possibly dangerous thing. 1983 was a watershed year for LGBTQ people. The first HIV\/AIDS cases were reported barely two years before, marking the beginning of a health crisis that would go on to kill more than half a million (primarily LGBTQ) people within the next ten years. In addition to serving as a portrait of a community and its culture at a crucial state of development, \u003cem\u003eGay Areas Telephone Directory\u003c\/em\u003e stands as a time capsule of lost generation(s) felled by AIDS.\u003c\/p\u003e\n\u003cp\u003e21 x 26 cm, softcover with slipcase, Pre-Echo (New York).\u003c\/p\u003e","brand":"Pre-Echo","offers":[{"title":"Default Title","offer_id":32785738137680,"sku":"","price":88.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1088_9b53740b-c7d8-4f1f-8f9b-a05f9d79a7ad.jpg?v=1597896015"},{"product_id":"ari-marcopoulos-polaroids-92-95-ca","title":"Ari Marcopoulos – Polaroids 92-95 CA","description":"\u003cp\u003eThe artist \u003cstrong\u003eAri Marcopoulos\u003c\/strong\u003e came upon the Polaroids reproduced in this volume and its companion, \u003cem\u003e\u003cstrong\u003ePolaroids 92- 95 (NY)\u003c\/strong\u003e\u003c\/em\u003e, while moving studios in 2018. Only a few have ever been published before, and the decorated box that housed them, long forgotten. They depict an iconic period of skating from the early nineties with the same ease, grace and affection for his subjects that Marcopoulos is known for. Shot mainly in San Francisco as well as Santa Rosa and at Max Schaaf’s Ramp in Oakland it features some of the best known skaters of their generation including \u003cstrong\u003eJulien Stranger\u003c\/strong\u003e, \u003cstrong\u003eEthan Fowler\u003c\/strong\u003e and\u003cstrong\u003e Bob Burnquist\u003c\/strong\u003e amongst others.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAs time has passed there are many names that I remember but some unfortunately I can no longer recall. These images are a result of a collaboration and understanding between the subjects and the observer. I want to thank everyone that appears in them.\u003c\/em\u003e – Ari Marcopoulos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e104 pages, 15.7 x 21 cm, softcover, Dashwood Books (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Dashwood Books","offers":[{"title":"Default Title","offer_id":32881888788560,"sku":"","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1641_c1c44200-9a90-455e-bd8e-78f5db031a1e.jpg?v=1600742529"},{"product_id":"ari-marcopoulos-polaroids-92-95-ny","title":"Ari Marcopoulos – Polaroids 92-95 NY","description":"\u003cp\u003eThe artist \u003cstrong\u003eAri Marcopoulos\u003c\/strong\u003e came upon the Polaroids reproduced in this volume and its' companion, \u003cem\u003e\u003cstrong\u003ePolaroids 92-95 (CA)\u003c\/strong\u003e\u003c\/em\u003e, while moving studios in 2018. Only a few have ever been published before, and the decorated box that housed them, long forgotten. They depict an iconic period of skating from the early nineties with the same ease, grace and affection for his subjects that Marcopoulos is known for. Shot mainly at the Brooklyn Banks in New York it features some of the best known skaters of their generation including \u003cstrong\u003eJustin Pierce\u003c\/strong\u003e, \u003cstrong\u003eHarold Hunter\u003c\/strong\u003e, \u003cstrong\u003eMaurice Key\u003c\/strong\u003e and \u003cstrong\u003eJeff Pang\u003c\/strong\u003e, amongst others.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs time has passed there are many names that I remember but some unfortunately I can no longer recall. These images are a result of a collaboration and understanding between the subjects and the observer. I want to thank everyone that appears in them. \u003c\/em\u003e– Ari Marcopoulos.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e174 pages, 15.7 x 21 cm, softcover, Dashwood Books (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Dashwood Books","offers":[{"title":"Default Title","offer_id":32881898782800,"sku":"","price":64.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1655_74b37117-947c-471f-952c-dc5906a13826.jpg?v=1600742835"},{"product_id":"pre-order-real-review-10","title":"Real Review 10","description":"\u003cp\u003e'We can't go back, but we don't want to. Nor can we go on like this much longer. What will emerge from such a transitional phase, when the civic body is so lacking in health (physical, moral, political and economic)?\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Renaissance was not an end in itself, but a bridge between two paradigms (feudalism and modernity). It was a cultural movement that diverted history by rediscovering lost pasts. Today, we do not need newness to cut short capitalist realism, to restore a degraded nature, to achieve greater equality. We have everything necessary for change. We only need the will.