{"title":"Aperture","description":"","products":[{"product_id":"martin-parr-lifes-a-beach","title":"Martin Parr - Life's a Beach","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"content_container\"\u003e\n\u003cdiv id=\"maincontainer\" class=\"bodycopy\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_13380705\" page_type=\"project\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cp\u003eFollowing on the heels of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMartin Parr\u003c\/b\u003e’s limited-edition, album-style presentation of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLife’s a Beach\u003c\/i\u003e\u003c\/b\u003e, released last season,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAperture\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(New York City) is delighted to introduce a new beach-bag-size version. Parr has been photographing beaches for many decades, documenting all aspects of them, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. His international career, in fact, could well be traced to the launch of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Last Resort\u003c\/i\u003e, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches around the world. This book shows Parr at his best, startling us with moments of captured absurdity and immersing us in rituals and traditions associated with beach life the world over.\u003cdirectlink id=\"dl_13380705\" link=\"http:\/\/perimeterbooks.com\/Martin-Parr-Life-s-a-Beach\"\u003e\u003c\/directlink\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project_bottom\"\u003e124 pages, 22 x 16 cm, hardcover, Aperture (New York City).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":4065777680395,"sku":"","price":33.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_7227_18217e4f-a91b-43bf-b437-d0de3676b68b.jpg?v=1518499885"},{"product_id":"dawoud-bey-on-photographing-people-and-communities","title":"Dawoud Bey on Photographing People and Communities","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn \u003cem\u003eThe Photography Workshop Series\u003c\/em\u003e, \u003cstrong\u003eAperture Foundation\u003c\/strong\u003e works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their under- standing of the art of photography.\u003c\/p\u003e\n\u003cp\u003eIn this book, \u003cstrong\u003eDawoud Bey\u003c\/strong\u003e—well-known for his striking portraits that reflect both the individual and their larger community—offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities.\u003c\/p\u003e\n\u003cp\u003e128 pages, 19.4 x 25.6 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":32772265017424,"sku":"","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0975_ef03b7ca-dfb4-4489-81a6-633089aed436.jpg?v=1597296579"},{"product_id":"larry-fink-on-composition-and-improvisation","title":"Larry Fink on Composition and Improvisation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cem\u003eThe Photography Workshop Series\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eAperture Foundation\u003c\/strong\u003e\u003cspan\u003e works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-view-right\"\u003e\n\u003cdiv class=\"product-collateral\"\u003e\n\u003cdiv class=\"padder\"\u003e\n\u003cdiv id=\"product_tabs_custom_contents\"\u003e\n\u003cdiv class=\"product-specs\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIn this book, \u003cstrong\u003eLarry Fink\u003c\/strong\u003e—well-known for his layered pictures in social settings—explores composing photographs and improvising within a scene to create images with both feeling and meaning. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, from connecting with the subject in front of the lens to shaping a vision that is authentic. Photographer \u003cstrong\u003eLisa Kereszi,\u003c\/strong\u003e a student of Larry Fink, provides the introduction.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-specs\"\u003e\u003cspan\u003e128 pages, 19.2 x 25.2 cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"nextprevious\"\u003e\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":32772268130384,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0968_9e9c036c-ed62-4f74-9fcf-a32a6dc5edd6.jpg?v=1597296871"},{"product_id":"aperture-conversations-1985-to-the-present","title":"Aperture Conversations: 1985 to the Present","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhy did \u003cstrong\u003eHenri Cartier-Bresson\u003c\/strong\u003e nearly have a posthumous exhibition while still alive? What led \u003cstrong\u003eStephen Shore\u003c\/strong\u003e to work with color? Why was \u003cstrong\u003eSophie Calle\u003c\/strong\u003e accused of stealing Vermeer’s \u003cem\u003eThe Concert\u003c\/em\u003e? And what is \u003cstrong\u003eSusan Meiselas\u003c\/strong\u003e’s take on Instagram and the future of online storytelling?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAperture Conversations\u003c\/strong\u003e\u003c\/em\u003e presents a selection of interviews pulled from \u003cstrong\u003eAperture\u003c\/strong\u003e’s publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture’s booklist, online platform, and \u003cem\u003eAperture\u003c\/em\u003e magazine, \u003cem\u003eAperture Conversations\u003c\/em\u003e celebrates the artist’s voice, collaborations, and the photography community at large.\u003c\/p\u003e\n\u003cp\u003e560 pages, 17.4 x 24.2 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":32772274520144,"sku":"","price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0984_179df482-3ce2-4998-9265-3d2d71728c3b.jpg?v=1597297649"},{"product_id":"pre-order-gregory-halpern-let-the-sun-beheaded-be","title":"Gregory Halpern – Let the Sun Beheaded Be","description":"\u003cp\u003eIn \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLet the Sun Beheaded Be\u003c\/i\u003e\u003c\/b\u003e, photographer \u003cstrong\u003eGregory Halpern\u003c\/strong\u003e focuses on the French Caribbean archipelago of Guadeloupe, a French overseas region with a complicated and violent colonial history\u003cb data-mce-fragment=\"1\"\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenowned for his photographic meditations on place, Halpern presents a compelling portrait of Guadeloupe and its inhabits, focusing on local histories and experiences. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLet the Sun Beheaded Be\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e commingles life and death, nature and culture, and beauty and decay in enigmatic colour images of the archipelago’s residents and lush landscape, as well as monuments related to the brutality of its past. The project is part of Immersion, a program of the Fondation d’entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e112 pages, \u003cmeta charset=\"utf-8\"\u003e22.3 x 27.9 cm, hardcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":38030041710788,"sku":"","price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0558_3f32c35e-a0da-4035-a639-726394a213d4.jpg?v=1618290585"},{"product_id":"the-new-black-vanguard","title":"The New Black Vanguard","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New Black Vanguard: Photography between Art and Fashion\u003c\/i\u003e\u003c\/strong\u003e, curator and critic \u003cstrong\u003eAntwaun Sargent\u003c\/strong\u003e addresses a radical transformation taking place in fashion and art today. The featuring of the Black figure and Black runway and cover models in the media and art has been one marker of increasingly inclusive fashion and art communities. More critically, however, the contemporary visual vocabulary around beauty and the body has been reinfused with new vitality and substance thanks to an increase in powerful images authored by an international community of Black photographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a richly illustrated essay, Sargent opens up the conversation around the role of the Black body in the marketplace; the cross-pollination between art, fashion, and culture in constructing an image; and the institutional barriers that have historically been an impediment to Black photographers participating more fully in the fashion (and art) industries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFifteen artist portfolios feature the brightest contemporary fashion photographers, including \u003cstrong\u003eTyler Mitchell\u003c\/strong\u003e, the first Black photographer hired to shoot a cover story for American Vogue; \u003cstrong\u003eCampbell Addy\u003c\/strong\u003e, founder of the Nii Agency and journal; and \u003cstrong\u003eNadine Ijewere\u003c\/strong\u003e, whose early series title, \u003cem\u003eThe Misrepresentation of Representation\u003c\/em\u003e, says it all. Alongside a series of conversations between generations, their images and stories chart the history of inclusion, and exclusion, in the creation of the commercial Black image, while simultaneously proposing a brilliantly reenvisioned future.