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Thanks to \u003c\/span\u003e\u003cb\u003eArt and Theory Publishing \u003c\/b\u003e\u003cspan\u003e(Stockholm) and \u003c\/span\u003e\u003cb\u003eIdea Books\u003c\/b\u003e\u003cspan\u003e (Amsterdam).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e72 pages, 21 x 25 cm, hardback, Art and Theory Publishing (Stockholm).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Art \u0026 Theory","offers":[{"title":"Default Title","offer_id":1166809345,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/Violet1.jpg?v=1427943930"},{"product_id":"lennart-durehed-vicinity","title":"Lennart Durehed - Vicinity","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"std\"\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTime and place have a central significance in Swedish photographer\u003c\/span\u003e\u003cstrong style=\"line-height: 1.5;\"\u003e Lennart Durehed\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e’s work, manifested in titles that usually refer to specific cities or neighbourhoods. 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Instead, insights into creativity emerge from fields such as neurology and theoretical physics, psychology and educational sciences. Using other perspectives has allowed us to deepen our understanding of the concept of creativity. 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The consonance of all the different contributions, which include a detailed biography and a list of the texts and books he published, creates a complex and unprecedented overall picture of an inspiring and contradictory Bauhaus art historian.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e256 pages, 17 x 24 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":39898367951044,"sku":"","price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1412_bb0f072c-95ca-4164-8c4f-9b5eb05ad0b7.jpg?v=1623122894"},{"product_id":"speculative-facts","title":"Speculative Facts","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eThe Department of Speculative Facts\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e connects two seemingly contradictory approaches: Speculation which attempts to think and act beyond existing knowledge and structures, and fact-checkers in search for a solid consensus on which our reality can be built. When stretching knowledge and speculating with fiction, what sense of responsibility is needed in times of democratised opinions and fake news? Learning from the other SF—Science Fiction—we think of speculation through facts, and facts through speculation, to situate truth culturally.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe backbone of this book is an e-mail exchange between two fact-checkers from the \u003c\/span\u003e\u003cem\u003eNew York Times Magazine\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which we handed over to artists to re-write, re-perform, and re-design. The publication includes the original letters, workshop scripts, as well as additional texts by philosophers, journalists, writers, and artists looking at new social contracts, with which we can anchor ourselves in the present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes contributions by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSepake Angiama\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLietje Bauwens\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKate Briggs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFederico Campagna\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlex Carp\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJamie Fischer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW YORK TIMES MAGAZINE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMette Edvardsen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTristan Garcia\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaryam Monalisa Gharavi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNicoline van Harskamp\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eQuenton Miller\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIngo Niermann\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMichael Portnoy\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAchal Prabhalawith\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e( \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWIKIAFRICA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFACT FACTORIES\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAFRICA CHECK\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCHIMURENGA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWolfgang Tillmans\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBob Trafford\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFORENSIC ARCHITECTURE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e288 pages, 14.8 x 21 cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":39975780745412,"sku":"","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1603_21316353-0998-4e7b-af82-45666fac10c9.jpg?v=1624331571"},{"product_id":"a-concrete-for-the-other-half","title":"A Concrete for the “Other Half”?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe sulphur concrete block came out of various experiments performed by the Minimum Cost Housing Group at McGill University in Montreal in the 1970s. The international research group explored self-building using materials that would present an alternative to the functionalistic logic of development aid programmes tied to the Western construction industry. The “Other Half” – a term that was coined to describe decolonized countries and urban populations living in informal housing at the time – was the focus of their experiments with alternative building solutions. Beginning with an understanding of how and why the block was made, its actual usage, and its afterlife and going on to examine its archival status and symbolic relevance within architectural historiography, shaped by a paradigm shift in our overall view of 'Habitat', the book shows how the block became both a vessel and vector for the projections and questions explored by the transdisciplinary group of the Bauhaus Lab 2020.