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat is a renaissance? We interview His Holiness \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePope Francis\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the commodification of our souls. Writer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEkow Eshun\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWEB Bois\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e' double consciousness. Curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAria Dean\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFuture\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMask Off\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and Black excellence. Photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephen Shore\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, in conversation with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJack Self\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, reviews pictures of the present. Artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIssy Wood\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews Diet Coke. Editor and NHS worker \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRebecca Sharp\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews the Socialist Patients Collective, while \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBrady Ng\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHera Chan\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e review Hong Kong protest strategies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlso in the issue: \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHuw Lemmey\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePietro Aretino\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the Renaissance master of pornographic literature and blackmail. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTraum Inc.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReal Review\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e present a Renaissance collaboration inspired by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarcus Aurelius\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGiotto\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnna Blessmann\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews absent artefacts and Indigenous activist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePekeri Ruska\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews the Aboriginal concept of country. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePeer Illner\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews WhatsApp and surveillance capitalism, while \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAdjustments Agency\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews groundbreaking ceremonies. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAhmed\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRashid Bin Shabib\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e review pigeon architecture and artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBen Cullen Williams\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews Antarctica (through the lens of AI neural networks). \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharlie Robin Jones\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews horoscopes, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichel De Montaigne\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews solitude and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJack Self\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews the internet.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Review\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary culture magazine with the strapline “what it means to live today”. Their agenda focuses on the politics of space, and trying to understand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e26 x 11.5 cm, softcover, Real Review (London).\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":32913356718160,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0113_85b6112f-d51e-4970-8fbb-ce6d1e79b03f.jpg?v=1602121865"},{"product_id":"phil-zimmermann-swamp-monsters","title":"Phil Zimmermann – SWAMP MONSTERS","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSWAMP MONSTERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e commemorates the historically frightful 2020 Republican National Convention with a series of photographs made by Tucson-based artist and publisher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhil Zimmermann\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e as the spectacle unfolded on his television screen from August 24-27. This rogues’ gallery of hideous video portraits is printed in garish full colour in an unbound tabloid newspaper format, and published in a limited edition of 666 copies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e56 pages, 26 x 37 cm, newspaper format, The Ice Plant (Los Angeles) x Spaceheater Editions (Tucson).","brand":"The Ice Plant","offers":[{"title":"Default Title","offer_id":32949265891408,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0191.jpg?v=1603078556"},{"product_id":"jan-philipzen-ravedeath-convention","title":"Jan Philipzen – Ravedeath Convention","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStarted as a visual diary, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRavedeath Convention\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultures as a fundamental feature of our times.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e176 pages, 21 x 26 cm, softcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":37644061343940,"sku":"","price":72.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0268_f12bcbf8-b634-4243-b050-d7508c2bc2c1.jpg?v=1606531700"},{"product_id":"subway-12","title":"Subway 12","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSubway Magazine\u003c\/strong\u003e is an artist’s magazine by \u003cstrong\u003eErik van der Weijde\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eArt Paper Editions\u003c\/strong\u003e. Most of its content comes from eBay and Wikipedia, but also features works by contemporary artists. The magazine focuses on a fresh mix of art, photography, poetry, facts and fun. \u003cem\u003eSubway\u003c\/em\u003e is a five-minute-fun ride, published two times a year from now on!