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e256 pages, 21.8 x 28.8 cm, hardcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":38104541036740,"sku":"","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0242_b977c057-b20c-4f9b-8787-a7137ecd6de7.jpg?v=1613610352"},{"product_id":"alex-webb-and-rebecca-norris-webb-on-street-photography-and-the-poetic-image","title":"Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this series, \u003cstrong\u003eAperture Foundation\u003c\/strong\u003e works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Their goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this book, internationally acclaimed colour photographers \u003cstrong\u003eAlex Webb\u003c\/strong\u003e and \u003cstrong\u003eRebecca Norris Webb\u003c\/strong\u003e offer their expert insight into street photography and the poetic image. Through words and photographs – their own and others’ – they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that’s both structured and intuitive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e128 pages 19.2 x 25.1 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":39915844141252,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1423_0ca24dc0-c63e-4a98-add7-7f820a48a364.jpg?v=1623288609"},{"product_id":"richard-misrach-on-landscape-and-meaning","title":"Richard Misrach on Landscape and Meaning","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the sixth installment of \u003cstrong\u003eThe Photography Workshop Series\u003c\/strong\u003e, \u003cstrong\u003eRichard Misrach\u003c\/strong\u003e – well known for sublime and expansive landscapes that focus on the relationship between humans and their environment – offers his insight into creating photographs that are visually beautiful and contain cultural implications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAperture Foundation\u003c\/strong\u003e works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography-offering the workshop experience in a book. Their goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of colour photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e128 pages, 19.3 x 25.3 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":39955585532100,"sku":"","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1548_ded8a436-5ab9-4214-b938-6c731caa1c35.jpg?v=1623904032"},{"product_id":"mary-ellen-mark-on-the-portrait-and-the-moment","title":"Mary Ellen Mark on the Portrait and the Moment","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this series, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAperture Foundation\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Their goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn this book, \u003cstrong\u003eMary Ellen Mark\u003c\/strong\u003e – well-known for her pictures’ emotional power, be they of people or animals – offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organising the frame so that every part contributes toward telling the story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e128 pages, 19.5 x 25.2 cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":40178702450884,"sku":"","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_1961_f621c5e8-98bc-4d85-a358-5508192555b0.jpg?v=1626831616"},{"product_id":"pre-order-jason-fulford-photo-no-nos-meditations-on-what-not-to-photograph","title":"Jason Fulford – Photo No-Nos: Meditations on What Not to Photograph","description":"\u003cp\u003eAt turns humorous and absurd, heartfelt and searching, \u003ci data-mce-fragment=\"1\"\u003ePhoto No-Nos\u003c\/i\u003e is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotographers often have unwritten lists of subjects they tell themselves not to shoot – things that are cliché, exploitative, derivative, sometimes even arbitrary. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePhoto No-Nos\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopaedic list of more than a thousand taboo subjects compiled from and with pictures by contributors.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNot a strict guide, but a series of meditations on 'bad' pictures, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePhoto No-Nos\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility. At a time when societies are reckoning with what and how to communicate through media and who has the right to do so, this book is a timely and thoughtful resource on what photographers consider to be off-limits, and how they have contended with their own self-imposed rules without being paralysed by them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e320 pages, 15 x 23 cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":40425445687492,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_0485_09806edb-5a3d-4991-83f9-e4ec5d1483ca.jpg?v=1636601441"},{"product_id":"pre-order-aperture-248-70th-anniversary-issue","title":"Aperture 248: 70th Anniversary Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eAperture\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" title=\"Aperture Magazine\" data-mce-href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture 248: 70th Anniversary Issue \u003c\/i\u003ecelebrates seventy years with an issue that explores the magazine’s past while charting its future. Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features original commissions by seven artists and essays by seven of the most incisive writers working today—each engaging with their chosen decade from the magazine’s history.\u003c\/p\u003e\n\u003cp\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43452779725039,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5120_60da86e5-b1bc-44c8-b9e5-099872c056c0.jpg?v=1667778600"},{"product_id":"forthcoming-aperture-223-vision-justice","title":"Aperture 223: Vision \u0026 Justice","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGuest edited by Sarah Elizabeth Lewis,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVision \u0026amp; Justice\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eaddresses the role of photography in the African American experience.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis award-winning issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine was released in summer 2016, in a political moment defined by the close of the Obama era and the steady rise of #BlackLivesMatter activism. As a racial reckoning continues in the United States, this powerful issue remains an essential resource for understanding the role of art in the movement for equity and social justice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRooted in the prescient thinking of Frederick Douglass, and his argument that social progress requires pictures, 'Vision \u0026amp; Justice' includes a wide span of photographic projects by such luminaries as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLyle Ashton Harris\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSally Mann\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJamel Shabazz\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLorna Simpson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarrie Mae Weems\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Willis\u003c\/b\u003e, as well as the brilliant voices of a younger generation – \u003cb data-mce-fragment=\"1\"\u003eDevin Allen\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAwol Erizku\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaToya Ruby Frazier\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeana Lawson\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHank Willis Thomas\u003c\/b\u003e, among many others. Their portfolios are complemented by essays from some of the most influential voices in American culture, including contributions by celebrated writers, historians, and artists such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVince Aletti\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTeju Cole\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAva DuVernay\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHenry Louis Gates Jr.\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMargo Jefferson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWynton Marsalis\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eClaudia Rankine\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e128 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43559167852783,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5086_a46bc8dc-b2e8-4f06-b8ab-e3710c0ac25a.jpg?v=1667776679"},{"product_id":"forthcoming-aperture-238-house-home","title":"Aperture 238: House \u0026 Home","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHow do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econsiders the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom interviews with leading architects—such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Adjaye\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDenise Scott Brown\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnnabelle Selldorf\u003c\/b\u003e—and a reconsideration of the irreverent interiors magazine\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNest\u003c\/i\u003e, to previously unpublished work by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRobert Adams\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand new portfolios by artists, including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlejandro Cartagena\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFumi Ishino\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMauro Restiffe\u003c\/b\u003e, and the duo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRandhir Singh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSeher Shah\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHouse \u0026amp; Home\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econsiders the concepts of home across diverse geographies and time periods.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43559171653871,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5080_34439053-caec-4eb3-86d7-2bdf4d4376f0.jpg?v=1667773226"},{"product_id":"forthcoming-aperture-239-ballads","title":"Aperture 239: Ballads","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBallads\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eissue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine is organised around the themes contained within the original ballad – intimacy, friendship, community, love, sex, trauma, music – while also honouring the urgent role of the artist as a force for cultural and social change.