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith texts by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMya Berger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Curator, Switzerland and Morocco. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLeticia M. 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Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organisation focused on art and culture from the Middle East and its diasporas.The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión’s 1975 publishing manifesto 'The New Art of Making Books', alongside documentation of the works produced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e176 pages, 19.7 x 26 cm, softcover, Inventory Press (Los Angeles) x Ulises (Philadelphia).\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":40849729257668,"sku":"","price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0201_a4df061e-0153-4e7c-85e5-888017ede43f.jpg?v=1635736143"},{"product_id":"stanley-wolukau-wanambwa-dark-mirrors","title":"Stanley Wolukau-Wanambwa – Dark Mirrors","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cem\u003eDark Mirrors\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eassembles sixteen essays by photographer and critic \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStanley Wolukau-Wanambwa\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003efocusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. 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Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith essays on \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeana Lawson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDana Lixenberg\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePaul Pfeiffer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArthur Jafa\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKaty Grannan\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRobert Bergman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e240 pages, 14 x 22.8cm, softcover, MACK (London).","brand":"MACK","offers":[{"title":"Default Title","offer_id":40850113331396,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0290_36be7dfc-ba1c-4657-a93a-4365f7f516c0.jpg?v=1635747141"},{"product_id":"babek-ganjei-art-is-the-thing-nobody-asked-you-to-do","title":"Babek Ganjei – Art Is The Thing Nobody Asked You To Do","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a series of humorous, wry, and deceptively wise reflections, artist, musician, and comic book writer Babak Ganjei presents a radical new take on the artists’ manifesto. Examining motivation, inspiration, and influence, these deft pieces of prose flesh out the internal life of a working artist in this day and age. Through his existential acrobatics, Ganjei attempts to make sense of why he does the things he does, but also tries to convince himself that it is fine if it all works out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e42 pages, 15 x 21 cm, softcover, Rough Trade Books (London).\u003c\/p\u003e","brand":"Rough Trade Books","offers":[{"title":"Default Title","offer_id":42025954443503,"sku":"","price":24.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0382_8cb9f065-5436-410b-8f44-e7252b237369.jpg?v=1636496912"},{"product_id":"matt-johnston-photobooks-a-critical-companion-to-the-contemporary-medium","title":"Matt Johnston – Photobooks \u0026: a critical companion to the contemporary medium","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePhotobooks \u0026amp;\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents and interrogates key themes of the contemporary photobook — from the medium’s post-digital and post-photographic situation, to the purposes of publishing, issues of accessibility and the act of reading. Informed by extensive research, interviews with key individuals from the photobook ecology and his experience with The Photobook Club project, Johnston examines current trends and practices, emphasising connections (made and missed) between makers and readers. Ultimately, this book proposes a critical framework for considering our uses and encounters with the photobook, calling for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making, with making public.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMatt Johnston\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visual practitioner, educator and researcher currently based in the School of Media and Performing Arts at Coventry University, where he is an Assistant Professor in photography. For the last decade, his research and visual practice has been concerned with the post-millennium situation of the contemporary photobook, how the medium has become central to a small but dedicated ecology, and how it may become better equipped to engage new readerships.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e210 pages, 17 x 24cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42120735293679,"sku":"","price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0698_0a65a6ea-a728-4298-a366-441b0bb4b448.jpg?v=1638247345"},{"product_id":"mix-stir-new-outlooks-on-contemporary-art-from-global-perspectives","title":"Mix \u0026 Stir: New Outlooks on Contemporary Art from Global Perspectives","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaking the challenging form of a cookery book, \u003cem\u003eMix \u0026amp; Stir\u003c\/em\u003e brings new tastes and flavours to the table, breaking new ground by allowing contrary, queer, idiosyncratic practices to access art in its global dimensions through discourses, theories and topics, methods, and concerns. Embarking on a voyage similar to that of culinary discovery, it encourages studying art beyond national constraints, cultural dominances, and hierarchies. Researchers and artists were invited to present, develop, and contemplate distinct frames of reference to arrive at a true 'world art studies' concept, from collectives and postcolonial perspectives to spectatorship and deep art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e432 pages, 17 x 23 cm, paperback, Valiz (Amsterdam).