{"title":"Australian Artists","description":"The Perimeter 2022 Gift Guide","products":[{"product_id":"pre-order-daniel-boyd-the-law-of-closure","title":"Daniel Boyd – The Law of Closure","description":"\u003cp\u003eThe majority of discussions surrounding young Sydney-based artist \u003cstrong\u003eDaniel Boyd’s\u003c\/strong\u003e particular iteration of postcolonialist history painting, video and installation work have centred on the idea of the deletion of information and history, especially in relation Boyd’s Aboriginal and Vanuatuan heritage. But there is far more to his distinctive pointillist technique, in which he blackens much of painted surface to leave only a sea of “lenses” that reveal the information beneath, than a simple rumination on erasure. It is no sleight of hand that \u003cem\u003eThe Law of Closure\u003c\/em\u003e, the first book tracing Boyd’s oeuvre, is titled after a Gestalt law. Boyd’s devices are not just about absence, but a kind of psychohistorical ellipsis. The dark matter that enshrouds the flashes of perceptual detail in his works is as much an element of the image as are the landscapes, portraits, reflections and refractions of light that lie amidst and beneath it. \u003cbr\u003e\u003cbr\u003eDaniel Boyd has shown in major institutions and exhibitions throughout Australia, the UK and Europe, including the Art Gallery of New South Wales (Sydney), National Gallery of Australia (Canberra), Natural History Museum London, Moscow International Biennale for Young Art and the Museu Picasso (Barcelona).\u003c\/p\u003e\n\u003cp\u003e218 pages, 21 x 27 cm, softcover with screenprinted clear vinyl jacket, \u003cstrong\u003ePerimeter Editions\u003c\/strong\u003e (Melbourne).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":5314349121,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0179_copy.jpg?v=1438764667"},{"product_id":"an-act-of-showing-rethinking-artist-run-initiatives-through-place","title":"An Act of Showing: Rethinking artist-run initiatives through place","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eAn Act of Showing: rethinking artist-run initiatives through place\u003c\/em\u003e\u003c\/strong\u003e accompanies and expands upon the eponymous exhibition and roundtable symposium held at Testing Grounds in Melbourne from 17 – 27 May, 2017 developed as a collaboration between Maria Miranda and Anabelle Lacroix. It was initiated by Maria’s Australian Research Council (ARC) project \u003cem\u003eThe Cultural Economy of Artist-run Initiatives in Australia.\u003c\/em\u003e \u003cem\u003e\u003c\/em\u003eThe book\u003cem\u003e \u003c\/em\u003ediscusses artist-run initiatives in Australia—now well recognised as important spaces to show work, meet other artists and audiences, and to continue engaging in questions around art practice and philosophies of art. \u003cem\u003eAn Act of Showing\u003c\/em\u003e, designed by \u003cstrong\u003eElwyn Murray\u003c\/strong\u003e and published by \u003cstrong\u003eUnlikely Publishing\u003c\/strong\u003e,  features newly commissioned essays by \u003cstrong\u003ePaola Balla\u003c\/strong\u003e, \u003cstrong\u003eKirsten Lyttle\u003c\/strong\u003e, and \u003cstrong\u003eDominic Redfern\u003c\/strong\u003e, as well as \u003cstrong\u003eChris Kraus\u003c\/strong\u003e’s \u003cem\u003eKelly Lake Store\u003c\/em\u003e, and creative contributions by ARIs from Australia and the Asia-Pacific. \u003c\/p\u003e\n\u003cp\u003e255 pages, 24.5 x 17.5 cm, softcover, Unlikely Publishing (Melbourne).\u003c\/p\u003e","brand":"Unlikely Publishing","offers":[{"title":"Default Title","offer_id":28425324855376,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4489_0c53d147-cf5e-4e9e-b88b-4d7ce9f66bab.jpg?v=1559707828"},{"product_id":"noel-mckenna-end-street","title":"Noel McKenna – End Street","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eNoel McKenna\u003c\/b\u003e\u003cspan\u003e’s paintings do a lot with a little. The senior Australian artist’s suburban interiors, solitary male inhabitants, and the various domesticated animals that keep them company, fit adroitly into the wider motif of the poetics of the banal. But it’s via his work’s quiet humour, tenderness and workaday melancholy that McKenna has fashioned such a unique, likeable and subtly emotive visual language. Put simply, his paintings just are.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpanning various decades, the works that populate \u003c\/span\u003e\u003cb\u003e\u003ci\u003eEnd Street\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e – McKenna’s first book for \u003c\/span\u003e\u003cb\u003ePerimeter Editions\u003c\/b\u003e\u003cspan\u003e – speak in the same humble, meandering cadence as the best of his output. Unimposing in their scale and spare in their information, these paintings, drawings, painted ceramic tiles and sculptures offer vantages on a life lived alone (bar the cat or the dog). Here, our silent protagonist smokes a pipe while reading his book, and subsists on a diet of sausages, eggs, toast and tea. Out the window, the night is still and clear, and from time to time a crescent moon gently casts its cool light.