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFew works have impacted the world of photography like Nan Goldin’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Sexual Dependency\u003c\/i\u003e. Published by Aperture in 1986,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eretains an uncommon power with its unflinching portrayal of friends, lovers, and relationships—a dramatic opera of joy and despair. Decades on, influencing new generations of artists. Goldin herself remains a bold, singular force in our culture.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine returns to an iconic work with 'Ballads', a special issue featuring an exclusive interview with Goldin as well as a section curated by the artist dedicated to her influences.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e136 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43559177978095,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5069_20f73341-27be-46e7-809b-0aa12a546d6d.jpg?v=1667776565"},{"product_id":"forthcoming-aperture-240-native-america","title":"Aperture 240: Native America","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eAperture\u003c\/em\u003e magazine's 'Native America' is a special issue about photography and Indigenous lives, guest edited by the artist Wendy Red Star.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Native America' considers the wide-ranging work of photographers and lens-based artists who pose challenging questions about land rights, identity and heritage, and histories of colonialism. Several contributors revisit or reconfigure photographic archives – from writer Rebecca Bengal’s look at the works of Richard Throssel and Horace Poolaw, to artist Duane Linklater’s intervention in a 1995 issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e, 'Strong Hearts', the magazine’s first volume devoted to Native American photographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'I was thinking about young Native artists,' says Red Star, 'and what would be inspirational and important for them as a road map.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat map spans a diverse array of intergenerational image-making, counting as lodestars the meditative assemblages of Kimowan Metchewais and installation works of Alan Michelson, the stylish self-portraits of Martine Gutierrez, and the speculative mythologies of Karen Miranda Rivadeneira and Guadalupe Maravilla. 'Native America' also features contributions by distinguished writers and curators, including strikingly personal reflections from acclaimed poets Tommy Pico and Natalie Diaz.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith additional essential contributions from Rebecca Belmore and Julian Brave NoiseCat, as well as a portfolio from Red Star, the issue looks into the historic, often fraught relationship between photography and Native representation, while also offering new perspectives by emerging artists who reimagine what it means to be a citizen in North America today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43559184236783,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5062.jpg?v=1667776516"},{"product_id":"aperture-241-utopia","title":"Aperture 241: Utopia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn winter 2020, in the wake of a pandemic, global protest movements, and a dramatic presidential election in the United States,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereleases 'Utopia', an issue that shows that other ways of living are possible – when the collective will exists.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Utopia', artists, photographers, and writers envision a world without prisons, document visionary architecture, honour queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, but rather a way of reshaping our future.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a profile, Salamishah Tillet considers Tyler Mitchell’s visions of Black people resting in open green space, a democratising landscape in which Mitchell continuously asks himself: 'What are the things that I can do to lessen the inherent hierarchies in the photography-shoot structure of seeing and being seen?' Sara Knelman shows the freeing possibilities of the feminist collage works of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. Julian Rose speaks with the filmmaker Matt Wolf about his latest documentary,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpaceship Earth\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2020), which follows the people who created Biosphere 2 in 1991. And Antwaun Sargent traces Black queer artists’ journeys into immersive desire. 'Utopia' also includes compelling portfolios by David Benjamin Sherry, Allen Frame, and Balarama Heller, whose respective works span time and geography, from bohemian New York to a Hare Krishna retreat in India.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'The utopian imagination tends to stir when the world feels simultaneously wrecked and malleable,' the writer Chris Jennings notes, in a series of reflections by writers such as Olivia Laing and Nicole R. Fleetwood. Notions of utopia shouldn’t be restricted to the fantasy of a fully realised ideal society, or the outsize, often failed, sometimes disastrous schemes and social experiments of the past. Instead, we might consider utopia a mode of vision and thought that shields us from hopelessness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43559208288495,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5073_c10588fa-a720-4480-8047-7e9e3c8b717b.jpg?v=1667776425"},{"product_id":"aperture-243-delhi-looking-out-looking-in","title":"Aperture 243: Delhi – Looking Out\/Looking In","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis summer, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. Guest edited by Rahaab Allana, the Alkazi Foundation’s lead curator, the issue explores multiple incarnations of the city’s photographic culture, from O. P. Sharma’s experimental works from the 1960s to Aditi Jain’s intimate tableaux of Delhi’s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh’s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi’s feminist staged portraits from the 1980s and ’90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e140 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43562454155503,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5135.jpg?v=1667778476"},{"product_id":"forthcoming-aperture-244-cosmologies","title":"Aperture 244: Cosmologies","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis fall,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. 'What I’m doing integrates mythology, religion, empirical data, dreams,' says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. 'Ross is guided by a rapt, intense, wholehearted belief in the individual,' Bengal writes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout 'Cosmologies', artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e144 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43562468245743,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5129_4fc9d97a-22f7-4294-b586-333c0edc580f.jpg?v=1667778507"},{"product_id":"forthcoming-aperture-245-latinx","title":"Aperture 245: Latinx","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor winter 2021,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, 'Latinx' spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Latinx', Carribean Fragoza traces Laura Aguilar’s influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Collectively, their images cast a greater net for the multiple ways of seeing Latinx people,' Tompkins Rivas notes of the issue’s photographers, 'creating a visual archive whose edges are yet to be defined.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e136 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43562485711087,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5054_7de5d2e4-af0b-4514-9c65-106922ac9b52.jpg?v=1667777416"},{"product_id":"forthcoming-aperture-246-celebrations","title":"Aperture 246: Celebrations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of \u003c\/i\u003eAperture\u003ci data-mce-fragment=\"1\"\u003e \u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" title=\"Aperture Magazine\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents 'Celebrations', an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Celebrations', Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays – including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC ’77 – reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e140 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43562489839855,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5046_9ee5955d-e997-440d-8e28-05d4489d8953.jpg?v=1667777145"},{"product_id":"forthcoming-aperture-247-sleepwalking","title":"Aperture 247: Sleepwalking","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eAperture\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Aperture Magazine\" href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" data-mce-href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGuest edited by the acclaimed photographer Alec Soth, \u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e’s summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Sleepwalking' covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medová to Sophie Calle’s discovery of an abandoned Parisian hotel to Soth’s own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Óscar Monzón, and others.