\u003c\/span\u003e\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42120774484207,"sku":"","price":73.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0739_fe241570-ff7f-43a9-ba10-aeb40e88d4fa.jpg?v=1638249084"},{"product_id":"terry-smith-thinking-contemporary-curating","title":"Terry Smith – Thinking Contemporary Curating","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicisation of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilising artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThinking Contemporary Curating\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e256 pages, paperback, Independent Curators International (New York).\u003c\/p\u003e","brand":"Independent Curators International","offers":[{"title":"Default Title","offer_id":42120802631919,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0756_582d62f0-5868-4961-aa27-9ee23f7cb47b.jpg?v=1638249874"},{"product_id":"jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-2-1969-2011","title":"Jonas Mekas – I Seem to Live: The New York Diaries, Vol. 2 (1969–2011)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e, 1950–2011\u003c\/em\u003e is Jonas Mekas’s key literary work. The \u003ca href=\"https:\/\/www.perimeterbooks.com\/products\/jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-1-1950-1969?_pos=1\u0026amp;_sid=619150b58\u0026amp;_ss=r\" title=\"Jonas Mekas – I Seem To Live: The New York Diaries, Vol. 1 (1950-1969)\"\u003efirst volume\u003c\/a\u003e (1950–1969) of this magnum opus appeared posthumously in 2019. It ranks alongside his cinematic oeuvre, which he elaborated together with his brother Adolfas after their arrival in New York in 1949. In the 1950s, Mekas began to shoot his first films, in the process developing an essayistic format that he would use as a diary to record his day-to-day observations. His writing, films, and unflagging commitment to art made him a pioneer of American avant-garde cinema and the barometer of the New York art scene. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries, 1969–2011, Vol. 2,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the second and concluding volume of his diaries, contains an extensive index of names as well as a filmography and biography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1560 pages, 16 × 21.5 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42159265186031,"sku":"","price":92.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0927_ecf8b97a-8dd7-4a00-a273-2d7f6cb5817b.jpg?v=1639027686"},{"product_id":"jonathan-touitou-detective-elchmanyahu-s-auto-da-fe","title":"Jonathan Touitou – Detective Elchmanyahu’s auto-da-fe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003e'When artefacts become pieces of evidence and artists are transfigured into fictional characters animated by their worship of Western art, culture shrinks into the narrow border of the state nation:\" would state\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Tweetu, the weird curator and main suspect of the plot.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDetective Elchmanyahu's auto-da-fe\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e follows the bound to fail investigation on the fire that burned a public art collection in southern Tel Aviv. The dodgy officer in charge uses all imaginable tricks and trades of whodunit novels to unfold a police investigation that casts a gloomy yet lucid look over the Israeli culture and its visual art scene. Framed in between fact and fiction by the tendentious writing of Jonathan Touitou, this book is a layered investigation of the art world and its deeds.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAgainst the backdrop of the second Intifada and today's recurrent undermining of Palestinian rights, this controversial book will provide its readers with a perspective of an infiltrated outsider on the Israeli society, possibly supply the welding torch for the cynical ones, a bonfire for the freaks and fireworks for the wholehearted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e230 pages, 11 x 18cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42205154214127,"sku":"","price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1081_978fec97-4be5-40ca-a196-3bb2181714be.jpg?v=1639978076"},{"product_id":"pre-order-rachel-cusk-chris-kontos-marble-in-metamorphosis","title":"Rachel Cusk \u0026 Chris Kontos – Marble in Metamorphosis","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eMarble in Metamorphosis\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contemplates the physical and cultural life of marble. It explores the ethics, politics and symbolism of its use and deliberates over the spirit of the material and why some cultures so revere and desire it. In reflecting on the deep relationship between marble and human culture, it considers the social and historical function of the material throughout time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eMarble in Metamorphosis\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a new essay on marble and its uses written by Rachel Cusk, who – while on a trip to a marble bearing island in Greece’s Aegean sea – writes on the modern notion of classicism, the fate of monuments through history and the tension between classicism and realism in art and architecture. Chris Kontos’ photographic series explores two landscapes marked by marble and its uses: the island of Tinos, with its centuries-old tradition of marble mining and craft; and Athens, which has an ancient and enduring connection to marble evident in its ubiquitous presence throughout the city. These photographs tell a story of extraction, craft, tradition, and how meaning is made and remade through marble as a material in the city.