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e80 pages, 25.5 x 19.5cm, section-sewn hardcover, Perimeter Editions (Melbourne).","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":31189314732112,"sku":"","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1317_a0ce77e6-55ca-48fc-aa2d-d2cb2f2e2b74.jpg?v=1573186493"},{"product_id":"pre-order-emma-phillips-send-me-a-lullaby","title":"Emma Phillips – Send me a lullaby","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSend me a lullaby \u003c\/i\u003e\u003c\/b\u003eis a love letter to a city undergoing immense change, created during a period of both urban transformation and global upheaval. \u003cb data-mce-fragment=\"1\"\u003eEmma Phillips\u003c\/b\u003e was commissioned by \u003cb data-mce-fragment=\"1\"\u003ePhoto Australia\u003c\/b\u003e to make a photographic portrait of Melbourne in the lead up to \u003cb data-mce-fragment=\"1\"\u003ePHOTO 2021 International Festival of Photography\u003c\/b\u003e. The resulting project – published as the first book in the \u003cb data-mce-fragment=\"1\"\u003ePHOTO Editions\u003c\/b\u003e series and launching at \u003cb data-mce-fragment=\"1\"\u003ePHOTO 2021\u003c\/b\u003e – is a reflection on connection, navigation and time, and the constantly evolving relationship between people and place.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003ePhillips’ photographs contemplate urban, domestic and psychological space. Weaving into this series are portraits of people Phillips has come across in Melbourne, capturing a living, breathing city as it responds to the fallout of bushfires and a pandemic. These disparate photographs taken across different seasons construct a dialogue between some of the city’s component parts – homes, shops, parks, streets – with archaeological objects from beneath the city, offering myriad stories to uncover and tell.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSend me a lullaby\u003c\/i\u003e\u003c\/b\u003e will be launched at \u003cb data-mce-fragment=\"1\"\u003ePHOTO 2021 International Festival of Photography\u003c\/b\u003e, taking place in Melbourne and regional Victoria from \u003cb data-mce-fragment=\"1\"\u003eFebruary 18\u003c\/b\u003e to \u003cb data-mce-fragment=\"1\"\u003eMarch 7, 2021\u003c\/b\u003e. \u003cb data-mce-fragment=\"1\"\u003eThe PHOTO 2021 Photobook Weekend\u003c\/b\u003e takes place \u003cb data-mce-fragment=\"1\"\u003eFebruary 27–28\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e48 pages, 28 x 20.8 cm, hardcover, Photo Australia x Perimeter Editions (Melbourne).\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":37875311870148,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/Sendmealullaby_0009_IMG_0286.JPG_ed35f584-5a79-4804-bcbf-7cb16db4762d.jpg?v=1613628893"},{"product_id":"pre-order-shelley-lasica-the-design-plot","title":"Shelley Lasica – The Design Plot","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver a career spanning more than three decades, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eShelley Lasica\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s practice has placed the creative and processional machinations of dance and choreography centre stage. Skirting histories of visual, spatial and performance art as closely as she has embraced dance and choreography, the Melbourne artist’s propositions test the limits of the mediums in which they operate, forever expanding contexts and posing questions of just what dance is and what it can be as art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLasica’s debut book \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Design Plot\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – which features texts by project producer Zoe Theodore, curator Pip Wallis and writer Megan Payne – acts as both documentation of Lasica’s ever-evolving practice and a wider vehicle for exploring the relationship between the body and architectural space, imagination and memory. Tracing ten iterations of the collaborative dance work from which the book takes its name, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Design Plot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is at once organised and amorphous in its bearings – image sequences fracturing and folding in on themselves amidst a measured, cumulative flow of gestures, people, movements and architectures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLike the performances themselves – which were conceived with dancers Ellen Davies, Timothy Harvey, Louella Hogan, Daniel Newell, Lilian Steiner and Jo White – the book is just another iteration of \u003c\/span\u003e\u003ci\u003eThe Design Plot\u003c\/i\u003e\u003cspan\u003e’s ongoing process and self-interpretation. ‘Each time \u003c\/span\u003e\u003ci\u003eThe Design Plot\u003c\/i\u003e\u003cspan\u003e is performed,’ writes Zoe Theodore in her essay for the book, ‘it is durational or cumulative, as it hosts a collective conversation that continually questions: What is the work? Where is the work? What happens to the work after occupying this architecture of time and space?’