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e148 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43562498752751,"sku":"","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_5094_b19f36d4-9f64-492e-928e-2cbe315d650a.jpg?v=1667777229"},{"product_id":"sam-contis-overpass","title":"Sam Contis – Overpass","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOverpass\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is about what it means to move through the landscape. Walking along a vast network of centuries-old footpaths through the English countryside, artist Sam Contis focuses on stiles, the simple structures that offer a means of passage over walls and fences and allow public access through privately owned land. In her immersive sequences of black-and-white photographs, they become repeating sculptural forms in the landscape, invitations to free movement on one hand and a reminder of the history of enclosure on the other. Made from wood and stone, each unique, they appear as markers pointing the way forward, or decaying and half-hidden by the undergrowth. An essay by writer Daisy Hildyard contextualises this body of work within histories of the British landscape and contemporary ecological discourses. In an age of rising nationalism and a renewed insistence on borders, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOverpass\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e invites us to reflect on how we cross boundaries, who owns space, and the ways we have shaped the natural environment and how we might shape it in the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e224 pages, 17 x 24.8 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43768960712943,"sku":"","price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_6114_d655f650-72eb-49a0-a0e7-7f33e8b2cfb6.jpg?v=1676011194"},{"product_id":"aperture-249-reference","title":"Aperture 249: Reference","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e'Reference'\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an issue that considers the role images play in the creation of something else.­ Spanning fashion design, architecture, film, and print, 'Reference' includes a conversation between renowned British author and curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEkow Eshun\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and rising fashion designer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGrace Wales Bonner\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an interview with South African artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWilliam Kentridge\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the images that undergird his sprawling output; critic \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Zeiger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the work of Los Angeles–based architectural studio \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohnston Marklee\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an essay by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJesse Dorris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the potential of handmade zines; and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Campany\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the function and purpose of photographs today.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFurther, works by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Welling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJojo Gronostay\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Turbeville\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSheida Soleimani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKatrien de Blauwer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Syjuco\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e highlight each artist’s unique use of source material.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Photobook Review for this issue opens with a sweeping interview with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRamón Reverté\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – the editor in chief and creative director at Editorial RM – and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43768964776175,"sku":"","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/products\/IMG_6105_01541046-c80d-463c-ab65-75fa8d862d8a.jpg?v=1676011481"},{"product_id":"pre-order-ari-marcopoulos-zines","title":"Ari Marcopoulos: Zines","description":"\u003cp\u003eAri Marcopoulos is an inveterate maker of zines. This project collects in one volume for the first time a selection of zines by Marcopoulos, many never before released, providing a unique insight and overview into an essential part of this influential artist’s daily practice. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften self-published or created in collaboration with boutique and independent publishers like ROMA, Dashwood Books, and PPP Editions, these informal, DIY-aesthetic creations function as sketchbook, diary, installation space, and a means of processing Marcopoulos’s daily practice of photographing his life, his family, his neighbourhood, and the rarified cultural milieu in which he operates. This collection showcases an impressive array of printed zines, exploring each as an artistic object through an engaging layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeginning in 2015 and presented chronologically per year, key zines are featured – including some made during the pandemic, when Marcopoulos worked primarily on the screen, making PDF zines – and punctuated by individual images presented full scale. An interview with Hamza Walker underscores the role of zines as an essential part of Marcopoulos’s artistic practice, emphasising the personal, diaristic element within the work, while an essay from Maggie Nelson meditates on the work’s position within a wider social and cultural context. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAri Marcopoulos: Zines\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a must-have for anyone interested in this prolific artist’s personal practice and zine culture.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e336 pages, 22 x 22cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43982275707119,"sku":"","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7900_c3f374d1-c7fd-4b5c-a489-f8a157bb295e.jpg?v=1688019090"},{"product_id":"barry-mcgee-reproduction","title":"Barry McGee: Reproduction","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough best known for the inventive graphic sensibility of his paintings, drawings, and installations, McGee’s use of photography is an essential component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee’s images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist’s books that often accompany his exhibitions, photographs pervade McGee’s practice. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBarry McGee: Reproduction\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e224 pages, 21.6 x 28cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43992154308847,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7891_b5030ea7-78c5-4018-9f12-95ab5243bb18.jpg?v=1688018462"},{"product_id":"revolution-is-love-a-year-of-black-trans-liberation","title":"Revolution Is Love: A Year of Black Trans Liberation","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRevolution Is Love: A Year of Black Trans Liberation\u003c\/i\u003e is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn June 2020, after a Black trans woman in Missouri and a Black trans man in Florida were killed just weeks apart, activists Qween Jean and Joela Rivera returned to the historic Stonewall Inn – site of the 1969 riots that launched the modern gay rights movement – where they initiated weekly actions known thereafter as the Stonewall Protests. Brought together by the urgent need to centre Black trans and queer lives within the Black Lives Matter movement, a vibrant and radical community emerged.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the following year, the Stonewall Protests brought together thousands of people across communities and social movements to gather in solidarity, resistance, and communion. Each Thursday was an invitation for protests, healing, and celebration – whether through marches, voguing balls, or vigil – and a living testament to love in revolution. This book gathers twenty-four photographers who participated in these actions to share images and words on the demonstrations and their community at large, preserving this legacy as it unfolded. Through photographs, interviews, and text, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRevolution Is Love\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e celebrates the power of shared joy and struggle in trans community and liberation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeaturing images and text by Ramie Ahmed, Lucy Baptiste, Budi, Brandon English, Deb Fong, Snake Garcia, Stas Ginzburg, Katie Godowski, Robert Hamada, Chae Kihn, Zak Krevitt, Erica Lansner, Daniel Lehrhaupt, Caroline Mardok, Ryan McGinley, Josh Pacheco, Jarrett Robertson, Phoenix Robles, Souls of a Movement, Madison Swart, Cindy Trinh, Sean Waltrous, Ruvan Wijesooriya, and David Zung.