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e120 pages, 21 x 15 cm, softcover, Molonglo (Melbourne \/ Canberra).\u003c\/p\u003e","brand":"Molonglo","offers":[{"title":"Default Title","offer_id":42400762003695,"sku":"","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_4048_321166b3-e81f-44a3-b5bd-86735dc10539.jpg?v=1659582213"},{"product_id":"dna-9-a-kind-of-world-war","title":"DNA #9: A Kind of World War","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAby Warburg’s famous lecture on the Hopi snake ritual in Arizona is one of the most commented art history transcripts of the 20th century. But while Warburg’s essay is firmly anchored in the canon of art history, to a wider public – especially in Europe – little is known about its source, the snake ritual and its history. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Kind of World War\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis dedicated to what Aby Warburg largely ignored himself: that not only the ritual, but also the images of the ritual – to whose global distribution Warburg contributed – have a political history. The volume seeks to demonstrate that Warburg’s art history, insofar it outlines an internal history of the European psyche, must be read in conjunction with its external counterpart, the history of colonisation, war and cultural entanglement.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e122 pages, 15 x 23 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42406710575343,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1230_f1991de2-1ffb-4fa2-8a09-298786683ba5.jpg?v=1643335757"},{"product_id":"babyn-yar-past-present-future","title":"Babyn Yar: Past, Present, Future","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBabyn Yar: Past, Present, Future\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e collects together the research and memorialisation efforts of the Babyn Yar Holocaust Memorial Center since its founding in 2016. The Babyn Yar Holocaust Memorial Center is dedicated to acquiring, studying, disseminating and preserving the history of Babyn Yar, a ravine in Kyiv where in the last days of September in 1941, occupying Nazi forces shot 33,771 Jews in what is known today as the 'holocaust by bullets', and where over the following two years nearly 70,000 more people where killed. Edited by Nick Axel and Nicholas Korody, the book includes a historical overview of these events together with archival imagery collected by the foundation and other organisations in Ukraine and beyond.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e388 pages, 20 x 28.5cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42442883825903,"sku":"","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1368_0a5e22f3-ceef-4c48-8662-a69892e726a1.jpg?v=1644287906"},{"product_id":"hans-ulrich-reck-pasolini-the-apocalyptic-anarchist","title":"Hans Ulrich Reck – Pasolini: The Apocalyptic Anarchist","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom today’s perspective, Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art. He continues to be both an inspiring and provocative figure not only for his wide-ranging virtuosity as a linguist, writer, journalist, and film-maker but also on account of the themes that he addressed. In modern-day Europe with all its levelling processes, regulations, and a hypocrisy protected by the code of political correctness, the loss of his voice is keenly felt. Pasolini never simply glorified the ancient ways of isolated regions and decried progress; rather, by adopting both extremes, he created an all-embracing poetics of experimental thinking. Hans Ulrich Reck’s book shows the relevance of his work today: that Pasolini was proved bitterly right in so many things is an expression of his far-sightedness in not reading the hidden signs of his time in terms of 'grand theses' and 'narratives'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e160 pages, 16 x 23cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42442902241519,"sku":"","price":67.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1353_ff92bad2-3124-4bf8-b1d9-0bd21ef07664.jpg?v=1644288485"},{"product_id":"stephen-shore-modern-instances-the-craft-of-photography","title":"Stephen Shore – Modern Instances: The Craft of Photography","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAlthough the dream is a very strange phenomenon and an inexplicable mystery, far more inexplicable is the mystery and aspect our minds confer on certain objects and aspects of life –\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Giorgio de Chirico\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStephen Shore’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModern Instances: The Craft of Photography\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an experimental new memoir from one of the world’s most prolific artists — an impressionistic scrapbook that documents the rich and surprising touchstones that make up over half a century of ground-breaking work. With essays, photographs, stories, and excerpts that draw on Shore’s decades of teaching, this is an essential handbook for anyone interested in learning more about mastering one’s craft and the distinct threads that come together to inform a creative voice. As much as offering meditation on the influences of a single artist, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModern Instances\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e proposes a new way of thinking about the world around us, in which even the smallest moment can become a source of boundless inspiration — if only we pay attention.