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e128 pages, 29.7 x 21 cm, softcover, coldglue perfect bind, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":39379495747780,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0409_ee7d73e3-f5cf-4867-b6e6-fc6d56bd79a3.jpg?v=1617761228"},{"product_id":"josephine-mead-covid-drawings","title":"Josephine Mead – Covid Drawings","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eCovid Drawings\u003c\/em\u003e is an artist book containing fifty seven digital drawings by Josephine Mead, created during various stages of lock-down in 2020. The drawings act as meditations on the pandemic—through both personal and global frameworks. The book has been printed at a limited edition of 100 copies, all of which are numbered\/signed. The grey linen covers have been bound and embossed by hand. The drawings are accompanied by an introductory essay courtesy of writer Daniel Stephensen. This publication was possible thanks to generous support from Whittlesea Arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e76 pages, clothbound hardcover, self-published (Melbourne).\u003c\/p\u003e","brand":"Self-published","offers":[{"title":"Default Title","offer_id":42159207481583,"sku":"","price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0770_725dc272-6a1b-4040-833a-faeaceeac6f8.jpg?v=1639024424"},{"product_id":"atong-atem-surat","title":"Atong Atem – Surat","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eSECOND PRINTING\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eWe have few things that travel continents with us as familial practises. We have recipes and textiles, crocheted doilies and Majok beads, and we have photo albums. Some faces in our photographs are drawn over with a marker, some cut out entirely. Some photos are much, much older than me, others were printed from an iPhone. Photos are gestures, examples of culture in flux. – \u003c\/i\u003eAtong Atem\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSurat\u003c\/i\u003e is the first photobook by South Sudanese \/ Australian artist Atong Atem and the second in the PHOTO Editions series, co-published by Photo Australia and Perimeter Editions.\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eCommissioned by Photo Australia for \u003ca href=\"https:\/\/photo.org.au\/\" title=\"PHOTO 2022 International Festival of Photography\"\u003ePHOTO 2022 International Festival of Photography\u003c\/a\u003e, \u003ci data-mce-fragment=\"1\"\u003eSurat\u003c\/i\u003e (which translates from Sudanese Arabic\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas ‘snapshots’) is a homage to family photos and the characters within them. Working on the series throughout 2021, Atem revisited her family photo albums, which span decades and continents, restaging and reimagining the scenes and players they depict. The resulting book is a series of performances as self portraits, documenting the act of photographing and being photographed, framing and being framed. It is a performative depiction of photography, utilising the repetition of dressing, sitting, posing, changing, testing, adjusting and capturing that is so often implicit in the medium.\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eBut beyond this, \u003ci data-mce-fragment=\"1\"\u003eSurat\u003c\/i\u003e is a celebration of the visual language of family photographs and photography as an extension of our oral traditions. ‘We sing songs to tell history and we dress up and sit for photographs to mythologise our histories,’ says Atem. This body of work honours the Dinka tradition of record-keeping and archiving as an intimate cultural practice.\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eFor Atem, the book is also about movement, both geographic and historic. As she explains, ‘It’s about South Sudan, so-called Australia and everywhere else in between that I’ve rested my head to dream about my people – or rather, the depictions of people I don’t know but am connected to through photographs.’\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eFeaturing an essay by Atem’s father, former South Sudanese Deputy Minister of Information and journalist Atem Yaak Atem, \u003ci data-mce-fragment=\"1\"\u003eSurat\u003c\/i\u003e will be launched at the PHOTO 2022 Photobook Weekend (21-22 May 2022).