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 12th issue contains contributions by \u003cstrong\u003eAbel Kleinblatt\u003c\/strong\u003e, \u003cstrong\u003eStephan Keppel\u003c\/strong\u003e, \u003cstrong\u003eJurgen Maelfeyt\u003c\/strong\u003e, \u003cstrong\u003eKawasaki Ninja\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e32 pages, 17 x 24 cm, softcover, Art Paper Editions (Ghent).\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":37660695888068,"sku":"","price":18.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0276_017224d0-f7b2-4284-99df-8c7c89fb7b6b.jpg?v=1606804114"},{"product_id":"ten-cities-clubbing-in-nairobi-cairo-kyiv-johannesburg-berlin-naples-luanda-lagos-bristol-lisbon-1960-2020","title":"PRE-ORDER: Ten Cities: Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Berlin, Naples, Luanda, Lagos, Bristol, Lisbon 1960-2020","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTen Cities\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e tells the story of club music and club cultures in ten urban centres across Africa and Europe from 1960 to March 2020. It looks beyond the North Atlantic locations that are usually assumed to be the main focus of attention and sets out to put together a more inclusive narrative. Bringing clubs to the fore as nocturnal laboratories for different ways of life, the book portrays the cities’ music subcultures in twenty-one essays, playlists, and photo sequences – before COVID-19 impacted creative communities worldwide. It is a retrospective testimony to their living spirit, a rhythmanalysis mediated by sound and night.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e560 pages, 20 x 27 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":37676215959748,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0404_1e265509-b99c-48dd-87e7-c6dbab09ed00.jpg?v=1607054555"},{"product_id":"hamja-ahsan-shy-radicals-the-antisystemic-politics-of-the-militant-introvert","title":"Hamja Ahsan – Shy Radicals: The Antisystemic Politics Of The Militant Introvert","description":"\u003cp class=\"std\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShy Radicals\u003c\/strong\u003e are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia. Drawing together communiqués, covert interviews, oral and underground history of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.\u003c\/p\u003e\n\u003cp class=\"std\" data-mce-fragment=\"1\"\u003e164 pages, 11 x 18cm, paperback, Book Works (London).\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":37676512444612,"sku":"","price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0448_a83e436d-7896-472a-a547-23e49f9e867b.jpg?v=1607060801"},{"product_id":"deanna-templeton-what-she-said","title":"Deanna Templeton – What She Said","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhat She Said\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes its title from a song by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Smiths\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 'What she said was sad \/ But then, all the rejection she’s had \/ To pretend to be happy \/ Could only be idiocy.' The work originates in portraits \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeanna Templeton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e made on the streets of the US, Europe, Australia and Russia, in which she captured women in their adolescence: punks and outcasts whose ripped jeans and tights, tattoos, and hairstyles stand as testament to this transitional moment in their lives as they navigate the intensity of teenage life. Templeton grew up in an ostensibly different environment in 1980s youth, but she recognised in them something of the universality of female adolescence, as they struggled with similar disappointments and challenges she encountered as a young woman. The book combines these modern portraits with gig flyers and Templeton’s own teenage journal entries from the mid to late 80s, in which the familiar experience of growing up is laid bare in all its antagonism, humour and pathos.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e168 pages, 19.5 x 24.5cm, linen hardback with tip-in, MACK (London).\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39260863234244,"sku":"","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0035_62316268-52c0-4288-88fb-65414cdd74c9.jpg?v=1614310494"},{"product_id":"erlend-peder-kvam-fiscall-cliff","title":"Erlend Peder Kvam – Fiscall Cliff","description":"\u003cp\u003eNatural phenomenons are a well used tool to illustrate and explain financial circumstances. The economy could face tsunamis and earthquakes, it could end up in deep valleys and reach high peaks, and it could be standing in front of the fiscal cliff. The fiscal cliff illustrates an abrupt and uncontrolled economic collapse, and the imagery of state leaders falling down cliffs is one of satire drawings’ best known archetypes. The metaphor is strengthened by the cliff’s many cultural appearances, and it has become a cultural icon itself due to films as \u003ci\u003eThelma \u0026amp; Louise\u003c\/i\u003e, \u003ci\u003eLooney Tunes\u003c\/i\u003e and the Youtube fossil \u003ci\u003eTha Cliff\u003c\/i\u003e from 2006. In the publication \u003cb\u003e\u003ci\u003eFiscal Cliff\u003c\/i\u003e\u003c\/b\u003e, the topographic metaphor is used as a starting point for a visual game with symbols and characters that somehow has to deal with the fiscal fall. There might be multiple reasons why the fiscal cliff occurs, but once it's here it will affect us all.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e20 pages, 14 x 20cm, softcover, Nieves (Zurich).