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e224 pages, 17 x 23.5cm, softcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43992319131887,"sku":"","price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7881_cdcb4554-6fb5-4f42-a75a-fae441908823.jpg?v=1688018859"},{"product_id":"aperture-250-we-make-pictures-in-order-to-live","title":"Aperture 250: We Make Pictures in Order to Live","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis spring, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAperture\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents issue #250, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWe Make Pictures in Order to Live\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue’s title is a nod to the late, celebrated writer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoan Didion\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who declared, 'We tell ourselves stories in order to live'. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contributors explore the quiet poetry – or clamorous disorder – of the everyday, and attest that making photographs is a way of being alive\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sweeping introductory essay, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBrian Dillon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e asks how we might view Didion through photography, and what images come to mind when we think of her writing. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThessaly La Force\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e profiles \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBieke Depoorter\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlistair O’Neill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes stock of ,b\u0026gt;Nick Waplington’s vibrant records of subcultures on both sides of the Atlantic. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about the 'exquisite world-making' of photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEikoh Hosoe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s collaborative practice. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTiana Reid\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reconsiders \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharles 'Teenie' Harris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the portfolios, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCasey Gerald\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAdraint Bereal\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images depicting the agony and ecstasy of being a Black college student in the US today. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYvonne Venegas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e searches for family ghosts in the Mexican landscape, which poet and novelist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Saldaña París\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e describes as 'an exercise in freedom and intelligence'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKamayani Sharma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e looks at \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGauri Gill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDurga Chew-Bose\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e meditates on the photographs of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMary Manning\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – also featured on the cover – and their poetic sensitivity toward story and the everyday. For Endnote, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e poses six questions for the painter \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJordan Casteel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruno Ceschel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with photographer, bookmaker, and publisher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlejandro Cartagena\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about his work. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLou Stoppard\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews a trio of photobooks about domestic spaces, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review a range of recent publications.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43992327782639,"sku":"","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7912_742a077e-bde3-4e6f-a7da-b0893023d330.jpg?v=1688019325"},{"product_id":"aperture-251-being-becoming-asian-in-america","title":"Aperture 251: Being \u0026 Becoming: Asian in America","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis summer, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBeing \u0026amp; Becoming: Asian in America\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a landmark issue that considers how artists use the medium of photography to grapple with questions of visibility, belonging, and what it means to be Asian American. Spanning photography from the nineteenth century to the present, and featuring the work of acclaimed figures such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAn-My Lê\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 'Being \u0026amp; Becoming' is guest edited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Hueon Tung\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, curator of photography at the Peabody Essex Museum in Massachusetts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'I hope this publication provides an opportunity to discover generative ways of seeing that are rooted in connection and empathy'” says Tung, who contributes a powerful essay to the magazine about the importance of envisioning Asian American lives. 'It is through the work of artists that we can change our perceptions of the past and heal generational wounds.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRyan Lee Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e interviews An-My Lê and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePao Houa Her\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about photography, fiction, and truth in the aftermath of war. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBakirathi Mani\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003elooks at artists engaging with collections and public archives shaped by colonial histories, while \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXueli Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about those making work in domestic spaces as a way to push back against assimilation. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKen Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eToyo Miyatake\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s striking record of life inside the Manzanar prison camp in the central Californian desert. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Wu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reflects on performative conceptual photographer and documentarian of East Village life \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTseng Kwong Chi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and his downtown New York era. And \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAleesa Pitchamarn Alexander\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003espeaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who has spent more than fifty years addressing issues of migration, cultural transformation, and intergenerational dialogue through photography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the artist portfolios in 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGina Osterloh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – whose work is featured on the cover – experiments with the legibility and illegibility of identity. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLeonard Suryajaya\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e constructs exuberant scenes of life in Indonesia and Chicago. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArthur Ou\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e considers the act of seeing the world as a precursor to understanding his place in it. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGuanyu Xu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e layers images of domestic spaces, filled with symbols of home, history, and affection. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePriya Suresh Kambli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e mines family photographs to produce collages about migration and memory, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJarod Lew\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e composes 'deliberately uncluttered' images of his family in Detroit. This issue also features essays from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhoebe Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTausif Noor\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmy Sadao\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXuan Juliana Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmitava Kumar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Han\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of Aperture as of summer 2022 – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTaous Dahmani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCécile Poimboeuf-Koizumi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, bookmaker and co-founder of the Marseille-based independent publisher Chose Commune. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews an expansive new book that charts Japan’s unparalleled history of photography in print publications. In addition, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review new and notable photobooks.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e\u003cbr\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43992329912559,"sku":"","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_7921_7af1c820-d0d5-4743-b036-5cf6505a5b4e.jpg?v=1688019468"},{"product_id":"zanele-muholi-somnyama-ngonyama-hail-the-dark-lioness-volume-ii","title":"Zanele Muholi – Somnyama Ngonyama, Hail the Dark Lioness, Volume II","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, \u003ci\u003eSomnyama Ngonyama, Hail the Dark Lioness.\u003c\/i\u003e In \u003ci\u003eSomnyama Ngonyama, Hail the Dark Lioness, Volume II\u003c\/i\u003e, Zanele Muholi explores and expands upon new personas and poetic interpretations of personhood, queerness, Blackness, and the possibilities of self. Since the publication of the first volume in 2018, Muholi has continued to photograph themself in a range of new international locations. Drawing on material props found in each environment, Muholi boldly explores their own image and innate possibilities as a Black individual in today’s global society, and – most important – speaks emphatically in response to contemporary and historical racisms. Renée Mussai, curator and historian, brings together written contributions from more than ten curators, poets, and authors, building a poetic and experimental framework that extends the idea of speculative futures and the potentiality of multivalent selves. Powerfully arresting, this collection further amplifies Muholi’s expressive and radical manifesto. As they state in the first volume, 'My practice as a visual activist looks at Black resistance—\u003ci\u003eexistence\u003c\/i\u003e as well as \u003ci\u003einsistence\u003c\/i\u003e.'\u003c\/p\u003e\n\u003cp\u003e172 pages, 26.2 x 35.6 cm, hardcover, Aperture (New York).\u003c\/p\u003e\n\u003c!----\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45166774157551,"sku":"","price":159.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2711.jpg?v=1716274580"},{"product_id":"myriam-boulos-what-s-ours","title":"Myriam Boulos – What’s Ours","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA searing, diaristic portrayal of a city and society in revolution by Magnum nominee Myriam Boulos. In her debut monograph, Myriam Boulos casts an unflinching eye on the revolution that began in Lebanon in 2019 with protests against government corruption and austerity – culminating with the aftermath of the devastating Beirut port explosion of August 2020. She portrays her friends and family with startling energy and intimacy, in states of pleasure and protest. Boulos renders the body in public space as a powerful motif, both visceral and vulnerable in the face of state neglect and violence. Of her approach to photography, Boulos states: 'It’s more of a need than a choice. I obsess about things and I don’t know how to deal with these obsessions in any other way but photography.' Featuring a contextual essay by noted writer Mona Eltahawy, \u003ci\u003eWhat’s Ours\u003c\/i\u003e showcases Boulos’s strident and urgent vision.\u003c\/p\u003e\n\u003cp\u003e192 pages, 18 x 21.8cm, hardcover, Aperture (New York).\u003c\/p\u003e\n\u003c!----\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45166789656815,"sku":"","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2731.jpg?v=1716274521"},{"product_id":"ed-templeton-wires-crossed","title":"Ed Templeton – Wires Crossed","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePart memoir, part document of the DIY, punk-infused subculture of skateboarding as it came of age in the 1990s and early 2000s, Ed Templeton’s \u003ci\u003eWires Crossed\u003c\/i\u003e pulses with the raw, combustive energy of Templeton’s image-making from the last twenty-plus years. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIllustrated by photographs, collages, texts, maps, and other ephemera from Templeton’s journals, \u003c\/span\u003e\u003ci\u003eWires Crossed\u003c\/i\u003e\u003cspan\u003e offers an insider’s look at a subculture in the making and reflects the unique aesthetic stamp that sprang from the skate world he helped create. Templeton occupies the rare position of having been a professional skateboarder, a two-time World Skateboarding champion, as well as a photographer and artist working within the skateboard community as it gained increasing cultural currency in the 1990s and beyond. His work first gained recognition as part of the Beautiful Losers collective loosely gathered around Aaron Rose’s Alleged Gallery on Manhattan’s Lower East Side. This work, much of it previously unpublished and unseen, explores Templeton’s own journey as an image maker, as well as the lives of professional skateboarders as they spent long hours crisscrossing the world on tour, reveling in their newfound status as rock star–like figures and the eternal search for new terrain to skate. Interviews between Templeton and fellow pro-skaters and friends add compelling detail about the pressures and pleasures of life on the road, and what it’s like to obsessively pursue an art form – whether on their decks or behind the camera.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e264 pages, 21.8 x 28cm, hardcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45166810464495,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2721_4063f1ff-e7f0-40e8-936d-b964c2aa89c4.jpg?v=1716274697"},{"product_id":"aperture-253-desire","title":"PRE-ORDER: Aperture 253: Desire","description":"\u003ci\u003eAperture\u003c\/i\u003e magazine presents 'Desire', an edition that considers desire as both an impulse and a state of mind. The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition \u003ci\u003eJuergen Teller: i need to live\u003c\/i\u003e, opening at the Grand Palais Éphémère in Paris on December 16, 2023.\u003cbr\u003e\u003cbr\u003ePhotographers are natural voyeurs. The compulsion to want – or, in today’s parlance, to manifest – emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.\u003cbr\u003e\u003cbr\u003eAndrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing – and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In 'Desire', photographers render reality as unearthly – and take the viewer somewhere else altogether.\u003cbr\u003e\u003cbr\u003e23.5 x 30.5 cm, softcover, Aperture (New York).","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45182587273455,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2738.png?v=1716431450"},{"product_id":"aperture-252-accra","title":"PRE-ORDER: Aperture 252: Accra","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e'Accra', guest edited by the New York–based artist Lyle Ashton Harris and the Accra-based photographer and educator Nii Obodai, considers the Ghanaian capital as a site of dynamic photographic voices and histories that connect visual culture in West Africa to the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45182656315631,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2752.png?v=1716434196"},{"product_id":"aperture-254-counter-histories","title":"Aperture 254: Counter Histories","description":"\u003cp\u003eWhat creative possibilities are offered by the gaps, absences, and silences in historical records? This spring, \u003cem\u003eAperture\u003c\/em\u003e magazine presents 'Counter Histories', an issue produced in collaboration with Magnum Foundation and informed by their ongoing Counter Histories grant initiative, featuring photographers from around the world who tell powerful stories about complex social and political histories.\u003c\/p\u003e\n\u003cp\u003eIn the 'Counter Histories' issue, a global group \u003cspan\u003eof photographers questions dominant historical narratives to create layered portrayals of place, culture, and community. In Hong Kong, Billy \u003c\/span\u003e\u003cspan\u003eH.C. Kwok collaborates with a grieving mother desperately searching for her son. In Nepal, Prasiit Sthapit investigates the complex role of musicians in the country’s Maoist insurrection. Alice Proujansky looks at her parents’ past as New Left activists in the United States, while Christopher Gregory-Rivera examines how Puerto Rican independence activists were surveilled for decades. And, in the years before Poland ousted a far-right government last fall, Agata Szymanska-Medina exposed how a nationalist party worked steadily to undermine an independent judiciary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor these artists, family and community are as essential as politics and memory. Stories of migration from Haiti to Philadelphia inspire Naomieh Jovin’s vibrant collages honouring her elders. Cédrine Scheidig engages with legacies of the Black diaspora, tracing her relationship to Afro-Caribbean history and community in French Guiana. In the Eastern Cape of South Africa, Lindokuhle Sobekwa reflects on the movement of Black migrant labor and builds what he describes as a 'family tree' of the country. And Abdo Shanan, working in Algeria, builds a speculative archive for his own generation.\u003c\/p\u003e\n\u003cp\u003e23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":45182772805871,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2769.png?v=1716436929"},{"product_id":"aperture-255-the-design-issue","title":"Aperture 255: The Design Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e introduces a new look for the magazine with 'The Design Issue', featuring previously unpublished images by Luigi Ghirri, a profile of the artist and jewellery designer Coreen Simpson, interviews with the celebrated fashion designer Duro Olowu and the design writer Alice Rawsthorn, and dynamic portfolios that speak to the myriad ways in which the fields of photography and design are intertwined. 