\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e48 pages, 28 x 20.8 cm, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esection-sewn hardcover, Perimeter Editions x Photo Australia (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":42505508290799,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/AtongAtem_Surat_1.jpg?v=1653028172"},{"product_id":"robert-hogan-i-followed-the-road-south-to-what","title":"Robert Hogan – I Followed The Road South To What","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI Followed The Road South To What\u003c\/em\u003e is the second book Blind Angles has published by Sydney based artist, Robert Hogan. His practice typically focuses on exploration, as well as the duality of man-made and natural environments.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAfter living in Brisbane for two years, Hogan drove home to Sydney in April 2020 — a move prompted by the Coronavirus outbreak and impending border closure between Queensland and New South Wales. The idea for his book started during that 900km drive.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe drawings in this series are places in Australia he has have never been to, and possibly never will. Locations were randomly generated with Street View technology and then drawn during a period of self-isolation after returning home. Each copy of the book contains an original coloured pencil drawing from this series.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e68 pages, 20.3 x 25.4 cm, softcover, limited edition of 30, Blind Angles (Sydney).\u003c\/p\u003e","brand":"Blind Angles","offers":[{"title":"Default Title","offer_id":42697371910383,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2279_0c859626-a991-490a-93ab-ec68d5dfaf19.jpg?v=1649915074"},{"product_id":"vivienne-binns-on-and-through-the-surface","title":"Vivienne Binns: On and through the Surface","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVivienne Binns is an important and singular figure in the history of Australian visual art. Her groundbreaking and experimental work has tested the philosophical underpinnings of art itself, both preempting and participating in the most significant cultural discourses of our times: from women’s social and sexual liberation to Australia’s regional identity. Her outstanding, multifaceted and sustained contribution to Australian art was recognised in 2021 with an Australia Council Award for Visual Arts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eVivienne Binns: On and through the Surface\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first monograph on the artist’s six-decade career and accompanies a major survey presented at Monash University Museum of Art, Melbourne, and Museum of Contemporary Art Australia, Sydney, in 2022. Edited by Anneke Jaspers and Hannah Mathews, the publication charts the dynamism of Binns’s conceptual and material investigations with an extensive, full-colour plate section; new essays by writers and art historians Terence Maloon, Kyla McFarlane, Gemma Weston, Quentin Sprague and Helen Hughes; a 2021 interview by Merryn Gates; a detailed chronology by Penny Peckham; an illustrated list of works; and historic interviews and texts with and by the artist. Design by Stuart Geddes and Žiga Testen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e280 pages, \u003cmeta charset=\"utf-8\"\u003e33.5 x 24 cm, softcover, Monash University Museum of Art (Melbourne) x Museum of Contemporary Art Australia (Sydney) x Powered by Power (Sydney).\u003c\/span\u003e\u003c\/p\u003e","brand":"MUMA","offers":[{"title":"Default Title","offer_id":43132100018415,"sku":"","price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4060.jpg?v=1659584736"},{"product_id":"laurence-watts-looking-west","title":"Laurence Watts – Looking West","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExpanded Second Edition\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLooking West\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, by Laurence Watts, is a photographic work that examines performative masculinity in Australian Rodeo subculture and the iconography of the Cowboy. It aims to destabilise notions of masculine identity by revealing its construction through social performance. The series is underpinned by a semi-narrative throughline of ‘searching for the cowboy’. This search finds that long after the West has been won, and the Frontier closed, the Cowboy exists as a set of visual cultural ideals through which masculinity is articulated in Rodeo sub-culture, utilising the sartorial codes of the Western hat, boots, shirt and belt buckle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSPECIAL EDITION\u003cbr\u003eA special edition of 25 copies includes a pigment print, 25 x 20cm (shown in last image). 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Statistical analysis and cultural and feminist theory chart how the education of artists, the role of galleries and museums, art prizes, magazines, curators, collectors and philanthropists contribute to an art world where women miss out.