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":39669305835716,"sku":"","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0896_dc741186-e559-494f-95e2-0f98de1e15f9.jpg?v=1620100931"},{"product_id":"10-years-of-butter-sessions","title":"10 Years of Butter Sessions","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e10 Years of Butter Sessions\u003c\/em\u003e\u003c\/strong\u003e collects the past 10 years of visual artefacts and anecdotes from the label and its extended group of friends and collaborators. Including photos, graphics, posters, sketches and stories.\u003c\/p\u003e\n\u003cp\u003eFeaturing contributions by \u003cstrong\u003eJames Vinciguerra\u003c\/strong\u003e (Trevor \/ Total Control), \u003cstrong\u003eLloyd MST\u003c\/strong\u003e, \u003cstrong\u003eRomina Malta\u003c\/strong\u003e, \u003cstrong\u003eKuniyuki Takahashi\u003c\/strong\u003e, \u003cstrong\u003eRory McPike\u003c\/strong\u003e (Rings Around Saturn) and so many more.\u003c\/p\u003e\n\u003cp\u003eDesign by \u003cstrong\u003eMaryos Syawish.\u003c\/strong\u003e Foreword by \u003cstrong\u003eMichael Kucyk\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e124 pages, softcover in screen-printed vinyl sleeve, Butter Sessions (Melbourne).\u003c\/p\u003e","brand":"Butter Sessions","offers":[{"title":"Default Title","offer_id":39815213908164,"sku":"","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1303_f41b3f92-f22c-4bf1-a321-7848eb94461f.jpg?v=1622183993"},{"product_id":"a-fascinating-plan","title":"A Fascinating Plan","description":"\u003cp\u003e\u003cem\u003e**Out of stock – contact us to set up a special order\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLet’s say it hasn’t rained for days and suddenly it starts raining. There’s a Toyota Prius in a wet car park, which is glistening in the rain. Sometimes the car’s combustion engine is running and sometimes it uses electricity. Let’s say a woman rubs her hair with amber, she gets charged up, inviting us ... to an electric kiss. The punk band Carambolage sings, 'The darkness is what is so alluring.' What does the electrification of villages and teenagers have to do with Lomonosov’s soup, which mustn’t be allowed to get cold? What do the following have in common: a Tesla motor digging up Bitcoins, the witches electric warp from the Sailor Moon universe, and the self-immolation of two young women on the banks of the Rhine? This book is a power plant. It is fuelled by long-cherished interests and new obsessions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Fascinating Plan\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is all about energy. Part of the video installation with the same title produced for the Ruhrfestspiele 2021 in cooperation with the Munich Kammerspiele.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e120 pages, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":39891579109572,"sku":"","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1377_596b2467-d9e5-43f5-8bb7-10c4b1e784c3.jpg?v=1623042543"},{"product_id":"anouk-kruithof-universal-tongue","title":"Anouk Kruithof – Universal Tongue","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUniversal Tongue\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e celebrates the great diversity of the global dance kaleidoscope in the era of the Internet. It was born from visual artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnouk Kruithof\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s fascination with dance videos distributed online as a representation of self-expression, cultural identity, empowerment and fun.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn collaboration with a team of 50 researchers from across the globe, she sourced over 8800 dance videos online, which were edited down to a 1000 unique dance styles that she blended into a dynamic 8 channel video installation with a four hour duration, accompanied by a unifying soundtrack. The researchers provided a short text for each dance style presented in their found videos. These 1000 edited texts combined with screenshots taken from the videos introduce the origin, background and meaning of the dance styles. \u003cem\u003eEt voilà!\u003c\/em\u003e this ‘dancyclopedia’ through the jungle of the Internet was born!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book shows how dance can be a way of knowing about the world. It is by no means exclusive, final, or academic. It is a statement. Organised in alphabetical order by the first letter of each dance style, it confirms the horizontality of \u003cem\u003eUniversal Tongue\u003c\/em\u003e, by erasing typical categories of the world order, such as country, continent, or culture. Instead, it points us towards a more inclusive world with a limitless exchange – a world where simply everyone is a dancer.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2008 pages, 17 × 10 cm, softcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":39946768974020,"sku":"","price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1513_d6c82e68-ad79-41f1-a910-70af97fd3664.jpg?v=1623808493"},{"product_id":"pre-order-real-review-11","title":"Real Review 11","description":"\u003cp\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Review\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary culture magazine with the strapline 'what it means to live today'. Their agenda focuses on the politics of space, and trying to understand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe pandemic is an ongoing tragedy at every scale. Yet this collective trauma has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. All hobbies are side hustles. Our networks are our net worth. Friendships are commercial partnerships.