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e224 pages, 17 x 24.5cm, hardcover, MACK (London).","brand":"MACK","offers":[{"title":"Regular Edition","offer_id":42479413756143,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false},{"title":"Signed Edition","offer_id":42479413788911,"sku":"","price":89.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1608_e020f3a0-1af7-4749-b66c-2aaff643f05a.jpg?v=1644977629"},{"product_id":"visions-by-3","title":"VISIONS BY #3","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis conceptually organised around a spiral, representing the distance that the featured content presents in relation to the human body. From 'deep' to 'under' we find Dr. Naomi’s surgical work and understandings. Going from 'under' to 'between' Sara Bastai explores the relationship between objects and bodies and all the way around. Arriving at 'on' we find Carlos Sáez and his Techno no aware hardware. Passing from 'on' towards the unknown '?', Luca Dobry presents a future sameness. From the '?' to the ununderstandable we have Riccardo Badano’s naturing borders and Toni Navarro’s proposals and challenges for a planetary politics, what a future to be alive in.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY Issue No. 3\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features an evolution from its previous format and structure, just as Issue No. 4 and upcoming and future issues will. They are meant to mutate, seeking the best way to explore their self-contained content. Again, there is no specific theme per issue, no specific profile, no specific reader. Our contributors are selected in order to help us understand the cultural implications of materials and their infinite meanings. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e people, about Material Cultures.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 14.2 x 28.4 cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42500860707055,"sku":"","price":36.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1678_7745fa7f-a928-437e-bb75-4ffc07c96f87.jpg?v=1645508730"},{"product_id":"softspot-a-container-for-the-near-and-close","title":"softspot: a container for the near and close","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a fragile space seeking to make sense of a complex now. Through a collaborative process of editing and exchange between James Taylor-Foster and OK-RM, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a dive into the recent past. Imagined as a container for the near and the close, it contains a patchwork of prose, verse and visual work that oscillate between the subjective and the objective. Written through the lens of one writer and augmented by a conversation of contributions and references, the book represents a study in how words can be written — and how they can be held in a hand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConceived of and compiled during 2020 and 2021 with Esther Cloe Theaker, Max Creasy, Rosita Kær, Smari R. Robertsson, Tony Karlsson Savci, and Michela Zoppi. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contains three copies of the same book. You are invited to keep one and to gift the others as you wish.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e406 pages, 13.5 x 7.5cm, softcover, InOtherWords (London).\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":42500889018607,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1660_4c0517e1-dfbd-4f82-82ec-0a523c40b6a8.jpg?v=1645509913"},{"product_id":"pre-order-conflict-in-my-outlook","title":"Conflict in My Outlook","description":"\u003cp\u003eEdited by Anna Briers, Nicholas Carah \u0026amp; Holly Arden\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe live in a hyper-mediated world. We are drowning in an ocean of images and information. 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Platforms such as Instagram and TikTok depend on us turning our lives into flows of images, while notoriously harvesting our data. This abundance of information is inextricably entwined with invisible power structures. It is precisely because of the invisibility of such technologies that images as carriers of meaning matter more than ever before.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis anthology, edited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnna Briers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNicholas Carah\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHolly Arden\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is published on the occasion of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eConflict in My Outlook\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a two-part exhibition series that includes \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWe Met Online\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2020–2022, online), and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDon’t Be Evil\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2021–2022) at UQ Art Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e136 pages, 23 x 12.9cm, section sewn cold glue bound, ota bind softcover with dust jacket, Perimeter Editions (Melbourne) x \u003cmeta charset=\"utf-8\"\u003e The University of Queensland (UQ) Art Museum.