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom original cheeky anonymous CoUNTess Blog posts to today's collaborative Countess.Report collective interventions, this is vital reading. Design by Elliott Bryce Foulkes and Maria Smit\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e236 pages, \u003cmeta charset=\"utf-8\"\u003e20 x 28 cm, softcover, Countess.report (Melbourne).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Countess.report","offers":[{"title":"Default Title","offer_id":44088013881583,"sku":"","price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_9091.png?v=1695882495"},{"product_id":"john-nixon-editions-1-3","title":"John Nixon – EDITIONS 1 \u0026 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKnown predominantly as a painter, John Nixon was also an inventive and prolific printmaker. From 1982–2020, Nixon produced over 500 printed images in relief, intaglio, stencil and planographic processes. From 2015 till his passing in 2020, Nixon worked with printer\/publisher Negative Press. This publication documents two exhibitions, featuring works made from across the artists career, alongside personal responses to the prints by Sue Cramer, Elizabeth Boon and Trent Walter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Nixon was a seminal figure in contemporary Australian abstraction. From 1968, his work was dedicated to the on-going experimentation, analysis and development of radical modernism, minimalism, the monochrome, constructivism, non-objective art and the ready-made; which were key reference points in his work. Experimental Painting Workshop (EPW), which the artist named in 1990, but which covers works dating back to 1968, formed the basis of Nixon’s rigorous and long-standing intellectual investigation into the making of art, which over time expanded to encompass not only painting, but collage, photography, video, dance and experimental music performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e80 pages, \u003cmeta charset=\"utf-8\"\u003e24 x 17 cm, paperback, Negative Press (Melbourne).\u003c\/b\u003e\u003c\/p\u003e","brand":"Negative Press","offers":[{"title":"Default Title","offer_id":44117321744623,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_9357.png?v=1697166058"},{"product_id":"sophie-schwartz-rochelle-marie-adam-with-and-for","title":"Sophie Schwartz \u0026 Rochelle Marie Adam – With And For","description":"\u003cp\u003e\u003cem\u003eWith And For\u003c\/em\u003e is a collaboration between Rochelle Marie Adam and Sophie Schwartz. Drawing on years of their back catalogues, this book was an opportunity to collaborate and make something new from exisiting photographs. The resulting book very much is more than the sum of its parts.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eEqually warm and weird, the photos stray away from just romance, moving to a more nuanced and holistic view. Generous, present and vulnerable – the photographs in this book are about standing next to, not in front of, the people one photographs: something each artist does exceptionally well.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhotographs are left unauthored, deliberately blurring the lines between two artists. A joint effort, the book is really about the similarities in approach of the photographers, and allowing the photographs to lead, not the artist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e68 pages, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24 x 30 cm, \u003c\/span\u003eSoftcover, Tall Poppy Press (Melbourne).\u003cbr\u003e\u003c\/p\u003e","brand":"Tall Poppy Press","offers":[{"title":"Default Title","offer_id":44249507168495,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_9836_ef6a64b1-9f53-47f5-b0ae-9650a126ce81.png?v=1700634892"},{"product_id":"david-egan-colour-handling","title":"David Egan – Colour Handling","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"rte mt-8\"\u003e\u003cem\u003eColour Handling\u003c\/em\u003e comprises a series of essays on colour written from a painter’s perspective. Each essay responds to an occurrence of colour in an artist’s work: Jutta Koether’s red paintings; Rosie Isaac’s green mirror; Tony Conrad’s Yellow Movies; Derek Jarman’s Blue; and Etel Adnan’s paintings of Mount Tamalpais.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"rte mt-8\"\u003e 188 pages, 10.8 x 17.7 cm, paperback, Discipline (Melbourne).\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"mt-8 social-sharing text-base flex flex-wrap items-center  text-primary-meta items-top justify-start\"\u003e\u003c\/div\u003e","brand":"Discipline","offers":[{"title":"Default Title","offer_id":44352402194671,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_0311.png?v=1704433673"},{"product_id":"jonathan-jones-untitled-transcriptions-of-country","title":"Jonathan Jones – untitled (transcriptions of country)","description":"\u003cmeta charset=\"utf-8\"\u003eJonathan Jones, \u003ci data-mce-fragment=\"1\"\u003euntitled (transcriptions of country)\u003c\/i\u003e looks at the colonial transportation, trade and translation of Australian native plants, animals and Aboriginal portraits, objects and music and their associated knowledges, by examining the 1800–1804 French expedition commissioned by Napoleon Bonaparte under the command of Captain Nicolas Baudin. It remains one of the largest scientific expeditions to Australia, amassing an extraordinary collection that was taken from Australia to France, to the Château de Malmaison, the private residence of Napoléon and Joséphine. The publication expands on Jones’ exhibition of the same name, which premiered at the Palais de Tokyo, Paris, in November 2021 and then presented at Artspace, Sydney, in December 2023.