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe public and domestic spheres have merged, muddling our personal and professional identities. And without face-to- face communication, society has become a panopticon strictly regulated by corporate platforms. No society in human history has demanded so many people be such active participants\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ein producing the contemporary. No contemporary has ever been so aggressively monetised.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a coping mechanism, many amongst us have decided to check out from reality altogether; preferring to inhabit tailor- made fantasies and simulations. But only children believe that closing their eyes renders them invisible to monsters. When the monsters are real, closing our eyes rather increases the danger. This issue of Real Review is dedicated to 'what to believe'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContributors to issue 11 include \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarlo Rovelli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKris Kozlowski Moore\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBella Gladman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJack Self\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEddie Blake\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYuk Hui\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndi Schmeid\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKeller Easterling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaisa Imamovic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eChiara Di Leone\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaura Lizondo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDebora Domingo-Calabuig\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTimothy Morton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHelen Marten\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e26 x 11.5 cm, softcover, Real Review (London).\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":39992147148996,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1795_6e4c9448-241a-45ea-a0f2-0bcfbb7a59a9.jpg?v=1625636530"},{"product_id":"dela-charles-548-days","title":"Dela Charles – 548 Days","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBerlin-based photographer \u003cstrong\u003eDela Charles Lampacher\u003c\/strong\u003e was bored of studying, so she went on a trip around Europe, Australia, and the US. Her travels turned into a photo project, which turned into a book about skateboarding, architecture, and urbanism. A photobook by a female skateboard photographer is still a rarity these days, and in this one, Lampacher combines her view on architecture and urban structures with her experience as a skateboarder, through a series of images collected during the journey over the course of around 548 days. It comes with a poster of one photo which lists the cities featured, from Amsterdam to Vancouver.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e96 pages, 22 x 29 cm, softcover, Jb. Institue (Berlin).\u003c\/span\u003e\u003c\/p\u003e","brand":"Jb. Institute","offers":[{"title":"Default Title","offer_id":40042565599428,"sku":"","price":77.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1753_2f2d17af-ec03-4fb3-b535-1f48fa89355d.jpg?v=1625198034"},{"product_id":"lucy-lippard-and-jerry-kearns-tense","title":"Lucy Lippard and Jerry Kearns – Tense","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eTense\u003c\/em\u003e is a never-realised publication, written and composed by Lucy Lippard and Jerry Kearns in 1984, that has only now has been released in a very limited run. The book accompanies their exhibition \u003cem\u003eTop Stories\u003c\/em\u003e, which takes a closer look at the 29 issues of the prose periodical with the same title, founded in the late 1970s by Anne Turyn. It was dedicated to fiction by emerging women artists and writers at the time. \u003cem\u003eTense\u003c\/em\u003e was originally intended to become part of the series as well. It was only recently – during the making of the exhibition at Amsterdam’s Kunstverein – that the original mock-up was retrieved from the editor’s archives and finally sent off to the printer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e40 pages, 13 x 21 cm, softcover, Kunstverein Publishing (Amsterdam).\u003c\/p\u003e","brand":"Kunstverein Publishing","offers":[{"title":"Default Title","offer_id":40427190911172,"sku":"","price":22.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2514_4a69878c-a1d0-4b1e-97b5-81337cf017e8.jpg?v=1629445830"},{"product_id":"the-extreme-self","title":"The Extreme Self","description":"\u003cp\u003eIf you’re wondering why the inside of your head feels so strange these days, this book has the answers. This title is a new kind of graphic novel that shows how you’ve been morphing into something else. It’s about the remaking of your interior world as the exterior world becomes more unfamiliar and uncertain. Critic Shumon Basar, novelist Douglas Coupland and curator Hans Ulrich Obrist tour the reader through fame and intimacy, post-work and new crowds, identity crisis and eternity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e256 pages, 11 x 18.5 cm, paperback, Walther Koenig (Cologne).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walther Koenig","offers":[{"title":"Default Title","offer_id":40610736111812,"sku":"","price":38.