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFeaturing written contributions from \u003cb\u003eMark Andrejevic\u003c\/b\u003e, \u003cb\u003eHolly Arden\u003c\/b\u003e, \u003cb\u003eAnna Briers\u003c\/b\u003e, \u003cb\u003eJames Bridle\u003c\/b\u003e, \u003cb\u003eNicholas Carah\u003c\/b\u003e, \u003cb\u003eBronwyn Carlson\u003c\/b\u003e, \u003cb\u003eJonathan Corpus Ong\u003c\/b\u003e, \u003cb\u003eKate Crawford\u003c\/b\u003e, \u003cb\u003eMadi Day\u003c\/b\u003e, \u003cb\u003eGianluca Demartini\u003c\/b\u003e, \u003cb\u003eSean Dockray\u003c\/b\u003e, \u003cb\u003eAkshaya Kumar\u003c\/b\u003e, \u003cb\u003eShaka McGlotten\u003c\/b\u003e, \u003cb\u003eThao Phan\u003c\/b\u003e, \u003cb\u003eLegacy Russell\u003c\/b\u003e, \u003cb\u003eJathan Sadowski\u003c\/b\u003e, \u003cb\u003eJulianne Schultz\u003c\/b\u003e, and \u003cb\u003eCaroline Wilson-Barnao\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003eExhibition artists: \u003cb\u003eZach Blas\u003c\/b\u003e and \u003cb\u003eJemima Wyman\u003c\/b\u003e, \u003cb\u003eNatalie Bookchin\u003c\/b\u003e, \u003cb\u003eKate Crawford\u003c\/b\u003e and \u003cb\u003eVladan Joler\u003c\/b\u003e, \u003cb\u003eSimon Denny\u003c\/b\u003e, \u003cb\u003eXanthe Dobbie\u003c\/b\u003e, \u003cb\u003eSean Dockray\u003c\/b\u003e, \u003cb\u003eForensic Architecture\u003c\/b\u003e, \u003cb\u003eKate Geck\u003c\/b\u003e, \u003cb\u003eElisa Giardina Papa\u003c\/b\u003e, \u003cb\u003eMatthew Griffin\u003c\/b\u003e, \u003cb\u003eEugenia Lim\u003c\/b\u003e, \u003cb\u003eKenneth Macqueen\u003c\/b\u003e, \u003cb\u003eDaniel McKewen\u003c\/b\u003e, \u003cb\u003eAllegra Searle-Lebel\u003c\/b\u003e, \u003cb\u003eMelissa E. 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With the pause that the pandemic offers, is this the moment to examine who and what they exclude, taking the time to imagine what they could be instead?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e64 pages, 11.5 x 7.5cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42604475318511,"sku":"","price":24.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1914_b68073b6-a383-4e21-b689-ae7228657908.jpg?v=1647996632"},{"product_id":"artist-run-democracy-sustaining-a-model","title":"Artist-Run Democracy: Sustaining a Model","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOff-the-grid from commercial galleries – selling visuals – and canonical institutions – there to support the often static national or regional identities – artists instigate grass-roots cultural safe havens in order to deliver the progressive and the experimental. They are fundamentally vulnerable to public-policy cycles, in the voluntary effort that holds the initiative together, in their provision of opportunities, and more. Despite the precarity of such organising by these civil initiatives, and regardless of their promoting of a public cultural vitality beyond the demand of the public life, they are in poor public support and lack opportunities to gain public visibility.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication zooms in on a particular mode of organising: on the ‘Artist-run Democracy’. It does so by examining the workings of 126, an Artist-run gallery in Galway, Ireland, as a benchmark. 126 is particular in the way the board is conceived, how the program is decided upon, how directors change every two year, 'serving as volunteers'**, and more. This model is borrowed from Scottish initiatives, started a decades earlier. Unique to 126 is its remote positioning to the global art market. Close but not closed, they have sustained their project for more than 15 years. This book explores the grounds for this mode of organising within the self-organised culture of the art sector, and may serve as inspiration and discussion for those committed to organising in the visual arts and beyond.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e224 pages, 17 x 24cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42604487606511,"sku":"","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1930_e72adb22-d60c-4728-88b7-13787aa98acf.jpg?v=1647997016"},{"product_id":"all-the-lonely-people","title":"all the lonely people","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe English word 'sanctuary' means not only a holy place or sacred space of worship but also asylum and refuge. In 1943, the Villa Aurora in Los Angeles became just such a refuge for Marta and Lion Feuchtwanger, and to mark its twenty-fifth anniversary as an artist residence, the Villa is presenting reflections by writers and visual artists on sanctuaries and hermitages. In addition to new essays and poems by former fellows, the publication also includes literary essays on the literature of exile as well as exhibition views and texts from \u003cem\u003eall the lonely people\u003c\/em\u003e, curated by Nana Bahlmann.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book examines the millennia-old tradition of hermitism and, against the backdrop of the Covid pandemic, offers up artistic depictions of loneliness, melancholy, and longing as well as physical and mental withdrawal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Villa Aurora \u0026amp; Thomas Mann House runs two residencies in Los Angeles to encourage transatlantic dialogue and commemorate those living in exile in California during the Nazi era.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e170 pages, 24 x 30cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42604978045167,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2030_24184a78-99fd-4beb-8cfc-4c453d1b1fb8.jpg?v=1648015106"},{"product_id":"slow-reader-a-resource-for-design-thinking-and-practice-1","title":"Slow Reader: A Resource for Design Thinking and Practice","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSlow Reader\u003c\/em\u003e\u003cspan\u003e consists of a collection of theoretical reflections and practical perspectives that offer a holistic vision of human activity in enduring, dynamic interaction with other living systems. Positioned as a ‘resource for design thinking and practice’, this book challenges the paths through which contemporary design practitioners operate, offering alternative perspectives and an expanded palette of tools for addressing the complex web of interdependencies. The book is intended to inspire well beyond design fields, serving as a vehicle for reflection (re-)imagination and further investigation of ‘Slower’ approaches of living, individually and collectively, now and into the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e256 pages, 21 x 16 cm, paperback, Valiz (Amsterdam).