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eToday, Malmaison operates as a museum, and as Jones’ research brings to light, the collection is no longer intact, with many of the animals, plants and cultural objects taken by Baudin’s team of naturalists either dispersed, vanished or simply forgotten. But miraculously, many of the plant specimens can be seen today at the herbarium of the Museum national d’historie naturelle in Paris. This publication seeks to provide insight into this serpentine history and Jones’ multilayered examination, which draws on diverse artmaking techniques and collaborations with community to extend his archival research.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe work \u003ci data-mce-fragment=\"1\"\u003euntitled (transcriptions of country)\u003c\/i\u003e is a process of translation, making and remaking, and how the understanding of cultures is altered through exchange, and places the act of translating back into the hands of the people deeply connected to it. More than 300 of the plant species Baudin brought back to France were collected in Sydney. With these plant specimens once sentient to Aboriginal people, Jones has reimagined them back into being through the making of 308 unique embroideries, all presented in this publication. The concept of activating an archive, of sharing Aboriginal knowledge, making new connections and bringing these plants home became tools of decolonisation. Jones worked closely with a group of migrant women, some newly arrived to Australia and living in Western Sydney, who translated the two-dimensional images of the specimens using only black French thread. Through this process participants met Aboriginal Elders and knowledge-holders, who explained the importance of plants and spoke about local Aboriginal history.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe notion of call and response went further with the inclusion of six wreaths with portraits of Eora people; a soundscape by Lille Madden that translates notations from Baudin’s voyage and recordings from the Sydney region; a film by poet and filmmaker Jazz Money; and a series of ceramic objects and carved emu eggs. These are presented in the publication alongside archival illustrations and photographs of process. Specially created for the book are 18 texts by historians and curators and First Nations elders, artists, writers, academics and environmentalists, commissioned to tell this complex historical and contemporary story. Through dialogue, exchange and transformation, Jones has created an understated but monumental project that speaks to healing and survival.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e520 pages, 24 x 17cm, hardcover, Formist x Artspace (Sydney).","brand":"Formist","offers":[{"title":"Default Title","offer_id":44398213824751,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_0531_6556f98c-b648-4cd6-98c8-8d6c9cd42fef.jpg?v=1705471815"},{"product_id":"khadija-von-zinnenburg-carroll-ed-the-importance-of-being-anachronistic-contemporary-aboriginal-art-and-museum-reparations","title":"The Importance of Being Anachronistic: Contemporary Aboriginal Art and Museum Reparations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"rte mt-8\" data-mce-fragment=\"1\"\u003eThis title focuses on the role of time in contemporary art and introduces anachrony as a method for subverting the colonial archive. It takes as its subject Trawlwoolway artist Julie Gough’s The Lost World (Part 2) exhibition and intervention in the Cambridge Museum of Archaeology and Anthropology. This project is the subject of essays by Gough herself, Dacia Viejo-Rose, Ellen Smith and Christoph Balzar, with photography by Mark Adams, and a foreword by Nicholas Thomas.\u003c\/p\u003e\n\u003cp class=\"rte mt-8\" data-mce-fragment=\"1\"\u003e216 pages, 12 x 18.4 cm, paperback, Discipline (Melbourne).\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"mt-8 social-sharing text-base flex flex-wrap items-center  text-primary-meta items-top justify-start\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Discipline","offers":[{"title":"Default Title","offer_id":44469653242095,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_0927.png?v=1706772977"},{"product_id":"steven-krahe-every-stage-winner-2013-tour-de-france-100th-edition","title":"Steven Krahe – Every Stage Winner 2013 Tour de France 100th Edition","description":"\u003cp\u003eFor anyone who knows Steven Krahe, they will also be aware of his wonderful understanding of 'the moment', his sense of occasion. This awareness is part of the highly tuned observational skills of the artist – but it is also connected to Steven’s perceptive collecting – fragments, objects and ideas – in fact Steven houses what might be termed a collection of collections.