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2652_06a8ff61-2aa5-4791-9a0d-004eb8c010c2.jpg?v=1631507778"},{"product_id":"nick-haymes-the-last-survivor-is-the-first-suspect","title":"Nick Haymes – The Last Survivor is the First Suspect","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI was always aware that I liked people. That I loved people. School was about cliques, but I bounced between them all. Everyone, anyone, was fascinating to me. Each person nuanced in their own way, with something special to share — and for some reason, they all shared with me. I had low-grade Williams syndrome, and I liked school, my art teacher, and girls. Every day, for six of my teenage years, I obsessively walked to school with one girl, while she slept with everyone but me. Despite being someone who was friends with everyone, I lacked confidence. So I took drugs. Stopped writing. Stopped walking to school with her. Stopped going to school. And found friends who really mattered to me. Three years later, when I realised I was adopted, my brain imploded — and while I sweated it out in rehab and dealt with paranoid psychosis, no one came to visit. The will to write and draw had been sucked out of me, and I couldn’t overcome a newfound shyness, an awkwardness, that continues to live with me today. So I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage. It was a new way to be social yet silent, to love and be distant. A barrier that gave me access to others, while I dealt with my own emotional trauma. It worked — and still works.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI met Josh and Mikey just off Canal Street, at a dim sum spot. It was February and freezing cold; they were visiting from California and weren’t dressed right, so we ate soup dumplings while Mikey stole sodas. Mikey loved Coca-Cola as much as Disneyland. It was the one day I didn’t have my camera. I was using a Pentax that year, and the winter was so cold it broke the winder and internal light meter. I was partially mute, making communication stilted. But Californians have an openness unlike anyone else, and that day conversation happened — or at least, I listened while they spoke — and a friendship, one that still exists, formed. I asked if I could join them back in California.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat summer, and for four more years, I traveled, tripped, couch-surfed, and found a family in Pan’s lost boys, wrestling with the end of youth, adulthood looming. When the sun shines daily, the days, seasons, and years merge, creating a temporal displacement that makes any narrative of truth near-impossible. But time and nostalgia also affect clarity: it’s taken me over twelve years to piece this story together. Now, my children are the same age as the characters in this publication, and I reside permanently in Los Angeles. My work is always about others, their lives and their experiences, but I don’t consider myself a documentarian. The camera is a tool and a vehicle: to engage, create, connect, contact. Something that’s now done by anyone with a smartphone and social feed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLooking back, this was likely the last generation of teens who didn’t photograph their every waking move, but were at the gateway of tech communication. No one had a cell phone, but we all spoke on Myspace. 2005 was a very naive time\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e … Nick Haymes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e480 pages, 17× 24 cm, softcover, Kodoji Press (Baden).","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":40736976339140,"sku":"","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2851_6e62e84b-5542-4fd6-8955-38c1d4e0ff10.jpg?v=1633409371"},{"product_id":"max-eulitz-notes-on-41","title":"Max Eulitz – Notes on 41","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the beginning was the word. Or rather, a rumour that put Max Eulitz on a flight to Kyiv in 2019. He was following the chatter about an ambitious new techno club: one without a name, yet full of promise. During a residency at the Goethe-Institut Kyiv, Eulitz witnessed the transformation of a massive, Soviet-era brewery into this no-name club—a centre of subculture intent on rivalling the best techno churches of the Western world. This landmark site, and the implications of its historical transmutation into such a space, became the focus of his research. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNotes on 41\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a collection of essays illustrating the circumstances surrounding the creation of this nightclub. The book outlines structural challenges and the historical context, which imbue this site with such vitality, in Kyiv’s post-Maidan landscape. The issues raised consider the complexity of the sociopolitical situation in Ukraine.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e152 pages, 11 x 17.5 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42406914392303,"sku":"","price":32.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1292_681815f5-73fc-4f31-ad40-6f779600b748.jpg?v=1643341353"},{"product_id":"anebella-pollen-the-kindred-of-the-kibbo-kift","title":"Anebella Pollen – The Kindred of the Kibbo Kift","description":"\u003cp\u003e\u003cem\u003eSecond Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Kindred of the Kibbo Kift: Intellectual Barbarians\u003c\/em\u003e is the first full-length work to explore the innovative cultural production of the English camping and hiking organisation (1920-1932). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded after the First World War as a reaction to militarism in scouting, Kibbo Kift developed into an all-ages organisation for men and women. It attracted the support of a range of high-profile writers, artists, scientists and campaigners from DH Lawrence to HG Wells. Underpinned by a complex, distinctive philosophy, Kibbo Kift's practices were wide-ranging, extending across health and handicraft, pacifism and propaganda, myth and magic, education and economics. These ambitious ideas can be seen most clearly in the group's mystical and modernist art and design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Kindred of the Kibbo Kift: Intellectual Barbarians\u003c\/em\u003e features over 100 largely unseen examples of the group's accomplished creative output. These include decorated tents, campaign banners, illuminated manuscripts, protest graphics, carved totems and ceremonial attire alongside previously unpublished photographs by Angus McBean. The textual content, underpinned by extensive research in public and private archives, provides comprehensive analysis of the group's original style and occult beliefs. Visually arresting in its own right, \u003cem\u003eThe Kindred of the Kibbo Kift\u003c\/em\u003e showcases a fascinating but overlooked body of work that has continuing resonance for twenty-first century oppositional art and culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e222 pages, 19 x 27 cm, hardcover, Donlon Books (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Donlon Books","offers":[{"title":"Default Title","offer_id":42479440986351,"sku":"","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1632_6b502d03-4b6e-4a1c-8eaf-044e15b9bc89.jpg?v=1644978704"},{"product_id":"anne-turyn-ed-top-stories","title":"Anne Turyn (ed.) – Top Stories","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTop Stories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a prose periodical published from 1978 to 1991 by the artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnne Turyn\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in Buffalo, New York and New York City. Over the course of twenty-nine issues, it served as a pivotal platform for experimental fiction and art through single-artist issues and two anthologies. The entire run of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTop Stories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is collected and reproduced here across two volumes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTop Stories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e primarily featured female artists, though in Turyn’s words a few men 'crept in as collaborators'. Although primarily 'a prose periodical' (as its byline often stated), the issues varied in form and aesthetics, pushing the boundaries of what prose could be and, from time to time, escaping the genre altogether. In fact, the only parameters required for participants were that the periodical’s logo and issue list be included on the front and back covers, respectively.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA great deal of the works are short stories by the likes of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePati Hill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTama Janowitz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKathy Acker\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, whose Pushcart Prize–winning 'New York City in 1979' appeared for the first time in book form as part of the series. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eConstance DeJong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e contributes 'I.T.I.L.O.E.', a widely unavailable work that features the artist’s trademark prose and is sure to please fans of her novel, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModern Love\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The largest issue of the periodical is undoubtedly \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCookie Mueller\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s '\u003c\/span\u003eHow to Get Rid of Pimples'\u003cspan data-mce-fragment=\"1\"\u003e, which consists of a series of character studies of friends interspersed with photographs by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNan Goldin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePeter Hujar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Armstrong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e altered with freshly drawn blemishes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTop Stories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e also celebrates less conventional literary forms. Issues by Lisa Bloomfield, Linda Neaman, and Anne Turyn take the form of artists’ books, juxtaposing image and text to construct tightly wound, interdependent narratives. Jenny Holzer and Peter Nadin present a collaborative work in copper ink comprised of truisms by Holzer on corporeal and emotional states and drawings by Nadin of abstract bodies. Janet Stein contributes a comic, while Ursule Molinaro provides a thorough index of daily life (and the contempt it produces) consisting of entries that were written just prior to lighting a cigarette.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTop Stories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e remains vitally defiant, an essential witness to what was the downtown literary and art-world underground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e954 pages, 14 x 21cm, softcover, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":42860897403119,"sku":"","price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2914_7a527c3d-149c-405f-a329-83166f87b9ec.jpg?v=1653112550"},{"product_id":"black-phoenix","title":"Black Phoenix","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA compilation of all three issues of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlack Phoenix: Journal of Contemporary Art and Culture from the Third World\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (re-subtitled \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThird World Perspectives on Contemporary Art and Culture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e for its second and third issues) published as facsimiles in a single volume. Emerging out of the UK in the late 1970s, this journal remains a key and radical document of its time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMore than a decade after ‘60s liberation movements and the historic Bandung and Tricontinental Conferences, which called for social and political alignment and solidarity to dismantle Western imperialism and (neo)colonialism, \u003cem\u003eBlack Phoenix\u003c\/em\u003e issued a rallying call for the formation of a Third World, liberatory arts and culture movement on the eve of Margaret Thatcher’s election in 1979. Both international and national in scope, \u003cem\u003eBlack Phoenix\u003c\/em\u003e positioned diasporic and colonial histories at the center of an evolving anti-racist and -imperialist consciousness in late 1970s Britain—one that would yield complex and nuanced discourses of race, class, and postcolonial theory in England in the decade that followed. A precursor to the British Black Arts Movement which formed in 1982 and encompassed such cultural practitioners as the Black Audio Film Collective and cultural studies theorist Stuart Hall, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlack Phoenix\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e proposed a horizon for blackness beyond racial binaries, across the Third World and the colonised of the interior in the West.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e104 pages, 24 x 30cm, softcover, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":42860897829103,"sku":"","price":53.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2924_25354268-c9e0-443f-99f1-892c9838e358.jpg?v=1653112889"},{"product_id":"forthcoming-deforrest-brown-jr-assembling-a-black-counter-culture","title":"PRE-ORDER: DeForrest Brown, Jr. – Assembling a Black Counter Culture","description":"\u003cp\u003e\u003ci\u003eAssembling a Black Counter Culture\u003c\/i\u003e\u003cspan\u003e is a general history of techno and adjacent electronic music with a focus on Black experiences in industrialised labour systems, and explores the development of on-the-ground culture in relation to a unique American art form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRevisiting Detroit’s techno roots through the 1980s, writer and musician \u003c\/span\u003e\u003cb\u003eDeForrestBrown, Jr.\u003c\/b\u003e\u003cspan\u003e follows the extended thinking and techniques behind key early players and places them in conversation with the African-American working class in the historically emblematic Motor City. From The Belleville Three to today’s international club floor, \u003c\/span\u003e\u003ci\u003eAssembling a Black Counter Culture\u003c\/i\u003e\u003cspan\u003e illuminates the mechanics of American mainstream cultural production and reinstates electronic music from a Black theoretical perspective.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA critical reconsideration emerges with references to \u003c\/span\u003e\u003cb\u003eTheodore Roszak\u003c\/b\u003e\u003cspan\u003e’s \u003cem\u003eMaking of a Counter Culture\u003c\/em\u003e, writings by African-American autoworker and political activist \u003c\/span\u003e\u003cb\u003eJames Boggs\u003c\/b\u003e\u003cspan\u003e, and the 'techno rebels' of \u003c\/span\u003e\u003cb\u003eAlvin Toffler\u003c\/b\u003e\u003cspan\u003e’s Third Wave, among others, tracing parallels between movements in Black electronic music and attempts to evade and subvert the race and class-essentialist status quo established by American technocratic distribution of labor and capital.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e128 pages, 17.5 x 10.5 cm, softcover, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":43453247422703,"sku":"","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4857_22008625-7c40-4e51-a882-5854f2b9e001.jpg?v=1665037042"},{"product_id":"philipp-mueller-120-bpm","title":"Philipp Mueller – 120 bpm","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e120 bpm is the average number of beats per minute on a club track. So \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e120 bpm\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the book, raps out some high-density forward-thrusting photo sequences from the years of techno’s meteoric rise in Switzerland to become one of the last great youth movements here, leaving its massive imprint on the nightlife, clubs and ongoing innovation in electronic dance music to this day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSwiss photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhilipp Mueller\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e covered the dawn of the Swiss techno scene in the early 1990s in his raw shots of Zürich’s first street parades, underground raves, and parties—whether backstage in clubs or in the intimacy of private venues—for various magazines.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHis photographs are interleaved here with facsimiled clippings from rave magazines and fanzines as well as first-hand accounts from some of the ravers who made the nascent scene.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e270 pages, 22.5 × 31 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":43483641643247,"sku":"","price":115.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4875_983a42b2-ef51-49d9-ac82-ef05abfa5705.jpg?v=1665555308"}],"url":"https:\/\/www.perimeterbooks.com\/collections\/counterculture.oembed?page=4","provider":"Perimeter Books","version":"1.0","type":"link"}