\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42663962411247,"sku":"","price":61.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2177_dae1cc37-67bb-4003-86c3-8f7d5719669c.jpg?v=1649228738"},{"product_id":"pre-order-geert-lovink-stuck-on-the-platform-reclaiming-the-internet","title":"Geert Lovink – Stuck on the Platform: Reclaiming the Internet","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNOTE: New printing with black and white cover\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24\/7 online life. What happens when your home office starts to feel like a call centre and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralised networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. 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It is interested in visual culture, providing deeper readings and close viewings of graphic design artefacts and activity, frequently examined through the lens of music. Employing a range of narrative voices, the works combine academic rigour with the accessibility of popular forms like music journalism. FitzGerald regards himself as a critical enthusiast: knowledgeable, appreciative and irreverent.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eProcess Music: songs, stories, and studies of graphic culture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the second book collection of writings by Kenneth FitzGerald. 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Featuring the creative practices and worldviews of Sámi artists and land guardians Pauliina Feodoroff, Máret Ánne Sara and Anders Sunna the project represented a sovereign call for Sápmi (the Sámi homeland spanning Norway, Sweden, Finland and the Kola Peninsula) and revolved around three elements: trans-generational relations, holistic Sámi knowledge and learning, and Sámi spiritual perspectives.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eČatnosat\u003c\/em\u003e\u003cspan\u003e, whilst inspired by ‘The Sámi Pavilion’, stands on its own feet to reflect on Indigenous sovereignty within the interconnected spaces of land, art and knowledge and to consider the centrality of story-telling, sound and the spoken word in Sámi perspectives. The book is conceived in three sections, neither beginnings nor ends, highlighting the importance of non-linear time in Sámi life. One section is dedicated to the artists’ work and writings; a second section presents an experimental short play, poems, as well as stories interlinking Sámi spiritual, political and philosophical perspectives. A third section reflects upon Indigenous and Western concepts of land, the long history of Sámi epistemology, the relationship between Sámi land, people and language and the curatorial practices in ‘The Sámi Pavilion’ that seek to empower the above mentioned notions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn exercise in Sámification, \u003c\/span\u003e\u003cem\u003eČatnosat \u003c\/em\u003e\u003cspan\u003eadvocates for the importance today of Indigenous holistic perspectives, and Sámi Indigenous wisdom in all fields of art and living.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e256 pages, 17 x 24 cm, softcover, Valiz (Amsterdam).\u003c\/span\u003e\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42832184312047,"sku":"","price":66.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2745_1419356b-4aa6-4402-a128-34d2553959ae.jpg?v=1652332643"},{"product_id":"dna-11-what-is-life","title":"DNA #11: What is Life?","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'What Is Life?' is a question that has haunted the life sciences since Gottfried Treviranus and Jean-Baptiste Lamarck independently coined the word 'biology' in 1802. The query has titled scores of articles and books, with Erwin Schrödinger’s in 1944 and Lynn Margulis \u0026amp; Dorion Sagan’s in 1995 being only the most prominent ones. In this book, biogroop curate and speculate upon a collection of first pages of publications from 1829–2020 containing 'What Is Life?' in their titles. Replies to the question – and, by extension, the object of biology – have transformed since its first enunciation, from 'the sum of the functions that resist death' to 'a bioinformation system' to 'edible, lovable, lethal'. Interleaved are frame-shifting interruptions reflecting on how the question has been posed, answered, and may yet be unasked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e168 pages, 15 x 23cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42860844810479,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2896_c62631a4-a798-445e-8979-50b0d63829f3.jpg?v=1653110117"},{"product_id":"dna-13-artificial-music","title":"DNA #13: Artificial Music","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan processors now make better music than human producers? How do algorithms alter our sense of authorship? What historical and social fault lines can be felt juddering in the design of autonomous sound generators? Be it in the home studio, on streaming platforms, or in the corporate business plans of global companies, artificial intelligence is defining the sound of the future. The essays in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eArtificial Music\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e focus on the key developments, extending beyond digital little helpers to examine the balance between humans and machine learning and the process that enables non-human creativity to become a resonance chamber for new synergies. What sound might be produced in the dialogue between man and machine?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 15 x 23 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42860869615855,"sku":"","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_2904_46eb83df-f710-4651-825c-872cef9f131a.jpg?v=1653111235"}],"url":"https:\/\/www.perimeterbooks.com\/collections\/art-theory-1.oembed?page=6","provider":"Perimeter Books","version":"1.0","type":"link"}