\u003c\/p\u003e\n\u003cp\u003eIs there a collective noun for that?\u003c\/p\u003e\n\u003cp\u003eSo, ten years ago – when the world witnessed the 100th staging of the Tour de France – Steven sat up, pens and paper at the ready, to draw \u003cem\u003eEvery Stage Winner of the 2013 Tour de France\u003c\/em\u003e – and now – ten years on from the centenary event, Four Eight Four have collaborated with Simon Gardam’s Stray Pages to produce a limited edition Artists Book from Steven’s drawings.\u003c\/p\u003e\n\u003cp\u003ePertinent to the 100th staging of the Tour de France - Steven’s book is also limited to an edition of 100.\u003c\/p\u003e\n\u003cp\u003e36 pages, 28 x 21 cm, softcover, Stray Pages (Melbourne).\u003c\/p\u003e","brand":"Stray Pages","offers":[{"title":"Default Title","offer_id":44496000549103,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_1024.png?v=1707449348"},{"product_id":"john-rodgers-troubles-a-mountain-1","title":"John Rodgers – Troubles a Mountain","description":"\u003cp\u003e\u003cem\u003eTroubles a Mountain\u003c\/em\u003e highlights a selection of works from an exhibition of the same title by composer, musician \u0026amp; painter John Rodgers.\u003c\/p\u003e\n\u003cp\u003e48 pages, 24 x 19 cm, softcover, Stray Pages (Melbourne).\u003c\/p\u003e","brand":"Stray Pages","offers":[{"title":"Default Title","offer_id":44496025157871,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_1036.png?v=1707449945"},{"product_id":"justine-youssef-somewhat-eternal","title":"Justine Youssef – Somewhat Eternal","description":"\u003cp\u003e\u003cem\u003eSomewhat Eternal\u003c\/em\u003e explores the interconnected impacts of displacement and finds hope in acts of ritual and preservation. The publication expands on Youssef’s investigations into relationships to land, dispossession, and enduring beliefs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree commissioned texts reflect on the solidarities and postcolonial discourse Youssef’s practice engages with. Latoya Rule—a Wiradjuri\/Te Ātiawa, takatāpu\/queer writer, poet, and campaigner—writes of solidarity between Aboriginal, Lebanese, and Palestinian communities in Australia. Filmmaker and writer Chi Tran considers Youssef’s metaphysical connections to the world as a form of resistance against colonial regimes. Dr Mykaela Saunders—a Koori\/Goori and Lebanese writer and editor, teacher, and researcher—bridges the distances implicit in Youssef’s inheritances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSomewhat Eternal shares affinities, affirms solidarities, and articulates the political and social relations between those whose own distinct lived experiences trace the global outlines of Youssef’s concerns.\u003c\/p\u003e\n\u003cp\u003e52 pages, 18.5 x 20 cm, softcover, IMA (Sydney).\u003c\/p\u003e","brand":"Institute of Modern Art","offers":[{"title":"Default Title","offer_id":44903680114927,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2308.png?v=1713318368"},{"product_id":"00-01-water-swallow-thirsty","title":"00-01 WATER","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWater as a motionless realm is unimaginable – a dead, oppressive waste. Water gives life, but how does water affect life? How does it hold you? It is common, precious, and transmutable. It is the link and the obstacle. It is innate yet it must be contained in order to quench the \u003c\/span\u003e\u003cspan class=\"pop\" id=\"thirst\"\u003ethirst\u003c\/span\u003e\u003cspan\u003e. Water is beyond a tangible resource. How do we make closer connections to it?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003e00-01 WATER\u003c\/i\u003e\u003cspan\u003e is the first book of the \u003c\/span\u003e\u003ci\u003ePLATYPUS Essentials\u003c\/i\u003e\u003cspan\u003e series. Each book will explore the 5 essentials – Water, Energy, Food, Shelter and Waste – through an unconventional research project\u003cem\u003e \u003c\/em\u003e(\u003c\/span\u003e\u003cem\u003eQueer Field Guide\u003c\/em\u003e\u003cspan\u003e) and a curated book of emerging and prominent artists and writers. \u003c\/span\u003e\u003ci\u003e[thirsty]\u003c\/i\u003e\u003cspan\u003e is the first \u003c\/span\u003e\u003ci\u003eQueer Field Guide\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003elocated in Mparntwe (Alice Springs), a colonial settlement in the central desert that also happens to be the \u003c\/span\u003e\u003cspan class=\"pop\" id=\"queer\"\u003equeer\u003c\/span\u003e\u003cspan\u003e capital of Australia. 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