'The Design Issue' also features three unique covers with images by David Hartt, Luigi Ghirri, and Dayanita Singh.\u003cbr\u003e\u003cbr\u003eIn 'The Design Issue', Olowu speaks with the editor Dan Thawley about how his deep knowledge of photography has informed his fashion line. Thessaly La Force visits Coreen Simpson, who made portraits of New York City’s artistic and nightlife scenes and later found success as a jewelry designer. Alice Rawsthorn speaks with Billie Muraben about how designers respond to evolving technology and politics. And Mimi Zeiger considers David Hartt’s interventions with the built environment and iconic buildings, including Philip Johnson’s Glass House.\u003cbr\u003e\u003cbr\u003eIn elegant, spare images, Dayanita Singh presents her long-term engagement with the architects Geoffrey Bawa and Bijoy Jain. Luigi Ghirri’s 1980s images from the Ferrari factory, in Italy, demonstrate the photographer’s fascination with industrial design. New work by Daniel Shea, Paul Kooiker, and Nhu Xuan Hua show photography’s boundless potential to tell stories about urban change, identity, and sartorial politics. This issue also features Avion Pearce, the winner of the 2024 Aperture Portfolio Prize, whose work will be presented in June at Baxter St at the Camera Club of New York; columns feature Stefan Ruiz, Akihiko Okamura, and Olivia Laing; and features in The PhotoBook Review highlight Alexey Brodovitch’s iconic art direction and Polymode, a bicoastal, queer, and minority-owned studio who are rethinking design histories.\u003cbr\u003e\u003cbr\u003e160 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":46223328837871,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_6834.jpg?v=1738645604"},{"product_id":"aperture-256-arrhythmic-mythic-ra","title":"Aperture 256: Arrhythmic Mythic Ra","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis fall, \u003ci\u003eAperture\u003c\/i\u003e publishes \u003ci\u003eArrhythmic Mythic Ra\u003c\/i\u003e, an issue that refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.\u003cbr\u003e\u003cbr\u003e'The photographs that I’m most drawn to in my conscious looking life push against our preconceived notions of social and aesthetic norms,' Lawson says. 'A photograph, by its nature, can deliver more about the subject than even the photographer or the subject intend. With this in mind, I have arranged a constellation of images that operate like texts and texts that operate like pictures—fragmented, arrhythmic, mythic.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eAperture\u003c\/i\u003e issue 256 features the work of more than thirty photographers – including Berenice Abbott, Bruce Davidson, LaToya Ruby Frazier, Balarama Heller, Arthur Jafa, Kikuji Kawada, Sally Mann, Louis Mendes, Boris Mikhailov, and cover artist Lieko Shiga – alongside new poetry by renowned authors Ben Okri, Tracy K. Smith, and Simone White; an essay by economic anthropologist Jason Hickel; and a short story by artist Jeff Whetstone. 'Lawson’s approach to reading photographs is wholly distinct and fresh. She has organised a surprising and enigmatic collection of images and texts for this special issue. It is very much an artist’s project in magazine form,' says Michael Famighetti, \u003ci\u003eAperture\u003c\/i\u003e’s editor in chief.\u003cbr\u003e\u003cbr\u003e'I believe we all need to observe things we don’t understand,' Lawson says, regarding her approach to the issue. \u003ci\u003eArrhythmic Mythic Ra\u003c\/i\u003e invites readers to confront the unknowability of every photograph, offering a meditation on the mysterious relationship between the visible and invisible world.\u003cbr\u003e\u003cbr\u003eThe issue coincides with \u003ci\u003ePoetic Record: Photography in a Transformed World\u003c\/i\u003e, an exhibition and two-day symposium at Princeton University, where Lawson is the Dorothy Krauklis ’78 Professor of Visual Arts. The exhibition is curated by Lawson and Famighetti, and the symposium is organized by Lawson in collaboration with Princeton colleagues Jeff Whetstone and James Welling at the Hurley Gallery, Lewis Center for the Arts. The show, on view from October 1 to December 5, 2024, includes work by many photographers featured in “Arrhythmic Mythic Ra.” The symposium takes place from October 10 to 11.\u003cbr\u003e\u003cbr\u003eLawson is one of the most original artists of her generation, the recipient of numerous awards, including the Deutsche Börse Photography Foundation Prize in 2022 and the Hugo Boss Prize in 2020. In addition to many exhibitions at museums and galleries worldwide, her work is the subject of the acclaimed \u003ci\u003eDeana Lawson: An Aperture Monograph\u003c\/i\u003e, published in 2018.\u003cbr\u003e\u003cbr\u003e160 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":46223386837231,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_6822.jpg?v=1738647289"},{"product_id":"aperture-257-image-worlds-to-come-photography-ai","title":"Aperture 257: Image Worlds to Come: Photography \u0026 AI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e presents \u003ci\u003eImage Worlds to Come: Photography \u0026amp; AI\u003c\/i\u003e, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography’s relationship to creativity, authorship, and truth.\u003cbr\u003e\u003cbr\u003eTo weigh the risks and possibilities of this transformative change, \u003ci\u003eAperture\u003c\/i\u003e has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the 'intelligence' of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer’s role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography’s relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.\u003cbr\u003e\u003cbr\u003e'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, \u003ci\u003eAperture\u003c\/i\u003e’s editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eImage Worlds to Come\u003c\/i\u003e looks at the past as much as the future. Art historian Noam M. Elcottand technologist Tim Trombley train their own AI model on the Farm Security Administration’s vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible 'cursed images' inspired by a feeling of being 'nostalgic for the present'.\u003cbr\u003e\u003cbr\u003eThe cover of \u003ci\u003eAperture\u003c\/i\u003e issue 257 features a work by Trevor Paglen from his 2017 series \u003ci\u003eIt Began as a Military Experiment\u003c\/i\u003e. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.\u003cbr\u003e\u003cbr\u003e'Photography is the paradigm of human-technology interfaces,' Paglen tells art historian Sarah M. Miller in an extensive interview. 'People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eImage Worlds to Come\u003c\/i\u003e begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before.\u003cbr\u003e\u003cbr\u003e160 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":46223406727407,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_6811.jpg?v=1738647494"},{"product_id":"arielle-bobb-willis-keep-the-kid-alive","title":"Arielle Bobb-Willis – Keep the Kid Alive","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe first monograph by the \u003ci\u003eNew Black Vanguard\u003c\/i\u003e’s Arielle Bobb-Willis is a vivid statement about colour, gesture, and style.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eKeep the Kid Alive\u003c\/i\u003e\u003cspan\u003e, Arielle Bobb-Willis’s first book, invites audiences into a brightly imaginative world, filled with dynamic colours, gestures, and unusual poses of the artist’s own creation. Transforming the streets of New Orleans, New York, and Los Angeles into lush backdrops for her wonderfully surreal tableaus, Bobb-Willis makes unforgettable images that expand the genres of fashion and art photography. 'I love the idea of seeing Black people represented in an abstract way,' Bobb-Willis says. 'It’s important to me to continue to reject the notion that Black expression is limited—or limiting.' With a conversation between Bobb-Willis and a dynamic range of artists, stylists, and creatives who speak about keeping their 'inner kid' alive, this book captures a definitive young artist’s unconventional worldbuilding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e172 pages, 21 x 26.7cm, hardcover, Aperture (New York).\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":46223420227823,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_6799.jpg?v=1738647619"},{"product_id":"aperture-no-259-liberated-threads-stories-of-black-style","title":"Aperture No. 259: Liberated Threads: Stories of Black Style","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e’s Summer issue highlights image makers around the world who are exploring style and fashion as a language of Black resistance, refusal, and joy. Guest edited by the writer and researcher Tanisha C. Ford and titled after her 2015 book, \u003c\/span\u003e\u003ci\u003eLiberated Threads\u003c\/i\u003e\u003cspan\u003e, this edition features photographers, stylists, and filmmakers who remix, reimagine, and in some cases, reject the aesthetic and politics of what she calls the “soul style” of the twentieth century—sparking a bold conversation about style’s ability to create possibilities for solidarity and selfhood today.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50915598631151,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3002_171e91f0-f0bf-4935-9dea-8579e3c2e18e.jpg?v=1790223712"},{"product_id":"aperture-no-260-the-seoul-issue","title":"Aperture No. 260: The Seoul Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“The Seoul Issue” is a kaleidoscopic portrait of the South Korean capital through the eyes of its extraordinary photographers. Covering a range of topics, from the influence of K-beauty to excavations of Korean history to recent political protests, as well as the ongoing tensions simmering across a divided peninsula, the issue weaves intergenerational timelines and perspectives, offering a key resource on how photographers continue to map the past and future of this restless megacity. \u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50915598762223,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2992_48a4b966-50e9-4d13-beef-31427fc92dd4.jpg?v=1790223687"},{"product_id":"aperture-no-261-the-craft-issue","title":"Aperture No. 261: The Craft Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e’s winter issue considers the handmade in photography by assembling artists who use novel printing processes and techniques that forefront the physical materiality of the medium or explore its relationship to adjacent traditions, including ceramics, glass, textiles, design, and other forms of object making.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50915598794991,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2997_d44524d6-0b45-4106-b64a-76c8e3ddfd25.jpg?v=1790223863"},{"product_id":"aperture-no-262-the-end-of-nature","title":"Aperture No. 262: The End of Nature?","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eAperture's\u003c\/em\u003e spring issue explores the beauty and precarity of the natural world through the eyes of photographers around the globe.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50915598827759,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3000_cf56d586-3d03-4712-bb87-331f000ee724.jpg?v=1790223850"},{"product_id":"aperture-no-263-secrets","title":"Aperture No. 263: Secrets","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e’s Summer issue uncovers photography’s secret life: a world of conspiracy, private eyes, voyeurs, hidden histories, and nested realities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50915599220975,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2996_ce8b4371-dd10-476c-8e65-4a64ad33b61f.jpg?v=1790223883"},{"product_id":"catherine-opie-on-identity-and-collectivity","title":"Catherine Opie: on Identity and Collectivity","description":"\u003cp\u003eAn expansive dialogue about what it means to develop your artistic voice in collaboration with others.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn this series, Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn this book, Catherine Opie—best known for her sensitive portraits exploring identity and life on the margins of American society—invites five of her former star students to discuss a wide range of topics alongside her in a series of engrossing conversations about embracing difference, from finding a distinct artistic voice, to the ethics of the camera, to the practicalities of making a photobook. Through words and images, Opie and her former students Lucas Blalock, Janna Ireland, Paul Mpagi Sepuya, Jeff Whetstone, and Carmen Winant offer the reader insight into their individual and collective creative processes as they highlight Opie’s enduring influence as a mentor and trailblazer in contemporary photography.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955985846511,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3011_dbc6b9b1-ad54-4859-9cb0-b933fb4128bd.jpg?v=1790223920"},{"product_id":"dawoud-bey-on-photographing-people-and-communities-1","title":"Dawoud Bey: on Photographing People and Communities","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn the fifth installment of \u003ci\u003eThe Photography Workshop Series\u003c\/i\u003e, Dawoud Bey—well known for striking portraits that reflect both the individual and their larger community—offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, he shares his own creative process and discusses a wide range of issues, from lighting and location to establishing relationships with subjects, and practical strategies for starting a larger portraiture project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955985879279,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3003_d3954097-b004-4471-a12c-77efd6c1627e.jpg?v=1790224161"},{"product_id":"vik-muniz-on-photography-mind-and-matter","title":"Vik Muniz: on Photography, Mind, and Matter","description":"\u003cp\u003eIn this volume of \u003cem\u003eThe Photography Workshop Series\u003c\/em\u003e, Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways.\u003c\/p\u003e\n\u003cp\u003eAperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images—shares his creative practice and discusses a wide range of topics, from generating ideas and creating artworks that challenge viewers’ perceptions, to thinking through collaboration, imperfection, and the interplay of subject, scale, and material.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955986075887,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3007_b75dc5bd-2db7-4bce-a33e-3dcedda03671.jpg?v=1790224271"},{"product_id":"todd-hido-on-landscapes-interiors-and-the-nude","title":"Todd Hido: on Landscapes, Interiors, and the Nude","description":"\u003cp\u003eIn this installment of \u003cem\u003eThe Photography Workshop Series,\u003c\/em\u003e Todd Hido explores the genres of landscape, interiors, and nude photography, with an emphasis on creating images from a personal perspective.\u003c\/p\u003e\n\u003cp\u003eIn this series, Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through words and photographs, Hido reveals insight into his own practice and discusses a wide range of creative issues, including mining one's own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty. Gregory Halpern, a student of Todd Hido, provides the introduction.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955986632943,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3008_1d88cd27-9656-414d-8d80-83bc823d96da.jpg?v=1790224241"},{"product_id":"david-alekhuogie-a-reprise","title":"David Alekhuogie – A Reprise","description":"\u003cp\u003eIn\u003cem\u003e A Reprise,\u003c\/em\u003e David Alekhuogie remixes Walker Evans’s photographs of African art, provoking timely questions about authorship and authenticity. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eA Reprise\u003c\/i\u003e, David Alekhuogie’s first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAfrican Negro Art\u003c\/i\u003e. Nearly ninety years later, Alekhuogie began investigating Evans’s images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans’s original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops—often using East and West African textiles—thereby inviting multiple dimensions of viewership. Alekhuogie’s images draw upon the musical idiom of the reprise—a performance of repetition—and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955987910895,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3018_1a03983f-6bf5-400c-9114-0f22f8befe30.jpg?v=1790223944"},{"product_id":"deana-lawson-an-aperture-monograph","title":"Deana Lawson: An Aperture Monograph","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeana Lawson is one of the most intriguing photographers of her generation. Over the last ten years, she has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals. Using medium- and large-format cameras, Lawson works with models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of colour and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, which invites comparison to the photography of Diane Arbus, Jeff Wall, and Carrie Mae Weems, Lawson seeks to portray the personal and the powerful in black life. \u003c\/span\u003e\u003ci\u003eDeana Lawson: An Aperture Monograph\u003c\/i\u003e\u003cspan\u003e features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an expansive conversation with the filmmaker Arthur Jafa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955988402415,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_2975_c91e4924-e28a-4878-b54e-ef25fb74699e.jpg?v=1790223610"},{"product_id":"dionne-lee-currents","title":"Dionne Lee – Currents","description":"\u003cp\u003eDionne Lee (born in New York, 1988) works across photography, video, and collage to examine interwoven histories of land, power, survival, and Black identity in the American landscape.\u003c\/p\u003e\n\u003cp\u003eLee’s formal interventions and innovative darkroom techniques—including rephotographing found imagery from wilderness survival manuals and using graphite pencils to create inscriptions on her photographs of the landscape—address themes of dispossession, loss, and resilience. \u003ci\u003eCurrents\u003c\/i\u003e, the artist’s first monograph, brings together key works from over a decade of Lee’s career alongside essays by award-winning poet Camille T. Dungy and curator Eric Booker, as well as a conversation between Lee and the artist Gabrielle L’Hirondelle Hill, offering a deeper look at a visionary artist reshaping how we see—and choose to imagine—the great outdoors.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50955988992239,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0734\/3927\/files\/IMG_3014_77c88395-1bd8-4241-be32-e1d21d65a37e.jpg?v=1790224198"}],"url":"https:\/\/www.perimeterbooks.com\/collections\/aperture.oembed?page=3","provider":"Perimeter Books","version":"1.0","type":"link"}